Originally posted by jayne lee wilson
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BaL 27.12.14 - Schubert: Symphony no. 8 in B minor
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Away when it was broadcast, I've just listened to podcast. I bought Norrington when it came out (1990), probably persuaded by an enthusiastic review from the late lamented John Steane in the Gramophone, of which I was an avid reader at the time. I thought the case was made on BaL. I remember enjoying its fresh approach when I first got it and have appreciated its qualities ever since but would not want it to be my only version. I seem to have a lot of Unfinisheds. With Goodman, it's on the shelf as an alternative listening experience to Sawallisch, Karajan, Bernstein, Jochum, Furtwängler and a rather scratchy wartime Mengelelberg.
I note that on the same Virgin Twofer you also get the Fourth which was Richard Wigmore's BaL recommendation in Nov 2012. Wigmore is a man with impressive Schubertian credentials and I don't know that recording at all and have just dipped into the programme out of curiosity.
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I have just listened to the complete(!) 'winner' and although I quite enjoyed it, it didn't have the same impact as say, Kertesz, who did not get even a mention, let alone a look-in, at which I was very surprised - unless I missed it. Kertesz with the VPO is fantastic - the whole set, not just the 8th.
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Originally posted by visualnickmos View PostI have just listened to the complete(!) 'winner' and although I quite enjoyed it, it didn't have the same impact as say, Kertesz, who did not get even a mention, let alone a look-in, at which I was very surprised - unless I missed it. Kertesz with the VPO is fantastic - the whole set, not just the 8th.
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Originally posted by vinteuil View Post... Mr Cowan's comfort zone for recordings seems solidly fixed in the 1950s and 1960s.
I don't think he has ever really escaped that historical sound.
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I thought I should give Mr de Souza's BAL a listen - a wasted 45 minutes of my life . He has a view of the symphony that I do not share and one that seemed entirely to miss its extraordinary emotional content . He seemed to believe that this stunningly beautiful music should not be beautiful .Hence ,his choice of a matter of fact run-through like reading.
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Originally posted by Barbirollians View PostHaving listened on i-player to the Norrington , my tape of which has long since bit the dust , my recollections were confirmed . Aggressive , monochromatic and dull .
I liked Rob's Freudian slip when quoting de Souza about grasping rather than gasping at the speeds.
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Originally posted by Bryn View PostYup, "Aggressive , monochromatic and dull", sums up your recollections for me too. Many thanks to RN for helping to scrape away the 20th Century accretions of sentimentality which so vitiated the composer's own stand on such matters.
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