JEGGER's I didn't know he had! I might investigate. I have the complete Hickox Edition on Chandos. I find this very enjoyable.
Bal 21.03.15 - Haydn: Missa in Angustiis (Nelson Mass)
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Does anyone know which versions of the Nelson are being played by whom? The most frequently done (the iconic King's one included) uses strings plus an independent organ part. A version with wind exists which I don't like so much. Presumably Jeremy will discuss the pros and cons...if he can get a word in edgeways.
Incidentally the Harmoniemesse (referred to by someone above) is a beefier work; Haydn in top form, but less of a gem, IMO. The 'Harmonie' bit refers to the prominent part played by the wind.
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Don Petter
Originally posted by ardcarp View PostDoes anyone know which versions of the Nelson are being played by whom? The most frequently done (the iconic King's one included) uses strings plus an independent organ part. A version with wind exists which I don't like so much.
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Originally posted by Eine Alpensinfonie View PostTrinity Choir & Rebel Baroque Orchestra, J. Owen Burdick
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Trinity Choir & REBEL Baroque Orchestra, J. Owen Burdick & Jane Glover
I love Haydn's masses and have (in order of purchase) Pinnock, Hickox, Weil and Gardiner. Although all have their merits, it's the Pinnock that still does it for me: great soloists, incisive but warm choir and orchestra - a thrilling record which is a dead cert for my desert island (whatever the admirable JS decides)!
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Originally posted by ardcarp View PostDoes anyone know which versions of the Nelson are being played by whom? The most frequently done (the iconic King's one included) uses strings plus an independent organ part. A version with wind exists which I don't like so much.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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I can beat fhg by a year - I first got to know the piece performing it at school in December 1970! My vocal score still contains the programme, with a particularly cringe-worthy programme note by the 17-yr-old me...
And for me, in 1970 it was also the Willcocks version, of course. As with fhg and several others, my tastes these days are for HIP-er performances - though it's not a piece I've listened to much in recent years, so I'll be interested to hear JS's extracts next week.
Coincidentally I was playing in a performance yesterday - and thoroughly enjoying getting to know the piece again. You don't forget the big D minor bits, but the more jaunty Dma/Gma stuff in between is absolutely delightful. Only 2 trumpets, by the way (I was sitting next to them...).
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I've played in several concerts that have included this mass, but as there are no oboes in the work itself, I've been able to go home after the interval. However, on the last occasion, I joined the chorus instead.Last edited by Eine Alpensinfonie; 16-03-15, 09:46.
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That New College recording caught my eye when I was browsing Qobuz for one to listen to when preparing for Saturday's concert. The choir, as ever, sounds lovely - but there's a lot of really challenging stuff for the soprano soloist, and I really wasn't convinced by Higginbottom's boy treble, good as he was.
And on Saturday, liistening to the reprise of the Kyrie, when the sop solo shines above the choir with her decorative semiquavers, Ben Nicholas's chosen soprano (the excellent, young, Eloise Irving) filled the large acoustic of Tewkesbury Abbey in just the right sort of way.
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Don Petter
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