Listened to my top two recordings again tonight but find increasingly that the CBSO/Rattle has pulled away from the Montreal SO/Dutoit in my estimation . The latter probably makes more of the big climaxes but the delicacy and magic of the Rattle is in a class of its own .
BaL 11.05.24 - Stravinsky: The Firebird
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Originally posted by Barbirollians View PostListened to my top two recordings again tonight but find increasingly that the CBSO/Rattle has pulled away from the Montreal SO/Dutoit in my estimation . The latter probably makes more of the big climaxes but the delicacy and magic of the Rattle is in a class of its own .
How do you clear your "palate" between listenings?
A quiet sit in the garden listening to the birds? Put on something quieter, e.g. Goldberg variations.
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Originally posted by AuntDaisy View PostThis might sound like a silly question... (and it probably is)
How do you clear your "palate" between listenings?
A quiet sit in the garden listening to the birds? Put on something quieter, e.g. Goldberg variations.
Back to the Firebird - I still think Dorati’ s recordings with LSO and RPO are excellent.
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Originally posted by cloughie View PostI don’t think a harpsichord recording would be an aural sorbet equivalent - maybe Debussy’s Reverie would work!
Back to the Firebird - I still think Dorati’ s recordings with LSO and RPO are excellent.
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Originally posted by AuntDaisy View PostThis might sound like a silly question... (and it probably is)
How do you clear your "palate" between listenings?
A quiet sit in the garden listening to the birds? Put on something quieter, e.g. Goldberg variations.
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