BaL 19.09.15 - Beethoven: Symphony no. 4 in B flat

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  • ferneyhoughgeliebte
    Gone fishin'
    • Sep 2011
    • 30163

    #31
    Originally posted by Bryn View Post
    He/they take/s different approaches to repeats in the YouTube performances.
    Yes - the absence of repeats in some of the videos was what put me off sampling the others. No such problems here - all repeats carefully, lovingly and Musically observed.


    (And the way they bring out both the dancing and songlike elements of the Music - and that Figaroesque fizzing finale. Lovely, lovely, lovely!!!)
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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    • Petrushka
      Full Member
      • Nov 2010
      • 12389

      #32
      I have more Beethoven 4's than you can shake a stick at but my default version is the 1960s BPO/Karajan. Quite apart from anything else, one can really appreciate Beethoven's use of the timpani in this recording.

      This symphony was on the programme of my very first classical concert (RPO/Kempe, 1972) so it has a special place for me.
      Last edited by Petrushka; 12-09-15, 18:09.
      "The sound is the handwriting of the conductor" - Bernard Haitink

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      • ferneyhoughgeliebte
        Gone fishin'
        • Sep 2011
        • 30163

        #33
        Originally posted by Caliban View Post
        I defy anyone to watch at least the whole first movement without pleasure!
        Oh - a great deal of pleasure, many thanks, Cali. I can think of no other composer that I would contemplate listening to two performances of the same large-scale work in sequence and derive so much pleasure, satisfaction and astonishment. Fantastic work - and for all their differences, what the two Konductors have in common is their joy in making this joyful Music with other excellent Musicians.

        Doesn't get any better than that Concertgebouw performance, just different.
        [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20578

          #34
          Originally posted by ferneyhoughgeliebte View Post
          Yes - the absence of repeats in some of the videos was what put me off sampling the others. No such problems here - all repeats carefully, lovingly and Musically observed.
          I would say musically observed.

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          • teamsaint
            Full Member
            • Nov 2010
            • 25251

            #35
            Originally posted by Eine Alpensinfonie View Post
            I would say musically observed.
            Whats wrong with B flat Major anyway?
            For one thing,it's of the easier scales to play ( edit: on the piano)

            i think I shall start a " favourite works in B flat major " thread .

            ( I am assuming that you do know about The Spring Symphony.....)
            Last edited by teamsaint; 13-09-15, 07:41.
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

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            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20578

              #36
              Originally posted by teamsaint View Post
              Whats wrong with B flat Major anyway?
              For one thing,it's of the easier scales to play

              i think I shall start a " favourite works in B flat major " thread .

              ( I am assuming that you do know about The Spring Symphony.....)
              Don't mind me, but I'm not that keen on many famous works in that key:
              Bach: Brandenburg 6
              Mozart: Piano Concerto 27
              Haydn: Symphony 102
              Beethoven: Piano Concerto no. 2; Symphony 4; Hammerklavier Sonata
              Schumann: Spring Symphony

              However, Brahms's Piano Concerto no. 2 is an exception.

              Could it be because I became bored with hearing youth bands playing in the key for most of the time?
              Or it is because I became disillusioned with piano playing when I first encountered the key, back in 1959?

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              • Pulcinella
                Host
                • Feb 2014
                • 11242

                #37
                Originally posted by teamsaint View Post
                Whats wrong with B flat Major anyway?
                For one thing,it's of the easier scales to play ( edit: on the piano)
                Really?
                You don't start with your thumb (right hand) and I always found that tricky!
                :-)

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                • teamsaint
                  Full Member
                  • Nov 2010
                  • 25251

                  #38
                  Originally posted by Pulcinella View Post
                  Really?
                  You don't start with your thumb (right hand) and I always found that tricky!
                  :-)
                  I always found it easy starting on second and thumb underneath for C. Maybe just suited my idiosyncratic style !!
                  Left hand is a doddle too.

                  (Sorry , off topic obviously).
                  I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                  I am not a number, I am a free man.

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                  • verismissimo
                    Full Member
                    • Nov 2010
                    • 2957

                    #39
                    Working my way through the LP recordings I have of this symphony (my CD player being indisposed), greatly enjoy the VPO with Schmidt-Isserstedt from 1967. All so right-sounding, full of life! I've always enjoyed that cycle - only available by download now, it seems.

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                    • peterkin
                      Full Member
                      • Jun 2015
                      • 33

                      #40
                      I have,and very much enjoy,Haitink/LSO Live

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                      • visualnickmos
                        Full Member
                        • Nov 2010
                        • 3617

                        #41
                        Originally posted by verismissimo View Post
                        Working my way through the LP recordings I have of this symphony (my CD player being indisposed), greatly enjoy the VPO with Schmidt-Isserstedt from 1967. All so right-sounding, full of life! I've always enjoyed that cycle - only available by download now, it seems.
                        Hope your CD player 'gets well soon'

                        ...and yes - this is a fabulous cycle; also with the piano concertos, violin concerto and the usual overture fillers. Hens teeth syndrome, nowadays I expect.

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                        • Bryn
                          Banned
                          • Mar 2007
                          • 24688

                          #42
                          Originally posted by visualnickmos View Post
                          Hope your CD player 'gets well soon'

                          ...and yes - this is a fabulous cycle; also with the piano concertos, violin concerto and the usual overture fillers. Hens teeth syndrome, nowadays I expect.
                          The HS-I recordings of 2, 4 and 9 are in the Decca VPO box.

                          Also, all nine symphonies are available as lossless downloads for £11.56 from QOBUZ.

                          Hmm. The set with the Symphonies and Concertos is also on QOBUZ, at a rather inflated price. Bit naughty of Decca to only mention the VPO on the front of the box. The orchestra for the Violin Concerto is the LSO.

                          Ah, the Backhaus/VPO/ HS-I concertos are also in this box.
                          Last edited by Bryn; 14-09-15, 08:34. Reason: Update.

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                          • visualnickmos
                            Full Member
                            • Nov 2010
                            • 3617

                            #43
                            Originally posted by Bryn View Post
                            The HS-I recordings of 2, 4 and 9 are in the Decca VPO box.
                            I guess for anyone who doesn't have the HS-I cycle, it's good value. I was fortunate to stumble across the HS-I set some years ago in a second-hand video and CD shop. I must have been nuts, as I hesitated(!) for 5 days, then went back expecting the worst. But it was still perched on the shelf, and with the price even more reduced......

                            I still haven't listened to the 9th..... why? I don't know..... one evening this week, I must.

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                            • rauschwerk
                              Full Member
                              • Nov 2010
                              • 1487

                              #44
                              Originally posted by verismissimo View Post
                              Thought I'd re-visit Toscanini and the BBCSO in 1939. Norra lorra laughs there, I fear. Just as in his later recordings - hard-driven and beetle-browed.
                              I disagree. One's impression is unavoidably affected by the recording quality, which naturally is pretty rough compared with (say) Karajan in 1962 (I find that a bit of mid-range cut improves the 1983 EMI remastering somewhat). But the finale tempo is certainly not rushed compared with other versions I have (RLPO/Mackerras, LCP/Norrington as well as the aforementioned HvK).
                              Last edited by rauschwerk; 14-09-15, 06:41.

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                              • richardfinegold
                                Full Member
                                • Sep 2012
                                • 7823

                                #45
                                Originally posted by Petrushka View Post
                                I have more Beethoven 4's than you can shake a stick at but my default version is the 1960s BPO/Karajan. Quite apart from anything else, one can really appreciate Beethoven's use of the timpani in this recording.

                                This symphony was on the programme of my very first classical concert (RPO/Kempe, 1972) so it has a special place for me.
                                That is one of my favorite Karajan recordings and a real highlight of that set

                                Comment

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