Bal 21.03.15 - Haydn: Missa in Angustiis (Nelson Mass)

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  • BBMmk2
    Late Member
    • Nov 2010
    • 20908

    #16
    JEGGER's I didn't know he had! I might investigate. I have the complete Hickox Edition on Chandos. I find this very enjoyable.
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

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    • visualnickmos
      Full Member
      • Nov 2010
      • 3615

      #17
      Originally posted by ferneyhoughgeliebte View Post
      Copy the post to the Carmen Thread and delete it from the Nelson one?
      Thanks - I think I've done it!

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      • ardcarp
        Late member
        • Nov 2010
        • 11102

        #18
        Does anyone know which versions of the Nelson are being played by whom? The most frequently done (the iconic King's one included) uses strings plus an independent organ part. A version with wind exists which I don't like so much. Presumably Jeremy will discuss the pros and cons...if he can get a word in edgeways.

        Incidentally the Harmoniemesse (referred to by someone above) is a beefier work; Haydn in top form, but less of a gem, IMO. The 'Harmonie' bit refers to the prominent part played by the wind.

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        • Don Petter

          #19
          Originally posted by ardcarp View Post
          Does anyone know which versions of the Nelson are being played by whom? The most frequently done (the iconic King's one included) uses strings plus an independent organ part. A version with wind exists which I don't like so much.
          If it's anything like cricket, it will be one of each part?

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          • Rolmill
            Full Member
            • Nov 2010
            • 636

            #20
            Originally posted by Eine Alpensinfonie View Post
            Trinity Choir & Rebel Baroque Orchestra, J. Owen Burdick
            .
            .
            Trinity Choir & REBEL Baroque Orchestra, J. Owen Burdick & Jane Glover
            I suspect these are one and the same Naxos recording (maybe individual disc and complete Haydn Masses box set respectively?).

            I love Haydn's masses and have (in order of purchase) Pinnock, Hickox, Weil and Gardiner. Although all have their merits, it's the Pinnock that still does it for me: great soloists, incisive but warm choir and orchestra - a thrilling record which is a dead cert for my desert island (whatever the admirable JS decides)!

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            • ferneyhoughgeliebte
              Gone fishin'
              • Sep 2011
              • 30163

              #21
              Originally posted by ardcarp View Post
              Does anyone know which versions of the Nelson are being played by whom? The most frequently done (the iconic King's one included) uses strings plus an independent organ part. A version with wind exists which I don't like so much.
              Plus three trumpets and Timps. Robbins Landon's edition of the score for Eulenberg has a lengthy introduction which includes a discussion of the various woodwind additions; there are several of them - and probably too many to cover in a BaL (especially one with the "Gosh that's really fascinating isn't it" extra wind parts from AMacG). HCRB comments "Apparently everybody amused himself in those days writing supplementary wind parts for the Nelson Mass."
              [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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              • duncan
                Full Member
                • Apr 2012
                • 248

                #22
                I shall certainly be listening. It will take persuasive reviewers for me to abandon my allegance to the Pinnock recording. It is one of those happy combinations of artist and work that almost always raises my spirits.

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                • BBMmk2
                  Late Member
                  • Nov 2010
                  • 20908

                  #23
                  I fear this may be yet another catch up for me
                  Don’t cry for me
                  I go where music was born

                  J S Bach 1685-1750

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                  • ostuni
                    Full Member
                    • Nov 2010
                    • 551

                    #24
                    I can beat fhg by a year - I first got to know the piece performing it at school in December 1970! My vocal score still contains the programme, with a particularly cringe-worthy programme note by the 17-yr-old me...

                    And for me, in 1970 it was also the Willcocks version, of course. As with fhg and several others, my tastes these days are for HIP-er performances - though it's not a piece I've listened to much in recent years, so I'll be interested to hear JS's extracts next week.

                    Coincidentally I was playing in a performance yesterday - and thoroughly enjoying getting to know the piece again. You don't forget the big D minor bits, but the more jaunty Dma/Gma stuff in between is absolutely delightful. Only 2 trumpets, by the way (I was sitting next to them...).

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                    • visualnickmos
                      Full Member
                      • Nov 2010
                      • 3615

                      #25
                      Originally posted by ostuni View Post
                      .....Only 2 trumpets, by the way (I was sitting next to them...).
                      Thank goodness it was only 2!

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                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20576

                        #26
                        I've played in several concerts that have included this mass, but as there are no oboes in the work itself, I've been able to go home after the interval. However, on the last occasion, I joined the chorus instead.
                        Last edited by Eine Alpensinfonie; 16-03-15, 09:46.

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                        • MickyD
                          Full Member
                          • Nov 2010
                          • 4835

                          #27
                          I think this fairly recent one, a unique all-male voice version from Higginbottom is missing from your list, EA:



                          I seem to remember it getting favourable reviews upon release, but I haven't heard it myself yet. I hope it gets included in the BAL.

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                          • ostuni
                            Full Member
                            • Nov 2010
                            • 551

                            #28
                            That New College recording caught my eye when I was browsing Qobuz for one to listen to when preparing for Saturday's concert. The choir, as ever, sounds lovely - but there's a lot of really challenging stuff for the soprano soloist, and I really wasn't convinced by Higginbottom's boy treble, good as he was.

                            And on Saturday, liistening to the reprise of the Kyrie, when the sop solo shines above the choir with her decorative semiquavers, Ben Nicholas's chosen soprano (the excellent, young, Eloise Irving) filled the large acoustic of Tewkesbury Abbey in just the right sort of way.

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                            • aka Calum Da Jazbo
                              Late member
                              • Nov 2010
                              • 9173

                              #29
                              am i correct in assuming that this BAL will be tomorrow not last year?
                              According to the best estimates of astronomers there are at least one hundred billion galaxies in the observable universe.

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                              • Don Petter

                                #30
                                It is the Mass for Troubled Times!

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