Listening - in the car just now - to Radio 3 with Tom Service talking to Alexander Soddy, which was illustrated with the final movement of Elgar 1 conducted by Soddy, reminded me of how much I enjoy the performance. Probably a bit brisk for the OFs but with a real sense of it being something new and thrilling at the time. Lovely recording as well.
BaL 01.06.2024 - Elgar: Symphony 1
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We're lucky to have so many fine Elgar 1's these days, though it has to be said that many of today's coductors are 'standing on the shoulders of giants'. Tadaaki Otaaka has given many fine renderings of it, and among my favourites are two off-air performances by the BBC Philharmonic with Vassily Sinaisky and Gary Walker,the latter recorded in Kendal of all places.
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Originally posted by makropulos View PostThat's a very fair point. I've never understood the attacks on JB's Elgar. In my just-finished book on Elgar and Boult (coming out next year), I've included a chapter at the end which extols the virtues of Barbirolli as well – it's always struck me as pointless (daft even) to denigrate the one at the expense of the other as they were both such great Elgarians.
Considers Boult's interpretations of Elgar's major works by drawing on their correspondence, Boult's annotated scores, broadcast performances, commercial rec...
I'm guessing that this is much in the spirit of your previous book on RVW and Adrian Boult (or ACB, if we want to go with initials all the way).
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What a nice picture on the cover, which I had not seen before. I guess it was taken in Studio One at Abbey Road on 7 October 1932 when they shared a session with the BBC Symphony Orchestra, Elgar recording the first two Pomp and Circumstance marches and Boult three Hungarian Dances and the Freischutz overture.
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Originally posted by smittims View PostWhat a nice picture on the cover, which I had not seen before. I guess it was taken in Studio One at Abbey Road on 7 October 1932 when they shared a session with the BBC Symphony Orchestra, Elgar recording the first two Pomp and Circumstance marches and Boult three Hungarian Dances and the Freischutz overture.
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Originally posted by bluestateprommer View Post
And speaking of said book :) , Boydell & Brewer's page on it:
Considers Boult's interpretations of Elgar's major works by drawing on their correspondence, Boult's annotated scores, broadcast performances, commercial rec...
I'm guessing that this is much in the spirit of your previous book on RVW and Adrian Boult (or ACB, if we want to go with initials all the way).
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