BaL 1.03.25 - Liszt: Totentanz

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  • richardfinegold
    Full Member
    • Sep 2012
    • 7898

    #31


    I was struck also today by Mark Pullinger referring to Gergiev's recordings of a piece in Gramophone as recommendable, somehow the piece escapes me , and my immediate thought is that I wouldn't touch a recording by Putin's man who has been sent into land conquered as in South Ossetia - in a million years .[/QUOTE]

    Images of Furtwangler conducting in occupied Paris come to mind.
    There are also memoirs from artists in the past-frequently singers- who allege that storied conductors of the past abused their power and attempted sexual coercion.
    How many famous movie films throughout history have featured actors that were coerced sexually by higher ups?
    At same point we have to acknowledge that humans are imperfect, and that individuals with power will attempt to exploit it.

    Comment

    • oliver sudden
      Full Member
      • Feb 2024
      • 732

      #32
      Originally posted by richardfinegold View Post
      Images of Furtwangler conducting in occupied Paris come to mind.
      He didn’t though, did he?

      Comment

      • Barbirollians
        Full Member
        • Nov 2010
        • 11988

        #33
        Originally posted by oliver sudden View Post
        He didn’t though, did he?
        That;s what I thought that he only conducted in Germany and Austria during the war ?

        He refused to conduct in France - according to Wikipedia - but did conduct in Prague twice - but The Moldau and Dvorak 9 apparently.
        Last edited by Barbirollians; 03-03-25, 14:07.

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        • Alison
          Full Member
          • Nov 2010
          • 6509

          #34
          I’ve rarely warmed to JY-T’s pianism.

          As for Dutoit, didn’t he ‘win’ the Firebird edition last May?

          Comment

          • Retune
            Full Member
            • Feb 2022
            • 340

            #35
            Originally posted by Alison View Post
            I’ve rarely warmed to JY-T’s pianism.

            As for Dutoit, didn’t he ‘win’ the Firebird edition last May?
            Chosen "in appreciation of the musicians, not the man on the podium". Roth (a few days before the allegations about him were made public) was one of the runners up...
            Last edited by Retune; 03-03-25, 16:23.

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            • oliver sudden
              Full Member
              • Feb 2024
              • 732

              #36
              Originally posted by Retune View Post

              Chosen "in appreciation of the musicians, not the man on the podium".
              “Tell me you know nothing about conducting without telling me you know nothing about conducting”

              Comment

              • Barbirollians
                Full Member
                • Nov 2010
                • 11988

                #37
                Originally posted by Alison View Post
                I’ve rarely warmed to JY-T’s pianism.

                As for Dutoit, didn’t he ‘win’ the Firebird edition last May?
                A pianist I have admired but not much more .

                Comment

                • Pulcinella
                  Host
                  • Feb 2014
                  • 11387

                  #38
                  Originally posted by Barbirollians View Post

                  A pianist I have admired but not much more .
                  So any problems there may have been with Dutoit were known when this recording was made in 1990, were they (I genuinely don't know and I haven't checked), and the pianist is somehow now dismissed from your admiration for working with him? Seems a bit harsh to me.
                  • Jean-Yves Thibaudet (piano)
                  • Montreal Symphony Orchestra
                  • Charles Dutoit
                  • Recorded: 1990-10
                  • Recording Venue: L'Eglise de St. Eustache, Montreal

                  Comment

                  • Barbirollians
                    Full Member
                    • Nov 2010
                    • 11988

                    #39
                    Originally posted by Pulcinella View Post

                    So any problems there may have been with Dutoit were known when this recording was made in 1990, were they (I genuinely don't know and I haven't checked), and the pianist is somehow now dismissed from your admiration for working with him? Seems a bit harsh to me.
                    • Jean-Yves Thibaudet (piano)
                    • Montreal Symphony Orchestra
                    • Charles Dutoit
                    • Recorded: 1990-10
                    • Recording Venue: L'Eglise de St. Eustache, Montreal
                    That is not what I said .

                    Like Alison Thibaudet is not one of my favourite pianists. I have a few of his recordings like his Rachmaninov 1 and 3 and I find them stylish but I have never been overly thrilled by them . What i think of his playing has nothing to do with Dutoit and nor would Dutoit having historically been the accompanying conductor affect whether I would buy a concerto record as my reference to Phil Spector was intended to illustrate.
                    Last edited by Barbirollians; 04-03-25, 14:01.

                    Comment

                    • Retune
                      Full Member
                      • Feb 2022
                      • 340

                      #40
                      Originally posted by oliver sudden View Post
                      “Tell me you know nothing about conducting without telling me you know nothing about conducting”

                      Kate Molleson knows perfectly well what contribution a conductor makes to a recording, of course, but the Montreal performance of The Firebird was only selected in deference to the musicians. If the alleged abuser had been (say) a pianist rather than a conductor, I suspect they'd be out of contention for a solo repertoire BaL.

                      Comment

                      • LHC
                        Full Member
                        • Jan 2011
                        • 1585

                        #41
                        Originally posted by Pulcinella View Post

                        So any problems there may have been with Dutoit were known when this recording was made in 1990, were they (I genuinely don't know and I haven't checked), and the pianist is somehow now dismissed from your admiration for working with him? Seems a bit harsh to me.
                        • Jean-Yves Thibaudet (piano)
                        • Montreal Symphony Orchestra
                        • Charles Dutoit
                        • Recorded: 1990-10
                        • Recording Venue: L'Eglise de St. Eustache, Montreal
                        The allegations about Dutoit's past behaviour were first made in 2017, so this recording was made 27 years before any problems with Dutoit became public knowledge.
                        "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
                        Lady Bracknell The importance of Being Earnest

                        Comment

                        • richardfinegold
                          Full Member
                          • Sep 2012
                          • 7898

                          #42
                          Originally posted by oliver sudden View Post
                          He didn’t though, did he?
                          Per Wikipedia, Furtwangler conducted in Paris in 1942 and 1943. France fell to Germany in the summer of 1940 and was liberated in 1944. I have seen the films of Furtwangler conducting in occupied Paris

                          Comment

                          • Pulcinella
                            Host
                            • Feb 2014
                            • 11387

                            #43
                            Originally posted by Barbirollians View Post

                            That is not what I said .

                            Like Alison Thibaudet is to one of my favourite pianists. I have a few of his recordings like his Rachmaninov 1 and 3 and I find them stylish but I have never been overly thrilled by them . What i think of his playing has nothing to do with Dutoit and nor would Dutoit having historically been the accompanying conductor affect whether I would buy a concerto record as my reference to Phil Spector was intended to illustrate.
                            Apologies: I thought your change of heart (no longer) was because of this collaboration.

                            Comment

                            • Barbirollians
                              Full Member
                              • Nov 2010
                              • 11988

                              #44
                              Originally posted by richardfinegold View Post

                              Per Wikipedia, Furtwangler conducted in Paris in 1942 and 1943. France fell to Germany in the summer of 1940 and was liberated in 1944. I have seen the films of Furtwangler conducting in occupied Paris
                              Wikipedia ‘s Furtwangler entry says Munch was pressured to invite him to Paris but Furtwangler refused to go ?

                              Comment

                              • LHC
                                Full Member
                                • Jan 2011
                                • 1585

                                #45
                                Originally posted by Barbirollians View Post

                                Wikipedia ‘s Furtwangler entry says Munch was pressured to invite him to Paris but Furtwangler refused to go ?
                                According to the Wilhelm Furtwanger Society's list of concerts, Furtwangler's last appearance in Paris before the war was on 27 December 1938 when he conducted Siegfried at the Paris Opera. He didn't conduct again in Paris until 1948 when he conducted the l’Orchestre de la Société des Concerts du Conservatoire de Paris at the Théâtre des Champs Élysées. France was the first country to welcome him back after the war.
                                "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
                                Lady Bracknell The importance of Being Earnest

                                Comment

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