Originally posted by Barbirollians
View Post
BaL 27.12.14 - Schubert: Symphony no. 8 in B minor
Collapse
X
-
Richard Tarleton
My old friend and sometime tutor Hans Georg Schenk, author of The Mind of the European Romantics (Constable, 1966), used to say that he hoped to hear the last two movements of the Unfinished on entering Heaven. What he was getting at (he was a devout Catholic) was what he saw as the noumenal quality of the work - the way Schubert is able on occasion to twitch aside the curtain of mere musical phenomenon, and give us a glimpse of something not normally accessible to our senses. Is this synonymous with "the 20th Century accretions of sentimentality" ? I like to think not. I recognised RN and the LCPs in an instant: rattling through what for me will remain an ethereal work is to miss the point. Completions of 8 by other, earthbound, composers miss the point. Schubert is the only composer who could have completed it. But with what? Perhaps we search in vain for the ideal recording. I only bother to own one; I've only heard one live performance which came close but would doubtless have found itself on the BAL scrapheap (LSO/Leinsdorf, 1972). Perhaps the occasion had something to do with it.
But I enjoyed the programme.
Comment
-
Originally posted by Richard Tarleton View PostMy old friend and sometime tutor Hans Georg Schenk, author of The Mind of the European Romantics (Constable, 1966), used to say that he hoped to hear the last two movements of the Unfinished on entering Heaven. What he was getting at (he was a devout Catholic) was what he saw as the noumenal quality of the work - the way Schubert is able on occasion to twitch aside the curtain of mere musical phenomenon, and give us a glimpse of something not normally accessible to our senses. Is this synonymous with "the 20th Century accretions of sentimentality" ? I like to think not. I recognised RN and the LCPs in an instant: rattling through what for me will remain an ethereal work is to miss the point. Completions of 8 by other, earthbound, composers miss the point. Schubert is the only composer who could have completed it. But with what? Perhaps we search in vain for the ideal recording. I only bother to own one; I've only heard one live performance which came close but would doubtless have found itself on the BAL scrapheap (LSO/Leinsdorf, 1972). Perhaps the occasion had something to do with it.
But I enjoyed the programme.
Comment
-
-
Richard Tarleton
Originally posted by Tony View PostSeconded!
It's interesting that RT mentions Leinsdorf, a greatly underrated conductor these days, IMV.
I was lucky enough to have played in the very performance he cites ( LSO, Leinsdorf, 1972, Royal Festival Hall)
Comment
-
Originally posted by Tony View Post
It's interesting that RT mentions Leinsdorf, a greatly underrated conductor these days, IMV.
I was lucky enough to have played in the very performance he cites ( LSO, Leinsdorf, 1972, Royal Festival Hall)
Comment
-
-
Originally posted by Barbirollians View PostNo you turned a comment on a recording into a personal attack - your post was petty, spiteful and childish . This appears to be a repeated trait of yours when a recording you admire is criticised .
Comment
-
-
Originally posted by Richard Tarleton View PostCompletions of 8 by other, earthbound, composers miss the point. Schubert is the only composer who could have completed it. But with what?.
Comment
-
-
Originally posted by Eine Alpensinfonie View PostIn the case of this work, the answer is not so problematic. Schubert left a sketch of the 3rd movement that leaves only the second part of the trio open to speculation. And there are strong musicological reasons to support the idea that the B minor Entr'acte from Rosamunde could have been the indended finale. We shall probably never know, but it is hardly credible that Schubert wanted his symphony to be performed as a 2 movement work.
Comment
-
-
Originally posted by Eine Alpensinfonie View PostIn the case of this work, the answer is not so problematic. Schubert left a sketch of the 3rd movement that leaves only the second part of the trio open to speculation. And there are strong musicological reasons to support the idea that the B minor Entr'acte from Rosamunde could have been the indended finale. We shall probably never know, but it is hardly credible that Schubert wanted his symphony to be performed as a 2 movement work."The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
-
Originally posted by Petrushka View PostI believe there are a number of works that Schubert left in an unfinished state and that the 8th is the best known example. But is it unfinished at all? It is a perfectly satisfying two movement symphony and my feeling is that attempts to 'complete' a work that already is complete are misguided.
Comment
-
-
Originally posted by Eine Alpensinfonie View PostBut isn't that mainly because we are so familiar with the trumcated 2- movement version."The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
Comment