Kletzki is excellent in this symphony I agree as was Previn on EMI .
BaL 12.03.16 - Rachmaninoff: Symphony no. 3 in A minor
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Originally posted by Barbirollians View PostKletzki is excellent in this symphony I agree
EDIT: That was the first movement... Not sure I can forgive, still less live with, the rancidly out-of-tune woodwind in the second though... Horrible clarinet solo"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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What a pity about the Swiss woodwind in the slow movement under Kletzki. The first and third movements are electrifying, strings and brass wonderful and a great recording. I'd be interested in others' views about the second movement tuning. I don't think I'm being too demanding; but in one review one reads 'Kletzki gets vibrant and colorful playing from the Suisse Romande orchestra, particularly the brass and woodwinds'
Just listened to Jurowski in the first movement, Alison...
Originally posted by Petrushka View PostI've already earmarked the new LPO/Jurowski as a likely purchase on the grounds that he can seemingly do no wrong.
Looking forward to this BAL!
PS: Which Svetlanov should I hear, cloughie?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostPS: Which Svetlanov should I hear, cloughie?
There's a third one (in addition to those listed in post #1) available on Apple Music - namely:
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostOn further enquiry, the 'legendary' version seems to be the live USSR Symphony Orch recording - cued up for listening later. I imagine that's the one you mean?
There's a third one (in addition to those listed in post #1) available on Apple Music - namely:
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Originally posted by cloughie View PostI get confused by the names of the USSR and Moscow orchestras which seem to get swapped around.
And on this one, he's billed as conducting No 3 with the "USSR RTV LARGE SYMPHONY ORCHESTRA" (as opposed, apparently, to the plain old "USSR Symphony Orchestra" in No 1)....
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostOh.... were they different names for the same band?
And on this one, he's billed as conducting No 3 with the "USSR RTV LARGE SYMPHONY ORCHESTRA" (as opposed, apparently, to the plain old "USSR Symphony Orchestra" in No 1)....
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Some interesting contributions and comparisons here, but why, oh why, does the reviewer feel it necessary to wander into the world of speculation-without foundation? The scherzo within the slow movement being because Rachmaninoff was in a hurry to get on with his busy concert schedule? Really? Doesn't she realise that:
(a) Rachmaninoff had done this on several occasions, including times when he wasn't relying on performing to make a living.
(b) if u want to save time as a composer, you don't write fast music, as it takes ages to fill the same musical time-space.
Yet this same reviewer did one of the best BaLs of recent times - Strauss's Oboe Concerto - when she kept to the facts rather than wandering into the world of speculation.
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Yes - an irritating stain on an otherwise splendid review and presentation. I notice that Previn was illustrated with his earlier recording - no mention of the later EMI recording. But I was really taken with the chosen recording (Ashkenazy, Concertgebouw, Bbm) - and the programme reminded me how much I enjoy this wonderful work.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Egregious speculation apart (and there have been worse on BaL), I really enjoyed the programme: cogent, articulate, wide-ranging and convincing. The 45 minutes or so flew past. I pretty much liked every performance she illustrated (which doesn't say much for my critical faculties) and very much agree with FHG in that I also was reminded of what an enjoyable work it is.
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Originally posted by HighlandDougie View PostEgregious speculation apart (and there have been worse on BaL), I really enjoyed the programme: cogent, articulate, wide-ranging and convincing. The 45 minutes or so flew past. I pretty much liked every performance she illustrated (which doesn't say much for my critical faculties) and very much agree with FHG in that I also was reminded of what an enjoyable work it is.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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