BaL 17.09.16 - Vivaldi: The Four Seasons

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  • Beef Oven!
    Ex-member
    • Sep 2013
    • 18147

    #91
    Originally posted by underthecountertenor View Post
    Glad we agree!
    Hard not to.

    Comment

    • Eine Alpensinfonie
      Host
      • Nov 2010
      • 20570

      #92
      One swallow does not a summer make.

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      • underthecountertenor
        Full Member
        • Apr 2011
        • 1584

        #93
        Originally posted by Eine Alpensinfonie View Post
        I get it. It's OK for the reviewer to make snide remarks about HvK, but it's not OK for me to challenge it.
        I don't think you do get it. You didn't challenge what he said. You certainly didn't present a counter-argument to his clearly and persuasively argued objection to what HvK did. You just made an unpleasant, and completely unjustified, remark.

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        • Daniel
          Full Member
          • Jun 2012
          • 418

          #94
          I very rarely listen to BAL, just chanced on this one and came away feeling I'd like to hear more of the Adrian Chandler Serenissima version.

          ME's descriptions and the samples he played certainly backed up and illuminated each other convincingly throughout the prog. I agree some of the criticisms were quite peppery, the HK comment was funny though. I thought the 1940's version with piano that opened the programme sounded so dated it almost sounded modern! It was a telling point for me about Nige K's intonation being so good, it hadn't really occurred to me before.

          I have Carmignola, and may be tempted to add Adrian Chandler, though am also interested in versions that feature different soloists.

          Comment

          • Rue Dubac
            Full Member
            • Mar 2013
            • 48

            #95
            Now now, play nicely.
            I switched on about fifteen minutes in, so will have to listen again, but it was a delightful and revelatory BaL. I have Loveday and Standage, one on LP but nothing to play it on, the other on cassette. Then I heard the Biondi recommended, possibly on RR when it was issued, bought it, and when I played it I could hardly believe it was the same music. Possibly the fault of my ears... Will now fish it out for another listen. I liked Nigel's first version, too.
            Can someone remind me which was the recording/performance which began the work's revival, or did that emerge at the beginning of the programme?

            Comment

            • ferneyhoughgeliebte
              Gone fishin'
              • Sep 2011
              • 30163

              #96
              Originally posted by Eine Alpensinfonie View Post
              One swallow does not a summer make.
              You gave the impression that you'd drunk the whole bottle, Alpie - not just taken a single swallow!
              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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              • jean
                Late member
                • Nov 2010
                • 7100

                #97
                Originally posted by Eine Alpensinfonie View Post
                ...supercilious snivelling...
                Surely you can't be both at the same time?

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  #98
                  Originally posted by jean View Post
                  Surely you can't be both at the same time?
                  - that hadn't occurred to me!
                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                  Comment

                  • underthecountertenor
                    Full Member
                    • Apr 2011
                    • 1584

                    #99
                    Originally posted by jean View Post
                    Surely you can't be both at the same time?
                    Very good point, jean!

                    Comment

                    • Eine Alpensinfonie
                      Host
                      • Nov 2010
                      • 20570

                      Originally posted by underthecountertenor View Post
                      I don't think you do get it. You didn't challenge what he said. You certainly didn't present a counter-argument to his clearly and persuasively argued objection to what HvK did. You just made an unpleasant, and completely unjustified, remark.
                      I was referring to his supercilious/trying-to-be-clever tone - something that's increasingly common amongst some critics who like to assume a superior-to-the-musicians tone. He is, of course, perfectly entitled to express an opinion, but perhaps not in a way that portrays Mutter/Vienna Phil/Karajan as rather incompetent musicians.

                      Originally posted by jean
                      Surely you can't be both at the same time?
                      I thought he managed to do both rather well.

                      Originally posted by ferneyhoughgeliebte
                      You gave the impression that you'd drunk the whole bottle, Alpie - not just taken a single swallow!
                      I was referring to the selectivity of the Nigel Kennedy example to negate my argument.

                      Comment

                      • jean
                        Late member
                        • Nov 2010
                        • 7100

                        Originally posted by Eine Alpensinfonie View Post
                        I was referring to his supercilious/trying-to-be-clever tone - something that's increasingly common amongst some critics who like to assume a superior-to-the-musicians tone.
                        Good.

                        Now explain snivelling, which I've never thought of as indicating feelings of superiority - rather the reverse!

                        Comment

                        • Eine Alpensinfonie
                          Host
                          • Nov 2010
                          • 20570

                          Originally posted by jean View Post
                          Good. Now explain snivelling.
                          Oh, all right. Having looked it up in the OED, I concede that it was the wrong word.

                          Comment

                          • mikealdren
                            Full Member
                            • Nov 2010
                            • 1199

                            Let's get back to the music................

                            I've just listened to the Campoli recording again, 1939 and 3 years before the 'first commercial recording' played this morning. It's really lovely playing (of course with this artist) and if it had a modern recording, it would still stand up well.

                            Comment

                            • visualnickmos
                              Full Member
                              • Nov 2010
                              • 3609

                              Originally posted by Eine Alpensinfonie View Post
                              Oh, all right. Having looked it up in the OED, I concede that it was the wrong word.
                              It might be the wrong word, but it sure does sound like the right one!

                              Comment

                              • Beef Oven!
                                Ex-member
                                • Sep 2013
                                • 18147

                                Well done everyone on derailing an excellent BaL thread.

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