I listened last nite. Wow, some sacred cows well and truly slaughtered! Having bought the Karajan 1977 set one Lp at a time as a teenager, I was amazed upon hearing the Klemperer set to discover that the Beethoven symphonies had wind and brass parts!
BaL 14.10.23 - Beethoven: Symphony no. 8 in F Op.93
Collapse
X
-
RW chose Adam Fischer in Symphony No 1 and now this Jarvi which I don’t like -more about the sound than the music to my ears . I think Richard Wigmore is a more reliable guide in Haydn.Last edited by Barbirollians; 18-10-23, 21:14.
Comment
-
-
Originally posted by Alison View PostIt was Caliban who pointed out that excerpts from the Jarvi LvB cycle could often sound phenomenal only for the complete rendition to make less impact. This I feel is germane to the current discussion .
It’s the Chailly/Leipzig recording I’ll be investigating, not heard it before."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Originally posted by pastoralguy View PostI listened last nite. Wow, some sacred cows well and truly slaughtered! Having bought the Karajan 1977 set one Lp at a time as a teenager, I was amazed upon hearing the Klemperer set to discover that the Beethoven symphonies had wind and brass parts!
Though only an amusing caricature...I started to worry, was I so misguided in enjoying Karajan in Beethoven? From 1977 I only have the Ninth these days, so I put it on. The wind and brass are of course prominent from the start, and I love the effect of the trumpet-and-drums. The wind band is indeed 'blended', a bit homogenised if you want a ruder term, but does contribute greatly to the particular 'Beethoven sound' HvK and his marvellous Berliners create, and also the forward drive, the momentum, the focus. There are some beautiful wind solos, especially in last movement, e.g. the bassoon counterpoint to the main theme, and the heart-easing solos just before the last great dissonant outburst before the voice comes in. (Also notable, some virtuoso tympany work in the Scherzo!)
Wouldn't be my favourite any more, however: slow movement eloquent but a trifle bland.
Comment
-
-
Originally posted by silvestrione View Post
Though only an amusing caricature...I started to worry, was I so misguided in enjoying Karajan in Beethoven? From 1977 I only have the Ninth these days, so I put it on. The wind and brass are of course prominent from the start, and I love the effect of the trumpet-and-drums. The wind band is indeed 'blended', a bit homogenised if you want a ruder term, but does contribute greatly to the particular 'Beethoven sound' HvK and his marvellous Berliners create, and also the forward drive, the momentum, the focus. There are some beautiful wind solos, especially in last movement, e.g. the bassoon counterpoint to the main theme, and the heart-easing solos just before the last great dissonant outburst before the voice comes in. (Also notable, some virtuoso tympany work in the Scherzo!)
Wouldn't be my favourite any more, however: slow movement eloquent but a trifle bland.
I suspect my inability to appreciate the Wind and Brass in Karajan’s 1977 cycle had more to do with the inadequacies of my little Alba stereo system than the actual performance but since I now have the cycle in the re-mastered Karajan ‘Big Box’ and a pretty fabulous Hi-Fi I concede that the windy instruments can be heard. Mind you, Klemp’s Beethoven leaves no ambiguity in that department.
Comment
-
-
Originally posted by Barbirollians View PostRW chose Adam Fischer in Symphony No 1 and now this Jarvi which I don’t like -more about the sound than the music to my ears .
Comment
-
-
Originally posted by Tapiola View PostHere in Northern Ireland, we say "scundered", with a slightly different meaning (shades of mortification or embarrassment). Pure scundered, I was...
(There's also the character Scunner Campbell in the children's series Supergran.)
Comment
-
-
Originally posted by HighlandDougie View PostYes indeed. A good (or guid) Scots word, defined as follows:
I don't often take a scunner against performances but, alas, Järvi fils and his LvB 8th did it for me.
Comment
-
-
I'm sorely tempted to add some other choice words (like "glaikit" - oh no, that might get me sin-binned!), But as long as you don't say something like, "Aye, I've taken a richt guid scunner to you, [name of brother-in-law]". I would have to plead the something-th amendment and deny all responsibility on the basis of diminished mental capacity after a glass or three of Bandol rosé.
Comment
-
-
Originally posted by HighlandDougie View PostI'm sorely tempted to add some other choice words (like "glaikit" - oh no, that might get me sin-binned!), But as lonroseg as you don't say something like, "Aye, I've taken a richt guid scunner to you, [name of brother-in-law]". I would have to plead the something-th amendment and deny all responsibility on the basis of diminished mental capacity after a glass or three of Bandol rosé.
I always thought "glaikit" was much the same as "peely-wally", but presumably it's stronger than that? (Maybe we should start a new thread on this!)
Comment
-
Comment