BaL 30.01.16 - Kern: Showboat

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20570

    BaL 30.01.16 - Kern: Showboat

    0930
    Building a Library: Edward Seckerson joins Andrew live in the studio to recommend a recording of Jerome Kern's Show Boat. With its epic sweep, social relevance and emotional depth, Kern's and Oscar Hammerstein II's groundbreaking 1927 collaboration put the genre of musical theatre on an artistic and dramatic par with grand opera.


    Versions which you may be able to lay your hands on () :


    CD

    National Symphony Orchestra, John Owen Edwards
    London Sinfonietta, John McGlinn
    Fred Stride Orchestra, Fred Stride
    [/B]


    DVD

    1936 film soundtrack - cast includes Irene Dunne, Allan Jones, Paul Robeson
    1951 film soundtrack - cast includes Howard Keel, Ava Gardner.
    San Francisco Opera, John DeMain




    Highlights, arr. Previn:

    André Previn (piano), Mundell Lowe (guitar), Ray Brown (double bass), Grady Tate (drums)

    As you can see, I'm struggling this week. The following is on Wikipedia:


    • 1928 – original London cast album, with the show's original orchestrations. This was released in England on 78rpm records years before being sold in the United States. Because the U.S. had not yet begun making original cast albums of Broadway shows, the 1927 Broadway cast as a whole was never recorded performing the songs, although Jules Bledsoe, Helen Morgan, and Tess Gardella did record individual numbers from it. The cast on the 1928 London album included Edith Day, Howett Worster, Marie Burke and Alberta Hunter. Due to contractual restrictions, cast member Paul Robeson was replaced on the album as Joe by his understudy, baritone Norris Smith. But that same year, Robeson, with the same chorus that accompanied him in the show, did record "Ol' Man River" in its original orchestration. That recording was later released separately. His rendition appears on the EMI CD "Paul Robeson Sings 'Ol' Man River' and Other Favorites".

    • 1932 – studio cast recording on 78rpm by Brunswick Records. Later re-released by Columbia Records on 78rpm, 33-1/3rpm and briefly on CD. This recording featured Helen Morgan, Paul Robeson, James Melton, Frank Munn, and Countess Olga Albani, and was issued in conjunction with the 1932 revival of the show, although it was not strictly an "original cast" album of that revival. The orchestra was conducted by Victor Young, and the original orchestrations and vocal arrangements were not used.

    • 1946 – Broadway revival cast recording. Issued on 78rpm, LP, and CD. The 78-RPM and LP versions were issued by Columbia, the CD by Sony. This was the first American recording of Show Boat which used the cast, conductor, and orchestrations of a major Broadway revival of the show. (Robert Russell Bennett's orchestrations for this revival thoroughly modified his original 1927 orchestrations.) Jan Clayton, Carol Bruce, Charles Fredericks, Kenneth Spencer, and Colette Lyons were featured. Buddy Ebsen also appeared in the revival, but not on the album. Includes the new song "Nobody Else But Me".

    • 1951 – MGM Records soundtrack album, with cast members of the 1951 film version. The first film soundtrack of Show Boat to be issued on records. Appeared both on 45rpm and 33-1/3rpm, later on CD in a much expanded edition. Actress Ava Gardner, whose singing voice was replaced by Annette Warren's in the film, is heard singing on this album. The expanded version on CD contains both Warren's and Gardner's vocal tracks. This marked the recording debut of William Warfield, who played Joe and sang "Ol' Man River" in the film. Orchestrations were by Conrad Salinger, Robert Franklyn, and Alexander Courage.

    • 1956 – RCA Victor studio cast album conducted by Lehman Engel. This album featured more of the score on one LP than had been previously recorded. It featured a white singer, famed American baritone Robert Merrill, as both Joe and Gaylord Ravenal. Other singers included Patrice Munsel as Magnolia and Rise Stevens as Julie. Issued on CD in 2009, but omitting Frank and Ellie's numbers, which had been sung on the LP version by Janet Pavek and Kevin Scott.[37] The original orchestrations were not used.

    • 1958 – RCA Victor studio cast album. The first Show Boat in stereo, this recording starred Howard Keel (singing "Ol' Man River" as well as Gaylord Ravenal's songs), Anne Jeffreys, and Gogi Grant, and did not use the original orchestrations. It was issued on CD in 2010.[

    • 1959 – EMI British studio cast album. It featured Marlys Walters as Magnolia, Don McKay as Ravenal, Shirley Bassey as Julie, Dora Bryan as Ellie, and Inia Te Wiata singing "Ol' Man River".

    • 1962 – Columbia studio cast album. Starring Barbara Cook, John Raitt, Anita Darian, and William Warfield, this was the first "Show Boat" recording issued on CD. Although Robert Russell Bennett was uncredited, this used several of his orchestrations for the 1946 revival of the show, together with some modifications.

    • 1966 – Lincoln Center cast album. Issued by RCA Victor, it featured Cook, Constance Towers, Stephen Douglass, and William Warfield. Robert Russell Bennett's orchestrations were modified even further. Also available on CD.

    • 1971 – London revival cast album. Jazz singer Cleo Laine, soprano Lorna Dallas, tenor Andre Jobin, and bass-baritone Thomas Carey were the leads. It used completely new orchestrations bearing almost no resemblance to Robert Russell Bennett's. This was the first 2-LP album of Show Boat. It included more of the score than had been previously put on records. Issued later on CD.

    • 1988 – EMI studio cast album. This is a three-CD set which, for the first time, contained the entire score of the show, with the authentic 1927 orchestrations, uncensored lyrics, and vocal arrangements. The cast includes Frederica von Stade, Jerry Hadley, Teresa Stratas, Karla Burns, Bruce Hubbard, and Paige O'Hara. The album is conducted by John McGlinn.

    • 1993 – Toronto revival cast recording, starring Rebecca Luker, Mark Jacoby, Lonette McKee, Robert Morse, Elaine Stritch and Michel Bell (as Joe).
    Last edited by Eine Alpensinfonie; 31-01-16, 11:16.
  • Alison
    Full Member
    • Nov 2010
    • 6455

    #2
    Stifle that yawn ...

    Comment

    • pastoralguy
      Full Member
      • Nov 2010
      • 7739

      #3
      Not my favourite show but it'll be interesting to hear how different companies have approached it. Some lovely music.

      Comment

      • teamsaint
        Full Member
        • Nov 2010
        • 25195

        #4
        Lets hope Eddie is bringing his polite head with him on saturday morning........
        I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

        I am not a number, I am a free man.

        Comment

        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20570

          #5
          I had always considered Showboat to be a cheap collection of tunes, until I played in the pit for an amateur production. I was gobsmacked by its emotional power. Ask me what is my favourite musical, and I shall reply "Showboat" every time. Opera companies include it in their repertoire.

          I have John McGlinn's complete version with a starry opera cast, and a highlights disc of John Owen Edwards' version. Both are far superior to the 1951 film soundtrack, though Paul Robeson is rather special in the 1936 film.

          Comment

          • Eine Alpensinfonie
            Host
            • Nov 2010
            • 20570

            #6
            Originally posted by teamsaint View Post
            Lets hope Eddie is bringing his polite head with him on saturday morning........
            To be polite, he would never contradict his host.

            Comment

            • ferneyhoughgeliebte
              Gone fishin'
              • Sep 2011
              • 30163

              #7
              Originally posted by teamsaint View Post
              Lets hope Eddie is bringing his polite head with him on saturday morning........
              Not if he interrupts Julian Johnson's Debussy gig, he won't!
              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

              Comment

              • ferneyhoughgeliebte
                Gone fishin'
                • Sep 2011
                • 30163

                #8
                Originally posted by Eine Alpensinfonie View Post
                I was gobsmacked by its emotional power.
                - historically important in setting the benchmark for subsequent Broadway musicals (most of which fail to meet that mark). But a BaL with just a handful of available recordings?

                Paul Robeson is rather special in the 1936 film.
                [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                Comment

                • Barbirollians
                  Full Member
                  • Nov 2010
                  • 11671

                  #9
                  Very well timed for me having just seen the stupendous revival at the Crucible Theatre on Wednesday . Not a work I knew well before then except for Ol Man River .

                  Comment

                  • doversoul1
                    Ex Member
                    • Dec 2010
                    • 7132

                    #10
                    Is there really a point in discussing music from a musical independent of the show (what’s going on on the stage / in the film) ? Do people on this forum buy / listen to the CD of a musical they’ve never seen?

                    Comment

                    • pastoralguy
                      Full Member
                      • Nov 2010
                      • 7739

                      #11
                      Originally posted by doversoul View Post
                      Is there really a point in discussing music from a musical independent of the show (what’s going on on the stage / in the film) ? Do people on this forum buy / listen to the CD of a musical they’ve never seen?
                      Well, I suppose that applies to operas too. Oddly enough, I've just finished listening to the new Capucon cd of Lalo's 'Symphonie Espagnole', which, after 40 years of concert going, I've never heard live.

                      Comment

                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11671

                        #12
                        Me neither and I have certainly listened to lots of operas I have never seen.

                        Comment

                        • doversoul1
                          Ex Member
                          • Dec 2010
                          • 7132

                          #13
                          Originally posted by pastoralguy View Post
                          Well, I suppose that applies to operas too. Oddly enough, I've just finished listening to the new Capucon cd of Lalo's 'Symphonie Espagnole', which, after 40 years of concert going, I've never heard live.
                          An opera CD contains the entire story. I assume this is not the case of a musical CD. What’s the relevant of 'Symphonie Espagnole' to this BaL?

                          Comment

                          • Eine Alpensinfonie
                            Host
                            • Nov 2010
                            • 20570

                            #14
                            Originally posted by doversoul View Post
                            An opera CD contains the entire story.
                            Not necessarily. For example, some recordings of Mozart's Magic Flute omit the spoken dialogue.

                            Originally posted by doversoul View Post
                            I assume this is not the case of a musical CD.
                            In there case of the John McGlinn Showboat recording, it was originally a 4 LP set - later 3 CDS, with a starry opera cast and includes the spoken text on the recording and in the booklet.

                            Comment

                            • pastoralguy
                              Full Member
                              • Nov 2010
                              • 7739

                              #15
                              Originally posted by doversoul View Post
                              An opera CD contains the entire story. I assume this is not the case of a musical CD. What’s the relevant of 'Symphonie Espagnole' to this BaL?
                              Lalo's immortal masterpiece is a work that, despite my personal involvement with it including studying it and performing bits of it, circumstances have dictated I've never experienced a live performance. Most of my operatic experiences have been as a result of having played in the pit but I've never sat in a theatre and witnessed it as a member of the audience. But that doesn't mean that I don't enjoy listening to the music without the images or a 'live' performance.
                              Last edited by pastoralguy; 22-01-16, 22:35.

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