BaL 7.10.23 - Rimsky-Korsakov: Scheherazade

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20585

    BaL 7.10.23 - Rimsky-Korsakov: Scheherazade

    10.30 a.m.
    Building a Library: Nigel Simeone discusses his favourite recordings of Rimsky-Korsakov's Scheherazade
    Scheherazade is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on The Arabian Nights. It is one of his most popular works combining colourful orchestration and gorgeous melodies.
    Rimsky-Korsakov set the scene with a brief introduction: The Sultan Schakhriar, convinced that all women are false and faithless, vowed to put to death each of his wives after the first nuptial night. But the Sultana Scheherazade saved her life by entertaining her lord with fascinating tales for a thousand and one nights. The Sultan, consumed with curiosity, postponed from day to day the execution of his wife, and finally repudiated his bloody vow entirely.

    Available versions:

    Orchestre de la Suisse Romande, Ansermet *
    Orchestre de la Suisse Romande, Ansermet
    Philharmonia Orchestra, Vladimir Ashkenazy
    Malaysian Philharmonic Orchestra, Kees Bakels
    Philharmonia Orchestra, Enrique Bátiz
    London Philharmonic Orchestra, Sir Thomas Beecham *
    Royal Philharmonic Orchestra, Sir Thomas Beecham *
    Concertgebouw Orchestra, Eduard van Beinum
    New York Philharmonic Orchestra, Leonard Bernstein *
    Philharmonia Orchestra, William Boughton
    Orchestre d'harmonie de la Garde Républicaine, Francois Boulanger *
    Münchner Philharmoniker, Sergiu Celibidache
    Royal Concertgebouw Orchestra, Riccardo Chailly
    Czech Philharmonic Orchestra, Zdenek Chalabala
    Moscow Radio Symphony Orchestra, Genadi Cherkasov *
    Orchestre de l'Opéra Bastille, Myung Whun Chung *
    Paris Conservatoire Orchestra, André Cluytens
    Czech Philharmonic Orchestra, Oskar Danon *
    Philharmonia Orchestra, Issay Dobrowen
    Minneapolis Symphony Orchestra, Antal Dorati
    Minneapolis Symphony Orchestra, Antal Dorati
    Orchestre Symphonique de Montreal, Charles Dutoit
    Royal Philharmonic Orchestra, Charles Dutoit *
    USSR TV and Radio Large Symphony Orchestra, Vladimir Fedoseyev *
    Stanislav Gorkovenko, Viktor Fedotov *
    London Philharmonic Orchestra, Louis Fremaux *
    Berlin Radio Symphony Orchestra, Ferenc Fricsay
    Symphonic Rai TV Vilnius Orchestra, Silvano Frontalini *
    Orchestre Philharmonique de Monte-Carlo, David Garforth *
    Kirov Orchestra, Valery Gergiev
    Münchner Philharmoniker, Valéry Gergiev
    New York Philharmonic, Alan Gilbert *
    Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel
    USSR State Academia Bolshoi Teatre Orchestra, Nicolai Golovanov *
    London Symphony Orchestra, Sir Eugene Goossens *
    St. Petersburg Radio and TV Symphony Orchestra,
    London Philharmonic Orchestra, Bernard Haitink
    Cologne New Philharmonic Orchestra, Volker Hartung
    Württembergische Philharmonie Reutlingenl, Norichika Iimori
    Anima Eterna, Jos van Immerseel
    Oslo Philharmonic Orchestra, Mariss Jansons *
    Berliner Philharmoniker, Neeme Järvi (DVD)
    Scottish National Orchestra, Neeme Järvi *
    Orchestre De La Suisse Romande, Armin Jordan *
    Berliner Philharmoniker, Herbert von Karajan *
    Royal Philharmonic Orchestra, Rudolf Kempe
    Royal Concertgebouw Orchestra, Kirill Kondrashin
    Miskolc Symphony Orchestra, Laszlo Kovacs *
    Orchestre Philharmonique du Luxembourg, Emmanuel Krivine
    London Philharmonic Orchestra, Alexander Lazarev *
    Concert Arts Orchestra, Erich Leinsdorf
    NBC Symphony Orchestra, Erich Leinsdorf *
    Philharmonia Zürich, Fabio Luisi
    Berliner Philharmoniker, Lorin Maazel
    London Symphony Orchestra, Sir Charles Mackerras
    Uppsala Kammarorkester, Paul Mägi
    London Symphony Orchestra, Igor Markevitch
    New York Philharmonic, Kurt Masur
    Philharmonia Orchestra, Lovro von Matacic
    London Symphony Orchestra, John Mauceri *
    Israel Philharmonic Orchestra, Zubin Mehta
    London Philharmonic Orchestra, Zubin Mehta
    London Symphony Orchestra, Pierre Monteux
    San Francisco Symphony Orchestra, Pierre Monteux
    Philadelphia Orchestra, Riccardo Muti
    Radio Symphony Orchestra Ljubljana, Anton Nanut *
    Concertgebouw Orchestra, Andris Nelsons (DVD/Blu-ray)
    Filarmonica Teatro Regio Torino, Gianandrea Noseda*
    Philadelphia Orchestra, Eugene Ormandy *
    Toronto Symphony Orchestra, Peter Oundjian (SACD)
    Boston Symphony Orchestra, Seiji Ozawa *
    Chicago Symphony Orchestra, Seiji Ozawa
    Wiener Philharmoniker, Seiji Ozawa *
    SWR Sinfonieorchester Baden-Baden und Freiburg, Alejo Pérez
    Bamberger Symphoniker, Jonel Perlea *
    Oslo Philharmonic Orchestra, Vasily Petrenko
    Russian National Orchestra, Carlo Ponti Jr *
    London Symphony Orchestra, André Previn *
    Wiener Philharmoniker, André Previn
    Chicago Symphony Orchestra, Fritz Reiner *
    Slovak Philharmonic Orchestra, Bystrik Rezucha *
    Cleveland Orchestra, Artur Rodzinski *
    Vienna Symphony, Mario Rossi *
    Orchestre de Paris, Mstislav Rostropovich
    Budapest Philharmonic Orchestra, Rico Saccani *
    Hungarian National Philharmonic Orchestra, Janos Sandor *
    Orchester der Wiener Staatsoper, Hermann Scherchen
    Berlin Radio Symphony Orchestra, Hanns-Martin Schneidt *
    Seattle Symphony Orchestra, Gerard Schwarz
    London Philharmonic Orchestra, Jose Serebrier
    National Arts Centre Orchestra, Alexander Shelley
    Atlanta Symphony Orchestra, Robert Spano *
    Pittsburgh Symphony Orchestra, William Steinberg *
    London Symphony Orchestra, Leopold Stokowski *
    London Symphony Orchestra, Leopold Stokowski *
    Philadelphia Orchestra, Leopold Stokowski *
    Royal Philharmonic Orchestra, Leopold Stokowski *
    London Symphony Orchestra, Evgeny Svetlanov
    USSR State Symphony Orchestra, Evgeny Svetlanov
    New York Philharmonic, Yuri Termirkanov *
    St Petersburg Philharmonic Orchestra, Yuri Temirkanov
    Tonkünstler-Orchester, Emmanuel Tjeknavorian *
    Armenian Philharmonic Orchestra, Loris Tjeknavorian
    Czech Philharmonic Orchestra, Vladimír Válek *
    Curtis Symphony Orchestra, Osmo Vänskä *
    TMEA All-State Philharmonic Orchestra, Joseph Young *

    (* = download only)
  • Pulcinella
    Host
    • Feb 2014
    • 11344

    #2
    What! No Abbado, and the Kletzki nla?

    :shock horror emoticon:

    Comment

    • Bryn
      Banned
      • Mar 2007
      • 24688

      #3
      Kondrashin for me, plus, of course:

      Comment

      • smittims
        Full Member
        • Aug 2022
        • 4704

        #4
        By coincidence I was wondering the other day if this had ever been chosen for BaL. It's a work I've loved since childhood and there are so many 'favourite' versions choosing one must be next to impossible. I haven't heard any recent recordings.

        The ones I return to with equal pleasure are Beecham , Kletzki, Goossens , Karajan, Stokowski and Dobrowen. The latter is a particular favourite. He is slower than others in the first and third movements, but it's clear he loved the work dearly.

        I was interested to read that the composer ebbed and flowed in his admission of the extent to which the work is 'meant' to be programmatic. This has never bothered me as I always listen to it as a pure symphony, the second (after Brahms 4) in a sudden vogue for E minor symphonies (Tchaikovsky, Sibelius, Rachmaninov, Bax, etc.) where previously there had been scarcely a one.

        Comment

        • Rolmill
          Full Member
          • Nov 2010
          • 637

          #5
          Sadly the Silvestri is not listed - presumably the Icon box is no longer available. Worth picking up if you see it. The Scheherazade is exciting, albeit rather brash-sounding at times.

          I also have Kondrashin (my favourite), Reiner, Beecham, Goetzel, Kempe and Jansons (rather uninspiring).

          Comment

          • Retune
            Full Member
            • Feb 2022
            • 332

            #6
            Beecham/RPO for me. Maybe this programme will encourage me to seek out a more recent recording, or maybe not. Incidentally, I'm drawing a blank on the other Beecham version with the LPO listed above - if this is correct, where is it available?

            Comment

            • Parry1912
              Full Member
              • Nov 2010
              • 966

              #7
              Muti was Geoffrey Norris’ choice in a Gramophone Collection article in 2010. Excellent, but still Beecham for me.

              Del boy: “Get in, get out, don’t look back. That’s my motto!”

              Comment

              • Master Jacques
                Full Member
                • Feb 2012
                • 2123

                #8
                Kondrashin, Previn ... and Golovanov when I want a sugar rush (the most dangerous performance on record!)

                Comment

                • gradus
                  Full Member
                  • Nov 2010
                  • 5663

                  #9
                  Anyone who allows us to hear the harp writing at the climax of the second movt eg Beecham or Silvestri.

                  Comment

                  • Alison
                    Full Member
                    • Nov 2010
                    • 6499

                    #10
                    I have Kondrashin, Haitink, Mackerras and LPO/Jansons (not listed), all excellent. Thoroughly looking forward to this edition.

                    Comment

                    • pastoralguy
                      Full Member
                      • Nov 2010
                      • 7904

                      #11
                      Scheherazade is one of my very favourite works that I first discovered in my early teens courtesy of CfP. The Royal Philharmonic Orchestra under Kempe is still my touchstone partly due to the gorgeous playing of Alan Loveday. Other favourites include the LSO/Previn with the late, great John Georgiadis’ solo playing. I also love the LSO/Mauceri disc on the Orchestra’s own label that has, for me, the loveliest slow movement with some gorgeous portamenti from the then leader Michael Davis.

                      The (R)SNO Chandos disc under Jarvi brings back so many memories of hearing Edwin Paling’s lovely rendition of the solo violin part. I was lucky enough to hear him play it on many occasions, not least when the late Carl Davis used chunks of the piece to accompany the silent movie ‘The Thief of Baghdad’. I was sitting about 4 feet away from Mr. Paling when he played the solo part and I’m sorry to report that I was so busy watching him I completely forgot about the movie!

                      I did hear a story that Sir John Barbirolli wanted to play Scheherazade with the Hallé when they appeared at an Edinburgh Festival performance but were told it wasn’t a suitable work for an EIF concert! There does seem to be a degree of snobbery attached to this work.

                      Comment

                      • smittims
                        Full Member
                        • Aug 2022
                        • 4704

                        #12
                        Maybe the moderators of the Church of Scotland objected to it on the grounds that it's a 'pagan' work. They succeeded in banning the Missa Solemnis in 1956 onthe grounds thatit was a 'catholic mass' .

                        Comment

                        • richardfinegold
                          Full Member
                          • Sep 2012
                          • 7880

                          #13
                          I can’t believe no one has mentioned Reiner/CSO

                          Comment

                          • Petrushka
                            Full Member
                            • Nov 2010
                            • 12419

                            #14
                            Originally posted by richardfinegold View Post
                            I can’t believe no one has mentioned Reiner/CSO
                            I have the Reiner along with Karajan, Gergiev, Kondrashin, Kempe and Beecham. All of these are excellent apart from Gergiev which sounds horrible. It's a pity because he and the Kirov Orchestra gave a terrific performance on a sweltering hot night at the 1997 Proms. Kempe would be my first choice tying with Kondrashin, both are superb.
                            "The sound is the handwriting of the conductor" - Bernard Haitink

                            Comment

                            • pastoralguy
                              Full Member
                              • Nov 2010
                              • 7904

                              #15
                              Originally posted by smittims View Post
                              Maybe the moderators of the Church of Scotland objected to it on the grounds that it's a 'pagan' work. They succeeded in banning the Missa Solemnis in 1956 onthe grounds thatit was a 'catholic mass' .
                              Oh my goodness!

                              Comment

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