Originally posted by doversoul1
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BaL 15.10.16 - Cabaret
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Originally posted by underthecountertenor View PostAgreed. There's a lot of predictable knee-jerk (I resisted the temptation to say goose-step) above. I think this is absolutely fine for R3, and I loved hearing Judi Dench, the French production eventually (bravely) chosen, and the poignant clip from the Israeli version. But, as a BaL, I don't think it quite worked (for reasons I foreshadowed earlier), and I think Richard Sisson almost acknowledged as much at the end. It was a fascinating and learned historical survey though, and I learned a lot.
To me, this isn't what the 'Battle of Radio 3' has ever been about. Write to the controller if you didn't think it worked and say exactly why. Don't just tell him he shouldn't have allowed it. :Tinhat:It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by french frank View PostThat seems a sensible response. It's always been the case that Radio 3 (and the Third) have been free to try new things - and fail. Writing that one listened carefully annd decided for reasons x, y and z that it didn't really work is a rational response. "This is R3 going to the dogs. What next? Musicals on R3!" - in my personal view, isn't. It's the green ink response that doesn't get anywhere as long as there is an alternative view which defends the programme (e.g. Micky D, pastoralguy - leave me out, I've been busy doing the washing).
To me, this isn't what the 'Battle of Radio 3' has ever been about. Write to the controller if you didn't think it worked and say exactly why. Don't just tell him he shouldn't have allowed it. :Tinhat:
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Originally posted by Eine Alpensinfonie View PostDoes anyone know where to buy this version?
Rather more pricey from other countries' Amazon sites.
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Originally posted by Eine Alpensinfonie View PostDoes anyone know where to buy this version?
...and listen to some extracts, too.
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Originally posted by MickyD View Post
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With all the things said upthread in mind, it seems to me there are two distinct questions to answer.
1. Was BAL well presented?
2. Was Cabaret a suitable topic for BAL?
1. For me Richard Sisson conducted a splendid survey of the piece. He was (obviously) very well-informed and played lots of examples to illustrate his case. His manner was also just right for a R3 audience; intelligent, with occasional dry humour. It was an eye-opener to me to hear Judy Dench in the role of Sally Bowles! (I might add how awful 'a chat-with-Andrew' format would have been.)
2. Yes it most certainly was. Apart from the film, I'd only seen a student production of Cabaret (with one of my daughters as MD as it happens!) and I felt I wanted to get to know the show and its additional material better. No need to be highbrow or sniffy IMVHO.
I did feel the chosen version came as a bit of a rabbit out of a hat, though I respect entirely RS's opionion of its musical excellence. In spite of being a Francophile with knobs on, I do think I'd prefer an English language version if I bought a CD to live with.
I was left with a real enthsiasm to go and see a (professional) live staging were one to appear in a theatre near me...or a live streaming.
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Originally posted by ardcarp View PostWith all the things said upthread in mind, it seems to me there are two distinct questions to answer.
1. Was BAL well presented?
2. Was Cabaret a suitable topic for BAL?
1. For me Richard Sisson conducted a splendid survey of the piece. He was (obviously) very well-informed and played lots of examples to illustrate his case. His manner was also just right for a R3 audience; intelligent, with occasional dry humour. It was an eye-opener to me to hear Judy Dench in the role of Sally Bowles! (I might add how awful 'a chat-with-Andrew' format would have been.)
2. Yes it most certainly was. Apart from the film, I'd only seen a student production of Cabaret (with one of my daughters as MD as it happens!) and I felt I wanted to get to know the show and its additional material better. No need to be highbrow or sniffy IMVHO.
I did feel the chosen version came as a bit of a rabbit out of a hat, though I respect entirely RS's opionion of its musical excellence. In spite of being a Francophile with knobs on, I do think I'd prefer an English language version if I bought a CD to live with.
I was left with a real enthsiasm to go and see a (professional) live staging were one to appear in a theatre near me...or a live streaming.
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