So it's Muti with Cossotto. Muti certainly fab, but Cossotto... not as good as Verrett IMO.
BaL 25.04.15 - Verdi: Macbeth
Collapse
X
-
slarty
I have to agree Verismissimo, Cossotto is not in the same league as Verrett. Also the final example of Cossotto played today was the least recommendable part as she was singing just under the note for part of the time and that does not stand for repeated listening.
I'm glad that he played some of the 1952 Sabata for Callas. I'm afraid we have to blame Walter Legge for not pushing for a Macbeth in 1958 with Callas, he did not think it would be commercial, one of his rare mistakes.
Comment
-
Originally posted by Brassbandmaestro View PostI quite enjoyed this BaL. The final choice was nearly a draw between Pappano and Abbado. I'll be getting both and Muti too!
I got it for about £11Last edited by teamsaint; 25-04-15, 10:33.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
Comment
-
-
Memorable quote: "'Carry-on Up the Cauldron' spectacular". cf "manic Hungarian elephant dance" (Richard Morrison on Solti's Elgar 2 Scherzo, a few weeks ago). Also: "brave attempt" re one of the Verdi singers: AB examiners and local arts festival adjudicators take note.
The Muti is on Spotify.
Comment
-
-
Originally posted by teamsaint View PostDon’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
-
Originally posted by Beef Oven! View PostWhat was the recommendation?
Comment
-
-
slarty
I saw Muti conduct this at La Scala and loved his interpretation, I just wish the Lady in his recording was someone else. Otherwise It would get a 100% rating from me.
I also remember his Macbeth from Covent Garden in 1981, Renata Scotto!!!! and Bruson. Thankfully issued on a pirate recording.
Comment
-
Originally posted by slarty View PostI saw Muti conduct this at La Scala and loved his interpretation, I just wish the Lady in his recording was someone else. Otherwise It would get a 100% rating from me.
I also remember his Macbeth from Covent Garden in 1981, Renata Scotto!!!! and Bruson. Thankfully issued on a pirate recording.Don’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
-
I wonder why Macbeth was chosen as the subject for this BaL. For the past 30-40 years, it's always come down to a straight choice between the Abbado and Muti recordings (quite rightly... they're both superb) so until such time as a new CD release comes along which seriously challenges them, there's not a lot of point in another one.
I also wonder how closely the script was edited. Lady Macbeth a mezzo? I know several mezzos have taken on the role, but Verdi wrote it for a soprano...Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
Comment
-
-
Originally posted by Il Grande Inquisitor View PostI wonder why Macbeth was chosen as the subject for this BaL. For the past 30-40 years, it's always come down to a straight choice between the Abbado and Muti recordings (quite rightly... they're both superb) so until such time as a new CD release comes along which seriously challenges them, there's not a lot of point in another one.
I also wonder how closely the script was edited. Lady Macbeth a mezzo? I know several mezzos have taken on the role, but Verdi wrote it for a soprano...
Comment
-
-
I've been listening to the recording I have (Nucci & Verrett, cond. Chailly) & been reminded of how disappointing I find the work (I've seen it live, so it's not just the recording). It's not as thrilling & menacing as it could have been if he'd written it later in his career; too many rumty-tumty choruses (especially the final one - really spoils the atmosphere) & conventional arias etc. I'm afraid that it just doesn't do justice to the play (unlike Otello, I think).
Comment
-
Comment