BaL 29.03.25 - Schumann: Carnaval

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  • Darloboy
    Full Member
    • Jun 2019
    • 353

    #31
    Am I right in thinking that no fortepiano recordings were mentioned?

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    • Ein Heldenleben
      Full Member
      • Apr 2014
      • 7342

      #32
      Yes you’re right.
      I’m wondering what fortepiano Schumann played in 1834 ? Ah it is was an Andreas Stein now restored and in his house.
      Off thread I went to an extraordinary Winterreise on Friday night at the Wigmore Hall . Sung magnificently by Joyce DiDonato it was accompanied no less superbly by Maxim Emelyanychev on one of the best fortepianos I’ve ever heard, It really worked…

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      • MickyD
        Full Member
        • Nov 2010
        • 4967

        #33
        Originally posted by vinteuil View Post

        ... thanks very much for flagging that up : I have found Daniel Grimwood to be revelatory in other recordings, so look forward to getting this one!

        .
        I echo that sentiment. I have Grimwood doing Chopin and the Liszt Années de Pèlerinage but wasn't aware of the Schumann.

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        • Pulcinella
          Host
          • Feb 2014
          • 11493

          #34
          Originally posted by Ein Heldenleben View Post
          Yes you’re right.
          I’m wondering what fortepiano Schumann played in 1834 ? Ah it is was an Andreas Stein now restored and in his house.
          Off thread I went to an extraordinary Winterreise on Friday night at the Wigmore Hall . Sung magnificently by Joyce DiDonato it was accompanied no less superbly by Maxim Emelyanychev on one of the best fortepianos I’ve ever heard, It really worked…
          Neil Fisher of The Times was not so keen on her Winterreise:

          The mezzo-soprano’s reframing of Schubert’s song cycle, which tells the story from a different character’s perspective, is a flawed idea that doesn’t work from the start


          Comment

          • gurnemanz
            Full Member
            • Nov 2010
            • 7488

            #35
            Originally posted by Pulcinella View Post

            Neil Fisher of The Times was not so keen on her Winterreise:

            The mezzo-soprano’s reframing of Schubert’s song cycle, which tells the story from a different character’s perspective, is a flawed idea that doesn’t work from the start

            Guardian was positive. I like Joyce DiDonato and would happily have gone along. We recently enjoyed Ian Bostridge's staged Winterreise at Ustinov Theatre, Bath.

            Back to Carnaval - the BaL (not yet listened) sent me back to going through the various versions I already have. Just greatly enjoyed Sergio Fiorentino on Berlin Recordings collection.

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            • Barbirollians
              Full Member
              • Nov 2010
              • 12054

              #36
              Looks like the 1952 Solomon that was on Testament has disappeared . As I understand it once the pressed copies Of Testament CDs sell out they won’t make any more.

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              • gradus
                Full Member
                • Nov 2010
                • 5684

                #37
                If you enjoy fast-paced performances try Robert Casadesus - must have had a train to catch.

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                • JWillsMusicFan
                  Full Member
                  • Apr 2025
                  • 1

                  #38
                  Hello all. Just signed up here, and enjoying some listening on my day off at home. Just listening to last weekend's Record Review with Andrew McGregor and much enjoying the variety of recommended new releases - Charles Wood, Dvorak (yes, I hear the nightingale too, which I'd not thought before!), Florence Price. Liza Lehmann next.

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                  • french frank
                    Administrator/Moderator
                    • Feb 2007
                    • 30917

                    #39
                    Originally posted by JWillsMusicFan View Post
                    Hello all. Just signed up here, and enjoying some listening on my day off at home. Just listening to last weekend's Record Review with Andrew McGregor and much enjoying the variety of recommended new releases - Charles Wood, Dvorak (yes, I hear the nightingale too, which I'd not thought before!), Florence Price. Liza Lehmann next.
                    Good morning JWMF - and welcome, particularly as you prove the email verification system IS working properly.
                    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

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