Am I right in thinking that no fortepiano recordings were mentioned?
BaL 29.03.25 - Schumann: Carnaval
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Yes you’re right.
I’m wondering what fortepiano Schumann played in 1834 ? Ah it is was an Andreas Stein now restored and in his house.
Off thread I went to an extraordinary Winterreise on Friday night at the Wigmore Hall . Sung magnificently by Joyce DiDonato it was accompanied no less superbly by Maxim Emelyanychev on one of the best fortepianos I’ve ever heard, It really worked…
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Originally posted by vinteuil View Post
... thanks very much for flagging that up : I have found Daniel Grimwood to be revelatory in other recordings, so look forward to getting this one!
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Originally posted by Ein Heldenleben View PostYes you’re right.
I’m wondering what fortepiano Schumann played in 1834 ? Ah it is was an Andreas Stein now restored and in his house.
Off thread I went to an extraordinary Winterreise on Friday night at the Wigmore Hall . Sung magnificently by Joyce DiDonato it was accompanied no less superbly by Maxim Emelyanychev on one of the best fortepianos I’ve ever heard, It really worked…
The mezzo-soprano’s reframing of Schubert’s song cycle, which tells the story from a different character’s perspective, is a flawed idea that doesn’t work from the start
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Originally posted by Pulcinella View Post
Back to Carnaval - the BaL (not yet listened) sent me back to going through the various versions I already have. Just greatly enjoyed Sergio Fiorentino on Berlin Recordings collection.
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Hello all. Just signed up here, and enjoying some listening on my day off at home. Just listening to last weekend's Record Review with Andrew McGregor and much enjoying the variety of recommended new releases - Charles Wood, Dvorak (yes, I hear the nightingale too, which I'd not thought before!), Florence Price. Liza Lehmann next.
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Originally posted by JWillsMusicFan View PostHello all. Just signed up here, and enjoying some listening on my day off at home. Just listening to last weekend's Record Review with Andrew McGregor and much enjoying the variety of recommended new releases - Charles Wood, Dvorak (yes, I hear the nightingale too, which I'd not thought before!), Florence Price. Liza Lehmann next.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Barbirollians View PostLooks like the 1952 Solomon that was on Testament has disappeared . As I understand it once the pressed copies Of Testament CDs sell out they won’t make any more.
(I always think of him in relation to this work, as my mother always raved about a performance she had heard by him - sadly she never found an LP of him playing it)
I thought this was a very good BAL - at last, some extracts played more than once in comparative performances, and some informative comment without a surplus of mutual agreement with AMcG.
Surprising perhaps that no very recent recordings featured (unless I’ve forgotten one), in contrast to many BALs of late, and that no ‘period’ instruments featured.
Illuminating survey nonetheless. I’ve had the Uchida since it came out (and the Testament recording by Solomon); it was the de Larrocha that caught my ear, and which I shall be seeking out."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by JWillsMusicFan View PostHello all. Just signed up here, and enjoying some listening on my day off at home. Just listening to last weekend's Record Review with Andrew McGregor and much enjoying the variety of recommended new releases - Charles Wood, Dvorak (yes, I hear the nightingale too, which I'd not thought before!), Florence Price. Liza Lehmann next.
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Originally posted by silvestrione View Post
Ooh, tell me more about the nightingale, please?
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