How many Mravinsky recordings are there? There seem to be at least two live stereo versions from 1973 and 1984, and several mono recordings going all the way back to 1938. Any particular recommendations?
BaL 13.07.24 - Shostakovich: Symphony 5
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Originally posted by Retune View PostHow many Mravinsky recordings are there? There seem to be at least two live stereo versions from 1973 and 1984, and several mono recordings going all the way back to 1938. Any particular recommendations?
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Originally posted by oliver sudden View Post
I was about to ask this very question! I have quite a few Mravinsky Shostakoviches on the shelves but my 5s appear to be all different incarnations of the 1984.
1Shostakovich: Festive Overture, Op. 96Royal Philharmonic Orchestra & Charles Mackerras6:00 Shostakovich: Symphony No. 1 State Orchestra of the USSR & Kyrill Kondrashin 2 1. Allegretto - Allegro non troppo 9:27 32. Allegro - Meno mosso - Allegro - Meno mosso 4:32 43. Lento - Largo - Lento (attacca:) 8:23 54. Al
Edit: some Amazon reviewers suggest this set might be worth the 'investment'. The 5th does indeed seem to be an older mono version:
Last edited by Retune; 13-07-24, 11:28.
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The flood of concert performances and the sketchy data about dates make it difficult to discern how many Mravinsky versions are out there. I had bought a few Mravinsky box sets on different labels when the flood gates opened and wound up with at least 3 different recordings of the 5th. There were coughs and other audience noises in different places but the basic interpretation and timings and recording quality (poor) were all similar.
I think a decent collection, or discussion, should feature Mravinsky for obvious reasons, but I wouldn’t fetishize him. This is such a universally impactful work that one doesn’t have to be a Soviet citizen threatened with the Gulag in 1938 to appreciate it.
Barbs mentioned Bychkov upthread. As a former Refusenik he certainly has the political credibility, and it conveys all of the ominous dread convincingly
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Didn’t much care for the Mravinsky Leningrad Phil version just played on BAL with its somewhat wayward trumpets. The LSO Previn following is in a different league.
Have to say that the NY Phil Bernstein recording that Seckerson seems keen on sounds a bit elderly and the extraneous ambient noise in the Honeck Pittsburgh Symphony I find a bit distracting .
ES seems VERY keen on the LSO Previn - and with good reason IMV.
oh dear Previn final movement let’s things down apparently.
And here comes Bernstein up on the rails with Kondrashin still in this two horse race
Who would have thought ES would go for LB ?
probably the entire forum …Last edited by Ein Heldenleben; 13-07-24, 14:36.
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Originally posted by Ein Heldenleben View PostSo in the end Kondrashin is selected over Bernstein - on the evidence of the clips the right result.
Rostropovich only mentioned wrt his LSO recording, not the earlier one with the National SO (which I think also got the composer's approval tempo-wise).
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Originally posted by Pulcinella View Post
Indeed, but far too few clips as far too few in the shortlist.
Rostropovich only mentioned wrt his LSO recording, not the earlier one with the National SO (which I think also got the composer's approval tempo-wise).
Yes a shortlist of three sounded very parsimonious
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What bothers me in this and other reviews from Seckerson is that he spends so much time playing recordings he doesn't think are good. I relistened to Geoffrey Norris this morning and he played excerpts from a similar number of conductors. He had good things to say about most (not Rostropovich, who he played, but he used the example to explain what was happening at the start of the 2nd movement). He also mentioned several versions he didn't play and said why. Best of all, he left me with a list of five recordings I really wanted to listen to.
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Originally posted by Howdenite View PostWhat bothers me in this and other reviews from Seckerson is that he spends so much time playing recordings he doesn't think are good. I relistened to Geoffrey Norris this morning and he played excerpts from a similar number of conductors. He had good things to say about most (not Rostropovich, who he played, but he used the example to explain what was happening at the start of the 2nd movement). He also mentioned several versions he didn't play and said why. Best of all, he left me with a list of five recordings I really wanted to listen to.
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Originally posted by Ein Heldenleben View Post
That LSO with the great man was a bit saggy no ? Don’t know the other recording tbh.
Yes a shortlist of three sounded very parsimonious
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Originally posted by Ein Heldenleben View Post
That LSO with the great man was a bit saggy no ? Don’t know the other recording tbh.
Yes a shortlist of three sounded very parsimonious
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