If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
BaL 24.09.16 - Chopin: Piano Concerto no. 1 in E minor
I have two Rubinsteins: Skrowaczewski, as mentioned. Also Live Carnegie Hall 1947 with Bruno Walter in poor sound but with great atmosphere and pianism.
Olli Mustonen with Herbert Blomstedt and LA Phil might be shortlisted but probably won't win.
Newest acquisition is Argerich/Kaspszyk - very good.
I am amazed when I look at Alpie's list how many versions that I own normally obtained as part of a larger set. I much prefer solo Chopin to the Concertos. My favorite is Rubinstein/Wallenstein but I also have Argerich, Ohlsonn, Perahia, Zimmerman, Gilels and probably a few I can't think of right now...
I think I will skip this another dreaded live BAL.
It's such an awful format usually ruined by unprofressional cross-talk, AMcG more often than not the guilty party talking all over his guests; it's their opinion I'd rather hear.
It's such an awful format usually ruined by unprofressional cross-talk, AMcG more often than not the guilty party talking all over his guests; it's their opinion I'd rather hear.
As I've said ad nauseam, if Andrew wants to do a BaL, he's more than capable of doing a review himself. I expect it would be brilliant. But not these annoying twofers.
I like Zimerman in Chopin; I haven't heard him in the concertos.
Was there a reason the disc never got played?
Thank you vinteuil.
I think it was because of fear that it could not surpass the solo piano music, as you have hinted yourself.
I also, irrationally, regard romantic concertos as 'showing off'.
However, now that I have rediscovered the CD, I promise to listen to it.
I think it was because of fear that it could not surpass the solo piano music, as you have hinted yourself.
I also, irrationally, regard romantic concertos as 'showing off'.
The concertos aren't Chopin's best works, nor the best Piano Concertos - but I love them both dearly, and there's no more showing off than in (for example) the Etudes, Padraig: lovely, lyrical works - I think you'll like them a lot.
I have a couple of versions: Rubinstein with Stan the Man, and Cali's neighbour*. (I also have Pollini on a casette somewhere.) I would have been very interested to hear SM-P's individual comments on the work, but cannot abide Record Review when it turns into (read "becomes even more") the Andrew McGregor Show, so I'll just wait to read Forumistas' comments on the review next week.
* = Tamas Vasary
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
The concertos aren't Chopin's best works, nor the best Piano Concertos - but I love them both dearly, and there's no more showing off than in (for example) the Etudes, Padraig: lovely, lyrical works - I think you'll like them a lot.
For those with pianistic ambitions, these are fun to play ay home, even without the orchestra (really a plush cushion for the soloist to rest upon). I never tried this until I'd seen The Lady in the Van.
My two 'go to' versions of Chopin's piano concertos are Emanuel Ax, with Ormandy/Philadelphia and the Naxos recording by Istvan Szekely, with the Budapest Symphony Orchestra/Gyula Nemeth. The Naxos being one of those 'worth a punt for a quid' sale items - well-worth it.
My two 'go to' versions of Chopin's piano concertos are Emanuel Ax, with Ormandy/Philadelphia and the Naxos recording by Istvan Szekely, with the Budapest Symphony Orchestra/Gyula Nemeth. The Naxos being one of those 'worth a punt for a quid' sale items - well-worth it.
Phew! Credibilty preserved.
Not a great fan of Chopin, but it is this Naxos version of the concertos that sits on my shelves and occasionally gets a spin!
Comment