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I have to agree Verismissimo, Cossotto is not in the same league as Verrett. Also the final example of Cossotto played today was the least recommendable part as she was singing just under the note for part of the time and that does not stand for repeated listening.
I'm glad that he played some of the 1952 Sabata for Callas. I'm afraid we have to blame Walter Legge for not pushing for a Macbeth in 1958 with Callas, he did not think it would be commercial, one of his rare mistakes.
Memorable quote: "'Carry-on Up the Cauldron' spectacular". cf "manic Hungarian elephant dance" (Richard Morrison on Solti's Elgar 2 Scherzo, a few weeks ago). Also: "brave attempt" re one of the Verdi singers: AB examiners and local arts festival adjudicators take note.
I saw Muti conduct this at La Scala and loved his interpretation, I just wish the Lady in his recording was someone else. Otherwise It would get a 100% rating from me.
I also remember his Macbeth from Covent Garden in 1981, Renata Scotto!!!! and Bruson. Thankfully issued on a pirate recording.
I saw Muti conduct this at La Scala and loved his interpretation, I just wish the Lady in his recording was someone else. Otherwise It would get a 100% rating from me.
I also remember his Macbeth from Covent Garden in 1981, Renata Scotto!!!! and Bruson. Thankfully issued on a pirate recording.
Muti is one of the very few conductors around, that can really pull off a good performance of Scriabin's work.
Don’t cry for me
I go where music was born
J S Bach 1685-1750
I wonder why Macbeth was chosen as the subject for this BaL. For the past 30-40 years, it's always come down to a straight choice between the Abbado and Muti recordings (quite rightly... they're both superb) so until such time as a new CD release comes along which seriously challenges them, there's not a lot of point in another one.
I also wonder how closely the script was edited. Lady Macbeth a mezzo? I know several mezzos have taken on the role, but Verdi wrote it for a soprano...
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
Originally posted by Il Grande InquisitorView Post
I wonder why Macbeth was chosen as the subject for this BaL. For the past 30-40 years, it's always come down to a straight choice between the Abbado and Muti recordings (quite rightly... they're both superb) so until such time as a new CD release comes along which seriously challenges them, there's not a lot of point in another one.
I also wonder how closely the script was edited. Lady Macbeth a mezzo? I know several mezzos have taken on the role, but Verdi wrote it for a soprano...
Roger Parker was spot on about Callas though shivers down the spine stuff . I have the Abbado and the Callas and the Muti in that big Verdi box although I have not heard it yet so no need for another .
I've been listening to the recording I have (Nucci & Verrett, cond. Chailly) & been reminded of how disappointing I find the work (I've seen it live, so it's not just the recording). It's not as thrilling & menacing as it could have been if he'd written it later in his career; too many rumty-tumty choruses (especially the final one - really spoils the atmosphere) & conventional arias etc. I'm afraid that it just doesn't do justice to the play (unlike Otello, I think).
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