Originally posted by ardcarp
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BaL 3.01.15 - Palestrina: Missa Papae Marcelli
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it wouldn't be too hard to pick holes in this programme. EG Do the acoustics matter or not, she couldn't seem to make up her mind... and there were other inconsistencies.
However, my main problem with it was that it didn't seem to know if it was a lecture, or a record review. FWIW, I think that, for us to learn more about the music, and importantly different styles of performance, ( those of us who might need to), a much more forensic approach is needed at times...identical short sections played, and even repeated, for example, to emphasise the presence or absence of very fast crescendos and diminuendos, (something that she mentioned,for example, )or individual pieces of phrase shaping. I find too many reviewers "guilty" of just applauding the shaping of phrasing, without using the very appropriate means that radio offers to demonstrate it.
All that said, I'm sure that the reviewer has selected well,and with good judgement, and perhaps it is the format , and its demand for a mixed approach including various disciplines, that is the problem.
Anyway, can't wait for my copy of the OC disc to arrive, so, in one sense, job done.Last edited by teamsaint; 07-01-15, 22:45.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View Posta much more forensic approach is needed at times...identical short sections played, and even repeated, for example, to emphasise the presence or absence of very fast crescendos and diminuendos, (something that she mentioned,for example, )or individual pieces of phrase shaping. I find too many reviewers "guilty" of just applauding the shaping of phrasing, without using the very appropriate means that radio offers to demonstrate it."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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a much more forensic approach is needed at times...identical short sections played, and even repeated, for example, to emphasise the presence or absence of very fast crescendos and diminuendos, (something that she mentioned,for example, )or individual pieces of phrase shaping. I find too many reviewers "guilty" of just applauding the shaping of phrasing, without using the very appropriate means that radio offers to demonstrate it.
perhaps it is the format
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