Originally posted by Eine Alpensinfonie
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BaL 30.01.16 - Kern: Showboat
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Originally posted by Brassbandmaestro View PostWhat I do, with opera,(which unfortunately listen quite rarely), is that I follow the libretto and with the action taking place, I have in my mind what's going on. I love using my imagination!I keep hitting the Escape key, but I'm still here!
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Originally posted by Brassbandmaestro View PostI love using my imagination!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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What an interesting BAL. It was a pleasure to have Mr Seckerson's love of the music informing the musical excerpts from this marvellous work and the discussion with Andrew was very engaging.
High time R3 brought back Mr Seckerson's excellent Stage and Screen programme or a vehicle that give us the chance to share his exploration of musical theatre, I owe a number of musical discoveries to him which I doubt that I would ever have found for myself.
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Originally posted by gradus View PostWhat an interesting BAL. It was a pleasure to have Mr Seckerson's love of the music informing the musical excerpts from this marvellous work and the discussion with Andrew was very engaging.
High time R3 brought back Mr Seckerson's excellent Stage and Screen programme or a vehicle that give us the chance to share his exploration of musical theatre, I owe a number of musical discoveries to him which I doubt that I would ever have found for myself.
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Originally posted by pastoralguy View PostI think this was an occasion when the studio discussion enhanced the extracts played. I agree that it's not a format that works for most 'through composed' works but, here, it was fine.
Good stuff, and a good education from what I heard.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by pastoralguy View PostI think this was an occasion when the studio discussion enhanced the extracts played. I agree that it's not a format that works for most 'through composed' works but, here, it was fine."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by pastoralguy View PostI think this was an occasion when the studio discussion enhanced the extracts played. I agree that it's not a format that works for most 'through composed' works but, here, it was fine.
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I was agreeably surprised that I really enjoyed learning about Showboat. I only knew a few of the numbers...the standards, if you like. The transition between operetta and full-blown musical show was fascinating, as were its various reincarnations. I grudgingly admit that I found the chat format less disagreeable than usual...partlyfor the reason Alpie suggests, but partly because ES was so obviously 'in charge'.
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