Originally posted by Jonathan Swain
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BaL 16.04.11 - Prokofiev: Symphony no. 6
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amateur51
Originally posted by Eine Alpensinfonie View PostThis philosophy is the essence of a good review, which Saturday's BaL undoubtedly was. It was in stark contrast to the previous week's offering when Roy Goodman laid down en extremely narrow set of "rules" (his own word) with very little flexibility in interpretation. Jonathan Swain's excellent review restored my faith in BaL
Whatever 'rules' were chosen, it wouldn't suit everyone.Andrew acknowledged the Herculean aspect of Goodman's task at the very start & I still think that they accomplished an impossible task pretty well.
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Curalach
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Originally posted by amateur51 View PostWith respect EA, Jonathan had a much smaller pool to choose from that did Roy Goodman who had to find a 'reason' for narrowing down his options.
Whatever 'rules' were chosen, it wouldn't suit everyone.Andrew acknowledged the Herculean aspect of Goodman's task at the very start & I still think that they accomplished an impossible task pretty well.
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amateur51
Originally posted by Eine Alpensinfonie View PostYes, the list was enormous, but he could have made a broadly-based shortlist from the outset, based upon musical merit rather than personal obsession, and then compared these versions.
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Jonathan Swain,
How nice to find you here! Do you remember the Festival Hall series of the Prokofiev symphonies with Edward Downes at the helm of the BBC PO? Now if they were available they would be high on my list. I've always enjoyed the Leinsdorf 6, and don't have your reservations about the sound. John Browning made a fine set of the Piano Concertos with him and the Boston SO, also available on Testament. Hearing them on LP was a great introduction to nos. 2 & 4, I remember.
Warm Wishes
Ferret
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3rd Viennese School
So theres no tempo markings on Prokofiev 6! So thats why some recordings drag the ending out and others go for a gallop! The idea of course is to make E flat major sound completly un-triumpant. It fullfills that in the Decca NHK recording. It would be interesting which speed was used in the 1947 premiere!
Also important to remember that the orchestral scream at the start of mvt 2 and near the end of mvt 2 are different, the latter being even more dramatic.
And of course, in mvt 1 you've got a very controlled climax with the orchestral tutti and the rolling drums which you dont often get in Prokofiev.
A few thoughts for anyone attempting to play it!
3VS
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amateur51
Originally posted by Ferretfancy View PostJonathan Swain,
How nice to find you here! Do you remember the Festival Hall series of the Prokofiev symphonies with Edward Downes at the helm of the BBC PO? Now if they were available they would be high on my list. I've always enjoyed the Leinsdorf 6, and don't have your reservations about the sound. John Browning made a fine set of the Piano Concertos with him and the Boston SO, also available on Testament. Hearing them on LP was a great introduction to nos. 2 & 4, I remember.
Warm Wishes
Ferret
Presto is cheaper still on special offer
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Originally posted by Ferretfancy View PostDo you remember the Festival Hall series of the Prokofiev symphonies with Edward Downes at the helm of the BBC PO? Now if they were available they would be high on my list. I've always enjoyed the Leinsdorf 6, and don't have your reservations about the sound
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I have fond memories of a series of three programmes on Radio 3 back, I think, in the early '80s, which included performances conducted by Downes of pairs of linked Prokofiev works. The Fourth and The Prodigal Son was one, the Cello Concerto and Symphony Concerto (Rohan de Saram) was another. I cant quite recall what the third was immediately. I wonder if they might still be in the archive?
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Legendary Dennis
Where is the podcast for this BAL? It sems to be missing from the list and has never appeared since the broadcast.
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Originally posted by Ferretfancy View PostDo you remember the Festival Hall series of the Prokofiev symphonies with Edward Downes at the helm of the BBC PO? Ferret"The sound is the handwriting of the conductor" - Bernard Haitink
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Anyone had the Prok 6 BAL podcast yet? Not me :(
Here it's leapt from the Beethoven Vln concerto to yesterday's Rossini... Been refreshing regularly over the past week.
Anyone else been denied it?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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