Originally posted by HighlandDougie
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BaL 15.06.24 - Strauss: Also sprach Zarathustra
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Originally posted by Goon525 View Post
No easy way of knowing, given the ambiguity of what was said. Unless someone has both versions, and can be bothered to do some timing?
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Originally posted by Roger Webb View Post
Well certainly for the Karajan the later digital one was recorded when the orchestra was having a bit of an off day - the playing is not on a par with that he obtained in '73...just listening to tne opening, it's one of those instances where, as Jonathan pointed out, there's a mismatch between orchestra and organ.
This Gramophone review might be interesting
Strauss’s tone-poem may have been hijacked by the movies but there’s far more to the score than that famous sunrise, argues Philip Clark, as he seeks the finest recording
BTW. I was a bit mystified by CD McG's comment that the Reiner/Chicago he (claimed to have) played was the 1962 RCA Red Seal/living Stereo recording.
The RCA Red Seal is the 1962 one, but the Living Stereo is the 1954 recording - which is a Red Seal recording! But the '62 was never a Living Stereo....so which did he play?
We've had this sort of cock-up before.....especially annoying when it was my request for the 'On Repeat' slot. I requested Solti/Chicago Bartok Dance Suite and they played Solti/LSO....not the same thing!
https://www.ebay.com/itm/204115921564?chn=ps&norover=1&mkevt=1&mkrid=711-117182-37290-0&mkcid=2&mkscid=101&itemid=204115921564&targeti d= 2299003535955&device=c&mktype=pla&googleloc=900752 7&poi=&campaignid=21214273144&mkgroupid=16431647 08 67&rlsatarget=pla-2299003535955&abcId=9407518&merchantid=101750152&g ad_source=1&gclid=CjwKCAjwmrqzBhAoEiwAXVpgorVeR17e hpogf7Y3pz9oRQuv6743LduP0E0lg2hbZijoFoirhGP1mhoC0Y UQAvD_BwE
So the references in BaL to the 1962 recording might well have been to, well, the 1962 recording. It's all rather confusing as the SACD version of ASZ, coupled with Ein Heldenleben, is of course the 1954 recording.Last edited by HighlandDougie; 16-06-24, 08:45.
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Originally posted by Roger Webb View Post
Mine too, those low Cs on the double bass extenders are 33hz........................................... Rosenkavalier?!
And are there any records with the only two 64foot low C organs in the world ?
A wall threatening 8 HZ!
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Originally posted by Ein Heldenleben View Post
How did it cope with the 32 foot C on the organ - a mere 16 hz ?
And are there any records with the only two 64foot low C organs in the world ?
A wall threatening 8 HZ!
I use a Quad L-Series subwoofer in conjunction with Quad 2812 electrostatics. The electrostatics are about 3db down at 38hz, and the low pass on the sub is set to 45hz. They 'marry' very well, and orchestral bass drums (usually about 38hz fundamental) are truly awesome, double basses down to their 'normal' E (41hz), open bottom string - especially 'pizz', are very satisfying.
For 8hz.....you need to be there!
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Originally posted by HighlandDougie View Post
The 1962 recording was issued with the Burleske and the Rosenkavalier Waltzes as a Living Stereo CD - see
https://www.ebay.com/itm/204115921564?chn=ps&norover=1&mkevt=1&mkrid=711-117182-37290-0&mkcid=2&mkscid=101&itemid=204115921564&targeti d= 2299003535955&device=c&mktype=pla&googleloc=900752 7&poi=&campaignid=21214273144&mkgroupid=16431647 08 67&rlsatarget=pla-2299003535955&abcId=9407518&merchantid=101750152&g ad_source=1&gclid=CjwKCAjwmrqzBhAoEiwAXVpgorVeR17e hpogf7Y3pz9oRQuv6743LduP0E0lg2hbZijoFoirhGP1mhoC0Y UQAvD_BwE
So the references in BaL to the 1962 recording might well have been to, well, the 1962 recording. It's all rather confusing as the SACD version of ASZ, coupled with Ein Heldenleben, is of course the 1954 recording.
Looking at the sleeve verso on the above CD the producer is given as Richard Mohr, which is correct for '62....Pheiffer for '54.
Having been onto Discogs all the sleeves shown are similar, with slight deviations for re-issues, for both '54 (all with Living Stereo) and for ('62, all that grotty green!).....apart from the above CD!
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Originally posted by Roger Webb View Post
Well certainly for the Karajan the later digital one was recorded when the orchestra was having a bit of an off day - the playing is not on a par with that he obtained in '73..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by ucanseetheend View PostAll rather confusing trying to find the 1973 BPO Karajan on my streaming service . It has 1995 and 2003 recordings.The cover of eclipse of sun recording is listed as 1995 . Frustrating
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