Originally posted by gurnemanz
View Post
BaL 25.01.25 - Brahms: Violin concerto
Collapse
X
-
Well doesn’t the program now limit the choice to relatively recent recordings? I don’t know any, actually, the most recent on my shelves being Julia Fisher with Kreizberg on Pentatone and that recording is approaching 20 years in age. My latest discovery was Krebbers with Haitink and it’s from the seventies. My personal favorite here is Kogan with Monteux, followed by Oistrakh/Klemperer
Comment
-
-
Originally posted by richardfinegold View PostWell doesn’t the program now limit the choice to relatively recent recordings? I don’t know any, actually, the most recent on my shelves being Julia Fisher with Kreizberg on Pentatone and that recording is approaching 20 years in age. My latest discovery was Krebbers with Haitink and it’s from the seventies. My personal favorite here is Kogan with Monteux, followed by Oistrakh/Klemperer
Comment
-
-
Originally posted by richardfinegold View PostWell doesn’t the program now limit the choice to relatively recent recordings? I don’t know any, actually, the most recent on my shelves being Julia Fisher with Kreizberg on Pentatone and that recording is approaching 20 years in age. My latest discovery was Krebbers with Haitink and it’s from the seventies. My personal favorite here is Kogan with Monteux, followed by Oistrakh/Klemperer
Comment
-
-
Last covered by BaL in April 07 when Robert Philip chose Gil Shaham/BPO/Abbado.
This is one of those pieces which used to be considered essential but seems to have fallen out of favour somewhat. Prior to 2007, it was covered by BaL in 1958 (presented by Neville Marriner!), 1968, 1971, 1975 and 1982.
Given that the presenter is the wacky DON, I can't say I'm looking forward to this programme...
Comment
-
-
Originally posted by EnemyoftheStoat View PostI recall "the wacky DON" at some point saying he wasn't a Brahms fan.
I might just give BaL a miss this afternoon.
Comment
-
-
Originally posted by smittims View PostNorris has done Brahms on BaL before, a characteristically outsider-choice of artist for some of the late Klavierstucke. I'm always tickled by the rubric 'chooses his favourite version'. Not the best,not the best bargain, just his own favourite. Am I bovvered?
I think I’d give anything to be able to play and experience that heart stopping post first movement cadenza soaring violin phrase tune . A moment in music where time stands still and how beautifully Norris’ choice played it.
Comment
-
-
Originally posted by kernelbogey View PostFirst time in ages I've listened to BaL and loved Norris's characteristic style: I know the 'twofer' is widely disliked here, but I thought he and AMcG really sparked off each other - perhaps partly because A is a violinist. And yes, I learned a lot too, such as when Brahms grew his beard.
I have the Mutter/Karajan, but would like to follow up the 'Nige' and the live one with Bernstein, and some of the others.
Comment
-
Comment