Originally posted by gurnemanz
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BaL 2.04.16 - Brahms: Violin Sonata no. 1 in G
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Aaagh, Slough of Despond time chez LMP!
Just checked my LP shelves for my long-time favourite Suk/ Katchen and there it isn't
Mice? Misfiling somewhere amid 3000-odd LPs? Sneak-thieves with unusually precise and elevated tastes?
That only leaves me "the excellent and good value Rubinstein/Brahms box"...I keep hitting the Escape key, but I'm still here!
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Originally posted by Brassbandmaestro View PostThis be one BaL, I hope to listen oo! I haven't this work in my collection, yet. Any boarders here have their recommendations?
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Originally posted by vinteuil View PostFaust/Melnikov here (... and CallMePaul : yes, you must get the other vol! )
- I also like Ilia Korol/Natalia Grogorieva. Ms Grigorieva plays an 1870 Streicher
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Originally posted by Caliban View PostGosh you do sound enthusiastic, Bbm!
I only have the Josef Suk / Julius Katchen recording on Decca Legends, so may well be up for a more recent version. Faust/Melnikov sounds like the one to go for, though, even without listening to this BAL.....
Perlman/Ashkenazy are two of my favourite artists but I hope to hear about some of the more recent ones.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Aside from Alpie's fine list, which I have several of, I'm now listening to Norbert Brainin and Carlo Levi Minzi, which I have on nla CD from 1993.
I first heard this sonata in a competition at school, played by two teenagers - Peter Cropper and Bruce Ogston - around 1961. They won! And I heard Peter play it again at Blackheath around 1989.
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Originally posted by visualnickmos View PostI have two versions:
Suk/Katchen (Decca) which is very fine, if a little dated, sounding.
Zukerman/Barenboim (DG) quite a bracing performance - I never tire of listening to it.
I'm certainly looking forward to this Bal.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Don Petter
I'm spitting feathers, just as when a newspaper article is headed with a picture which is given no caption as to where it is.
BaL was introduced with the start of the work, and I thought 'beautiful, I'll take that one now', but we were never told who were playing it! How to upset your listeners in one easy stroke.
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Don Petter
I thought the Mullova a complete travesty. You seemed to be inside the lid of the piano, with the violin hardly audible and the players in an empty swimming pool. Can't think why it was ever considered.
Loved the old favourites, Goldberg, Busch, Ferras, and no objections to the final Suk/Katchen even though it wouldn't be my choice (like Suk, not so keen on Katchen).
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Originally posted by Don Petter View PostBaL was introduced with the start of the work, and I thought 'beautiful, I'll take that one now', but we were never told who were playing it! How to upset your listeners in one easy stroke.
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Originally posted by Don Petter View PostI thought the Mullova a complete travesty. You seemed to be inside the lid of the piano, with the violin hardly audible and the players in an empty swimming pool. Can't think why it was ever considered.
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Originally posted by visualnickmos View PostMy 'problem' or rather - issue - with this one is that I find the sound sort of old-fashioned, a bit ancient....
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