Originally posted by Caliban
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BaL 7.02.15 - Saint-Saëns: Symphony no. 3
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One of the few works of Saint-Saens that I really like. I have played thye finale with a brass band and organ and have a couple of recordings by Black Dyke Band and Grimethorpe Colliery playing . absolutely fantastic performances these. Infact the whole symphony says brass to me or wind band even.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostI love this work. So full of the Romantism, atmospheric colours that you would expect from a composer like Berlioz. I have Sir Colin Davis's LSO Live recording and Andre Previn's recording c/w the Requiem But I fear tht these two may not be in the finishing line?
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Originally posted by Barbirollians View PostWhat work are you talking about ? I don't recall either of those having recorded Saint Saens organ symphony ???Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostStrongly recommended then, Cali?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Alain Maréchal View Postcan sound be spectacular? Is there a more appropriate term such as auricular?
Auriculas in an Auricula Theatre - which, if Alain's neologism (is that right?) was in use, could be a radio play.
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Well, already having the first choice, I have just ordered the Roth père et fils via ebay. Strange though that no mention seems to have been made of the fact that the organ part was conceived not for a Cavaillé-Coll, but, as Andrew Mellor reminds us, "an English-style concert hall organ in London", and that Saint-Saens offered the use of a harmonium as an alternative. So the big sound we are all use to seems to be far from the composer's aim.
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