BaL 12.03.16 - Rachmaninoff: Symphony no. 3 in A minor

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts
  • cloughie
    Full Member
    • Dec 2011
    • 22225

    #46
    Originally posted by ferneyhoughgeliebte View Post
    Yes - an irritating stain on an otherwise splendid review and presentation. I notice that Previn was illustrated with his earlier recording - no mention of the later EMI recording. But I was really taken with the chosen recording (Ashkenazy, Concertgebouw, Bbm) - and the programme reminded me how much I enjoy this wonderful work.
    Is the RCA Previn currently available?

    Comment

    • Bryn
      Banned
      • Mar 2007
      • 24688

      #47
      Originally posted by cloughie View Post
      Is the RCA Previn currently available?
      Looks like it may be re-released April 29th this year.

      Comment

      • rauschwerk
        Full Member
        • Nov 2010
        • 1486

        #48
        For me, the number and brevity of the examples detracted from this BAL.

        Comment

        • ardcarp
          Late member
          • Nov 2010
          • 11102

          #49
          ...but how do you treat so many available recordings fairly without giving a whirl to quite a lot of them?

          Comment

          • HighlandDougie
            Full Member
            • Nov 2010
            • 3118

            #50
            Originally posted by Bryn View Post
            Looks like it may be re-released April 29th this year.
            Judging from one of the regular e-mails I get from Japan, it's the later HMV LSO/Previn Rachmaninov recordings which are being re-released by Warners on 20th April in Japan: Symphony No 3 Etc (the etc being the Intermezzo and Women's Dance from Aleko); The Bells/Vocalise; Isle of the Dead/Symphonic Dances. Those titles tie in with what's listed by Amazon as being re-released on 29th April. But I may be mistaken.

            The RCA version has been available on CD in Japan but is currently shown by CD Japan as being out of print. I can't find a legitimate download of it anywhere so I'd be very interested in the source used this morning, unless it was the LP (freely available second-hand).

            Comment

            • Nick Armstrong
              Host
              • Nov 2010
              • 26597

              #51
              I'm posting this having deliberately not read today's posts, as I haven't yet heard this BAL. However I have pursued (into the early hours, as everyone's away ) and again today my listening to various performances of No 3, and wanted to set out my reactions first, before hearing the survey or knowing who 'won'.

              Based on suggestions earlier in this thread, I've heard these performances for the first time:

              Kletzki - as mentioned above, thrilling in the outer movements but for me ruled out by horrendous woodwind tuning in the middle movement

              Jurowski - oddly bland in performance and recording

              Maazel - likewise, lacking fire and a somewhat dull recording, I found

              Svetlanov (USSR Symphony) - pretty gritty and exhilarating but allowance having to be made for the uneven, echoey live recording (though it's undeniably an atmospheric 'live' experience, with a tangible sense of being in a massive concert hall, albeit sitting towards the back. Must have been overwhelming on the night!)

              I've also re-listened to these recordings which I have in my collection

              Ashkenazy - terrific performance, stunningly played, but a recording that I find makes the upper strings sound steely and unpleasant when playing full out. But VA really has the knack of delivering the rubato without losing the pulse and impetus of the music

              Previn - doesn't have the 'just right' factor of his performance of No 2 imo... I found some of his No 3 sounded oddly like Brahms, it's somehow not idiomatic... Other passages were too stop-start, with a rather 'automatic'-sounding approach to rubato. There are also some vagaries of woodwind tuning in the middle movement, to my ears

              Pletnev - pretty horrible, no impetus, all languorous lingering - made me think of someone looking admiringly at themselves in the mirror, running immaculately-manicured fingers through lustrous silken locks. Boomy acoustic too.

              Jansons - fabulous. All the fire of Ashkenazy, perhaps the solos a notch less characterful, but a better recording, just the sort of sound-stage I like - I especially love the edgy presence of the bass instruments and timps, giving real fibre. This is the one I want to hear again.




              "...the isle is full of noises,
              Sounds and sweet airs, that give delight and hurt not.
              Sometimes a thousand twangling instruments
              Will hum about mine ears, and sometime voices..."

              Comment

              • cloughie
                Full Member
                • Dec 2011
                • 22225

                #52
                Originally posted by Caliban View Post
                Oh.... were they different names for the same band?

                And on this one, he's billed as conducting No 3 with the "USSR RTV LARGE SYMPHONY ORCHESTRA" (as opposed, apparently, to the plain old "USSR Symphony Orchestra" in No 1)....

                Perhaps this helps Cali

                Comment

                • Bryn
                  Banned
                  • Mar 2007
                  • 24688

                  #53
                  Originally posted by HighlandDougie View Post
                  Judging from one of the regular e-mails I get from Japan, it's the later HMV LSO/Previn Rachmaninov recordings which are being re-released by Warners on 20th April in Japan: Symphony No 3 Etc (the etc being the Intermezzo and Women's Dance from Aleko); The Bells/Vocalise; Isle of the Dead/Symphonic Dances. Those titles tie in with what's listed by Amazon as being re-released on 29th April. But I may be mistaken.

                  The RCA version has been available on CD in Japan but is currently shown by CD Japan as being out of print. I can't find a legitimate download of it anywhere so I'd be very interested in the source used this morning, unless it was the LP (freely available second-hand).
                  I fear your lead from Japan is correct. However, should cost be of little object, there's http://www.amazon.co.uk/Rachmaninov-.../dp/B000SM6ZFY
                  Last edited by Bryn; 12-03-16, 14:51. Reason: deleted misleading update.

                  Comment

                  • cloughie
                    Full Member
                    • Dec 2011
                    • 22225

                    #54
                    Originally posted by Caliban View Post
                    I'm posting this having deliberately not read today's posts, as I haven't yet heard this BAL. However I have pursued (into the early hours, as everyone's away ) and again today my listening to various performances of No 3, and wanted to set out my reactions first, before hearing the survey or knowing who 'won'.

                    Based on suggestions earlier in this thread, I've heard these performances for the first time:

                    Kletzki - as mentioned above, thrilling in the outer movements but for me ruled out by horrendous woodwind tuning in the middle movement

                    Jurowski - oddly bland in performance and recording

                    Maazel - likewise, lacking fire and a somewhat dull recording, I found

                    Svetlanov (USSR Symphony) - pretty gritty and exhilarating but allowance having to be made for the uneven, echoey live recording (though it's undeniably an atmospheric 'live' experience, with a tangible sense of being in a massive concert hall, albeit sitting towards the back. Must have been overwhelming on the night!)

                    I've also re-listened to these recordings which I have in my collection

                    Ashkenazy - terrific performance, stunningly played, but a recording that I find makes the upper strings sound steely and unpleasant when playing full out. But VA really has the knack of delivering the rubato without losing the pulse and impetus of the music

                    Previn - doesn't have the 'just right' factor of his performance of No 2 imo... I found some of his No 3 sounded oddly like Brahms, it's somehow not idiomatic... Other passages were too stop-start, with a rather 'automatic'-sounding approach to rubato. There are also some vagaries of woodwind tuning in the middle movement, to my ears

                    Pletnev - pretty horrible, no impetus, all languorous lingering - made me think of someone looking admiringly at themselves in the mirror, running immaculately-manicured fingers through lustrous silken locks. Boomy acoustic too.

                    Jansons - fabulous. All the fire of Ashkenazy, perhaps the solos a notch less characterful, but a better recording, just the sort of sound-stage I like - I especially love the edgy presence of the bass instruments and timps, giving real fibre. This is the one I want to hear again.




                    You're working well Cali - next -
                    Boult
                    de Waart
                    Dutoit
                    Litton
                    Mackerras
                    Ormandy
                    Otaka
                    Petrenko
                    Rozhdestvensky
                    Sargent
                    Silvestri
                    Slatkin
                    Stokowski
                    Weller

                    Comment

                    • BBMmk2
                      Late Member
                      • Nov 2010
                      • 20908

                      #55
                      I might just get the Jansons! :)
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment

                      • seabright
                        Full Member
                        • Jan 2013
                        • 634

                        #56
                        No mention anywhere as far as I can see of the Abravanel / Utah Symphony recording but listening to it on You Tube it strikes me as well worth a listen ... it features some nice rubato that the composer himself adopted, so I suspect that Abravanel listened to the old Philadelphia 78s before making his own recording ...

                        Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

                        Comment

                        • Barbirollians
                          Full Member
                          • Nov 2010
                          • 11828

                          #57
                          In many ways a good BAL but some extraordinary omissions- Kletzki and Jansons did not even get a mention and poor old Stokowski was just described in passing as weird . I couldn't understand her enthusiasm for the Zinman - very dull . A sound winner though not my favourite by any means .

                          Comment

                          • BBMmk2
                            Late Member
                            • Nov 2010
                            • 20908

                            #58
                            Just by coincedence, isn't Andrew Litton's cycle available?
                            Don’t cry for me
                            I go where music was born

                            J S Bach 1685-1750

                            Comment

                            • seabright
                              Full Member
                              • Jan 2013
                              • 634

                              #59
                              Originally posted by Brassbandmaestro View Post
                              Just by coincedence, isn't Andrew Litton's cycle available?
                              As always, it depends what is meant by "available" ... 10 seconds of googling reveal it to be just that, both as a CD and a download, but I guess the BBC doesn't consider Amazon to be an "available" outlet! ...

                              Comment

                              • Eine Alpensinfonie
                                Host
                                • Nov 2010
                                • 20576

                                #60
                                The RPO/ Litton is not really "available" in the UK as a CD, the Amazon examples all being second-hand, but it is available at a download, and was on my list from the start.

                                Comment

                                Working...
                                X