Solti’s VPO recording was an unexpected success - not a composer where he’d come immediately to mind.
BaL 9.03.24 - Schubert: Symphony No 9, Great
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I have about 50 recordings of this, many of which are excellent and a few are great. What is worrying about the BAL reviewer is that she skated through the first movement without mentioning the expo repeat, which, like the one in the last movement and the ones in the Scherzo & Trio, was until recently ignored and when all the Scherzo repeats are played the movement can end up the longest.
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I should have made that an each way bet on Blomstedt. Thought she was going with Abbado, which sounds like a fine performance, but no complaints about Harnoncourt. Pity it only seems to be available on CD in a full price box set, though it was recorded in the 80s. Will listen to the full performance on Extra (an option we are soon to lose).
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Originally posted by Retune View PostI should have made that an each way bet on Blomstedt. Thought she was going with Abbado, which sounds like a fine performance, but no complaints about Harnoncourt. Pity it only seems to be available on CD in a full price box set, though it was recorded in the 80s. Will listen to the full performance on Extra (an option we are soon to lose).
Not for much longer, I fear.
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Originally posted by Retune View PostI should have made that an each way bet on Blomstedt. Thought she was going with Abbado, which sounds like a fine performance, but no complaints about Harnoncourt. Pity it only seems to be available on CD in a full price box set, though it was recorded in the 80s. Will listen to the full performance on Extra (an option we are soon to lose).
Biggest surprise no HIPP contenders and no mention of the recent Savall.
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For me, of the last 4 the only 2 serious contenders were Blomstedt and Abbado. I would have eliminated Harnoncourt because of the sort of exaggerated gesture which for me disfigured the final extract too, supposed to clinch his supremacy. I was fascinated by some of the details and colours of the Abbado but was never less than totally convinced by all I heard of Blomstedt's. Impossible to separate them without hearing more. Like many here I imagine I was surprised to find no mention of Mackerras. It was an impossible task with so many recordings, given which choosing an older reviewer might have been beneficial.
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That old chestnut about Schubert requiring outsize symphony orchestra proportions deserves to be well and truly knocked on the head. Harnoncourt has recorded the entire corpus of Schubert's symphonies three times, with the Concertgebouw in the 90s, again in the 2000s with the Berlin Phil and this one, last to be released, but ironically first to be recorded in the 80s. In many ways it is the most unsettling. I listened to this a few weeks back and it is certainly a febrile account, brilliantly played, like the Berlin Phil lite as someone once described it. Greater articulation and movement. Very much the music of a young man not going gentle into that good night.
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Originally posted by south west ear View PostFor me, of the last 4 the only 2 serious contenders were Blomstedt and Abbado. I would have eliminated Harnoncourt because of the sort of exaggerated gesture which for me disfigured the final extract too, supposed to clinch his supremacy. I was fascinated by some of the details and colours of the Abbado but was never less than totally convinced by all I heard of Blomstedt's. Impossible to separate them without hearing more. Like many here I imagine I was surprised to find no mention of Mackerras. It was an impossible task with so many recordings, given which choosing an older reviewer might have been beneficial.
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Originally posted by Cockney Sparrow View PostIIRC it was Jayne Lee Wilson who heartily recommended the BAL selection - COE / Harnoncourt set of Symphonies on ICA classics. (The set does appear on streaming services).
EDIT: (I now see my post crossed with Barbirollian's)
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Originally posted by Sir Velo View PostThat old chestnut about Schubert requiring outsize symphony orchestra proportions deserves to be well and truly knocked on the head. Harnoncourt has recorded the entire corpus of Schubert's symphonies three times, with the Concertgebouw in the 90s, again in the 2000s with the Berlin Phil and this one, last to be released, but ironically first to be recorded in the 80s. In many ways it is the most unsettling. I listened to this a few weeks back and it is certainly a febrile account, brilliantly played, like the Berlin Phil lite as someone once described it. Greater articulation and movement. Very much the music of a young man not going gentle into that good night.
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