BaL 1.03.25 - Liszt: Totentanz

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  • Pulcinella
    Host
    • Feb 2014
    • 11319

    BaL 1.03.25 - Liszt: Totentanz

    1500
    Building a Library
    Pianist Iain Burnside choses his favourite recording of Liszt's Totentanz.

    Composed in the 1830s and revised in the 1850s, Liszt's Totentanz (Dance of Death) was possibly inspired by a fresco Liszt saw in the Campo Santo during a visit to Pisa, The Triumph of Death. It is a fiendishly exhilarating piece for piano and orchestra based on the Dies irae plainchant from the medieval Mass for the Dead, exuding an aura of supernatural fear and terror with piano writing that challenges even the most virtuosic soloists.

    Presto listing here:

    This page lists all recordings of Totentanz, S126 for piano & orchestra (Paraphrase on Dies irae - 'Dance of Death') by Ferencz Liszt (1811–86).


    BBC MM issue (Volume 19, Number 13):
    Martin Roscoe/BBCPO/ Leo Hussain
    Recorded in BBC Philharmonic Studio, MediaCityUK, Salford, 28 June 2011

  • Petrushka
    Full Member
    • Nov 2010
    • 12411

    #2
    Only Alfred Brendel/LPO/Haitink here which I think is the version most often recommended.

    To be honest, it's not often wheeled out chez Petrushka (Hallowe'en possibly) as it's not really a work of much substance or importance imo. I'm therefore not in the market for another recording.
    "The sound is the handwriting of the conductor" - Bernard Haitink

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    • Pulcinella
      Host
      • Feb 2014
      • 11319

      #3
      Originally posted by Petrushka View Post
      Only Alfred Brendel/LPO/Haitink here which I think is the version most often recommended.

      To be honest, it's not often wheeled out chez Petrushka (Hallowe'en possibly) as it's not really a work of much substance or importance imo. I'm therefore not in the market for another recording.
      I've just spun the BBC MM offering, and agree.
      Bombastic, unsubtle.....maybe just not my period.

      Comment

      • Wolfram
        Full Member
        • Jul 2019
        • 300

        #4
        Originally posted by Petrushka View Post
        Only Alfred Brendel/LPO/Haitink here which I think is the version most often recommended.

        To be honest, it's not often wheeled out chez Petrushka (Hallowe'en possibly) as it's not really a work of much substance or importance imo. I'm therefore not in the market for another recording.
        To my surprise I find that I have two recordings of this; Bolet and Zimerman, and Zimerman is by far the better of the two. But, although it’s good that BaL is featuring a work that it probably hasn’t covered before, I can’t help but agree with Petrushka; I don’t think this is Liszt at his best.

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        • richardfinegold
          Full Member
          • Sep 2012
          • 7860

          #5
          I’m not a Liszt-o-maniac; and except for the odd radio hearing I never actually sought this out until recently after reading a review of a recording and I streamed Beroff/Masur. That will do me for another half century

          Comment

          • Barbirollians
            Full Member
            • Nov 2010
            • 11945

            #6
            Brendel/Haitink makes more music out of it than most . Byron Janis and Zimerman good too.

            Comment

            • richardfinegold
              Full Member
              • Sep 2012
              • 7860

              #7
              Originally posted by Barbirollians View Post
              Brendel/Haitink makes more music out of it than most . Byron Janis and Zimerman good too.
              I was stuck at home with a virus and pulled the big Brendel box off the shelf. You are correct, Brendel and Haitink really embrace the kitsch and it was a fun listen. On the surface of it those two performers wouldn’t jump out as arch Romantics , but I am glad that your post led me to pull that disc out. Fwiw Brendel is my preferred recording of the Sonata.

              Comment

              • Darloboy
                Full Member
                • Jun 2019
                • 344

                #8
                First time ever on BaL, I think.

                Comment

                • Parry1912
                  Full Member
                  • Nov 2010
                  • 966

                  #9
                  Jeremy Nicholas picked Friere/Plasson in a Gramophone Collection article a couple of years ago.
                  Del boy: “Get in, get out, don’t look back. That’s my motto!”

                  Comment

                  • Barbirollians
                    Full Member
                    • Nov 2010
                    • 11945

                    #10
                    Originally posted by Parry1912 View Post
                    Jeremy Nicholas picked Friere/Plasson in a Gramophone Collection article a couple of years ago.
                    And ignored Brendel .

                    Comment

                    • MickyD
                      Full Member
                      • Nov 2010
                      • 4923

                      #11
                      For something a bit different, try Rian de Waal on an Erard piano from 1886 and Anima Eterna/Immerseel.

                      Comment

                      • vinteuil
                        Full Member
                        • Nov 2010
                        • 13131

                        #12
                        Originally posted by MickyD View Post
                        For something a bit different, try Rian de Waal on an Erard piano from 1886 and Anima Eterna/Immerseel.
                        .... conveniently available on this cheap 7 CD set -



                        .

                        Comment

                        • Pulcinella
                          Host
                          • Feb 2014
                          • 11319

                          #13
                          Originally posted by vinteuil View Post

                          .... conveniently available on this cheap 7 CD set -
                          ....

                          .
                          Nothing we all can't hum along to there: ideal R3 material.



                          (Well, hardly anything....Mazeppa might be a struggle!)

                          Comment

                          • LHC
                            Full Member
                            • Jan 2011
                            • 1579

                            #14
                            I've got the Bolet recording, which is OK.

                            However, I saw Alice Sara Ott give a blistering performance with the LSO and Tony Pappano in October 2023 which knocked Bolet's recording into a cocked hat. The complete concert is available to watch on DG's Stage+ channel, but if a recording of their performance was released on LSO Live, I'd buy it in a shot.
                            "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
                            Lady Bracknell The importance of Being Earnest

                            Comment

                            • MickyD
                              Full Member
                              • Nov 2010
                              • 4923

                              #15
                              Originally posted by vinteuil View Post

                              .... conveniently available on this cheap 7 CD set -



                              .
                              A very good bargain, some really cracking recordings there. The only ones I don't have is the Gershwin and Orff ones, which didn't seem to garner much praise at the time.

                              Comment

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