One of the first digital LPs I ever bought was the Chandos disc of the Scottish National Orchestra under Sir Alex Gibson. Beautifully played and conducted.
BaL 11.01.25 - Holst: The Planets
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As a kid one of my first discs was of Boult conducting at least Mars & Jupiter on PYE (Nixa?). Have a feeling it was a 'put together' orchestra, not one of the recogniseable Englisg bands. Was it a 10" LP? All the movements? Can't remember. But the sound, and the music made a huge impression. Any ideas which recording that might be? Many years later I would be at the BBC to hear his daughter rehearsing (The Purcell Singers?) in a piece of mine she had commissioned for The Aldeburgh Festival!
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The Malcolm Sergent version was the one i grew up with in the 1970s. It was many years afterwards that i found out he was English but that and 1812 overture were my first introduction to orchestral music. In fact , i never listened to any classical again until about 18. I did not realise until Saturday that his remains are in Chichester Cathedral next to the memorial of Thomas Weekes. I have been to thr cathedral on numerous occasions and even heard the modern John Taverner in a concert which included Delius too.
i suspect many people are still not aware of his nationality. I did not know that he was frirnds with Bax who was someone my piano teacher was acqauinted with albeit he was friends with Sir Colin Davis.
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I'm amazed to think that anyone could think Sargent was anything but English! His entire personality, with all its attributes and prejudices, was utterly English and surely could not be mistaken for any other nation.
I don't know that he he was a 'friend' of either Bax or Davis. He claimed all sorts of people were his friends, including Gusav Holst and the Queen Mother, whose signed photograph he kept on his piano, according to Roy Douglas. .
I was glad to see his sleeve-note for his second recording of the Planets (ALP 1600 ) was reprinted verbatim on its Classics for Pleasure reissue. It's a period piece; I don't think anyone would write about Holst or his music in this way today. If you get a chance listen to his Desert Island Discs appearence on BBC Sounds; it's a glimpse of a vanished world
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Hi, Lordgeus, Boult's 1954 Nixa recording of the Planets , made in Walthamstow Town Hall and later reissued in Britain on a Pye 'Golden Gunea' LP, was with the London Philharmonic Orchestra, of which he was conductor at the time and with whom he made most of his recordings between 1949 and 1978. For some reason I've yet to discover,they were named in America as the 'Philharmonic Promenade Orchestra'.
A few years later he recorded it for Westminster in Vienna with the Vienna State Opera Orchestra, Westminster's house band at the time, and this was issued in Britain by the World Record Club. Collectors sometimes confuse these two recordings, both of which are complete with chorus.
To add a personal note while mentioning Boult, my own favourite Planets is his 1966 HMV recording with the New Philharmonia Orchestra (ASD 3201). It has a lovely photo of Saturn on the sleeve. Several recordings of this work feature not planets but stars!
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Originally posted by smittims View PostI'm amazed to think that anyone could think Sargent was anything but English! His entire personality, with all its attributes and prejudices, was utterly English and surely could not be mistaken for any other nation.
I don't know that he he was a 'friend' of either Bax or Davis. He claimed all sorts of people were his friends, including Gusav Holst and the Queen Mother, whose signed photograph he kept on his piano, according to Roy Douglas. .
I was glad to see his sleeve-note for his second recording of the Planets (ALP 1600 ) was reprinted verbatim on its Classics for Pleasure reissue. It's a period piece; I don't think anyone would write about Holst or his music in this way today. If you get a chance listen to his Desert Island Discs appearence on BBC Sounds; it's a glimpse of a vanished world
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Originally posted by smittims View PostHi, Lordgeus, Boult's 1954 Nixa recording of the Planets , made in Walthamstow Town Hall and later reissued in Britain on a Pye 'Golden Gunea' LP, was with the London Philharmonic Orchestra, of which he was conductor at the time and with whom he made most of his recordings between 1949 and 1978. For some reason I've yet to discover,they were named in America as the 'Philharmonic Promenade Orchestra'.
A few years later he recorded it for Westminster in Vienna with the Vienna State Opera Orchestra, Westminster's house band at the time, and this was issued in Britain by the World Record Club. Collectors sometimes confuse these two recordings, both of which are complete with chorus.
To add a personal note while mentioning Boult, my own favourite Planets is his 1966 HMV recording with the New Philharmonia Orchestra (ASD 3201). It has a lovely photo of Saturn on the sleeve. Several recordings of this work feature not planets but stars!
.
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