BaL 11.10.14 - Shostakovich: Symphony no. 10 in E minor

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  • ucanseetheend
    Full Member
    • Dec 2010
    • 297

    Which Skrowaczewski recording was Johnson raving about and playing clips, The Halle or Deutsches Symphonie-Orchester Berlin recording? I see there a Frankfurt Radio Symphony performance on Youtube http://www.youtube.com/watch?v=u2Rtd4tnFwU
    "Perfection is not attainable,but if we chase perfection we can catch excellence"

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    • visualnickmos
      Full Member
      • Nov 2010
      • 3609

      Originally posted by ucanseetheend View Post
      Which Skrowaczewski recording was Johnson raving about and playing clips, The Halle or Deutsches Symphonie-Orchester Berlin recording?
      It was the Halle recording. As soon as I heard the first extract, it 'spoke' to me...

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      • ucanseetheend
        Full Member
        • Dec 2010
        • 297

        Just seen in Naxos music coupled with the 5th . Rip off at 20US$ for the set for a download http://www.classicsonline.com/catalo...spx?pid=877738
        Last edited by ucanseetheend; 15-10-14, 13:06.
        "Perfection is not attainable,but if we chase perfection we can catch excellence"

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        • Cockney Sparrow
          Full Member
          • Jan 2014
          • 2281

          - You can listen before you buy on Naxos Music Library (search for thread of that name if not familiar) - use advanced search - LABEL - then Composer and you'll find it (but I didn't find it when entering the name of the conductor).

          its also in the Google Music streaming service (which I may say has a lot of useful recordings to try out - I'm currently on a free trial month).

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          • Eine Alpensinfonie
            Host
            • Nov 2010
            • 20569

            Originally posted by ferneyhoughgeliebte View Post
            Go for it, Bbm: Just think of how all those wind/military band snare drummers will forever hold you in their debt! (Three of 'em in unison, I reckon!)
            There could be copyright issues though. I know of someone who was initially granted permission to arrange the Vaughan Williams Tallis Fantasia for a wind ensemble, but was then denied permission to perform it by Ursula V.W. herself.

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            • BBMmk2
              Late Member
              • Nov 2010
              • 20908

              Ah I was told by the head of faculty that I could do anything but may be different for education?
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

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              • kea
                Full Member
                • Dec 2013
                • 749

                Originally posted by ferneyhoughgeliebte View Post
                I think the 4th is my "fave", too - if not, then definitely the 15th.
                My favourite is almost certainly the 14th, a work I'd definitely appreciate a BaL on due to my extreme pickiness where it comes to singers. (Current version is Currentzis.) The 4th is one I want to get to know better though—I have it on CD, Ormandy & co., but all of my CDs are in a heavy box sitting under a number of other heavy boxes in a tight storage space in my parents' basement for the foreseeable future. So if anyone can recommend a high-quality recording, ideally as intense and crazy as possible, streamable...
                <.<

                Actually the 10th has never done all that much for me, apart from the adrenaline-rush scherzo. I'm not really sure why it's considered one of his best works. I didn't find the thematic material particularly memorable or interesting, and a lot of the 'topics' represent things he'd already done better (imo) in the 1st, 5th, 8th, etc. (e.g. the introduction to the finale, compared to say the adagio of the 6th symphony, sounds like a lot of rambly note spinning... the main theme of the same finale is reminiscent of the galops that dominate the 1st symphony but with less character... et cetera) Not sure why it has that effect on me, it doesn't seem to on anyone else, and I'm not sure what I'm missing.

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                • HighlandDougie
                  Full Member
                  • Nov 2010
                  • 3079

                  Originally posted by kea View Post
                  if anyone can recommend a high-quality recording, ideally as intense and crazy as possible, streamable...
                  <.<
                  Not sure what availability of this recording is like on such as Spotify but



                  fulfils the 'intense' criterion. It's live, the orchestra(s) is/are playing on the edge of their seats, it has a few rough edges but it's a thrilling performance. Kondrashin, for me, is hors concours in this work - the original Melodiya, the Dresden (although it's mono) and the well recorded Concertgebouw. Another slightly wild performance is:



                  Pulls no punches and has a powerful impact. Caetani (son of Igor Markevich) is a bit of an unknown quantity in the UK (his designation as Music Director of ENO bit the dust - if I have remembered my conductors correctly) but is well known in Australia (great set of Tchaikovsky symphonies with his then Melbourne orchestra). His DSCH symphonies deserve to be better known.

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                  • Cockney Sparrow
                    Full Member
                    • Jan 2014
                    • 2281

                    The Raiskin is in Spotify, Naxos Music Library and Googles "Play Music". I can only find the Caetani in Play Music.

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                    • Bryn
                      Banned
                      • Mar 2007
                      • 24688

                      Originally posted by Cockney Sparrow View Post
                      The Raiskin is in Spotify, Naxos Music Library and Googles "Play Music". I can only find the Caetani in Play Music.
                      Try Qobuz. I found the Caetani somewhat tame, compared to Raiskin. You do, however, get the bonus of a rejected sketch for a further movement.

                      I have been listening to the Raiskin again today. It is incredibly high-power stuff, but with all the light and shade the work demands. I don't know the Rattle, which got top recommendation the last time the work was the subject of Building a Library, but I have low cost used copy on order. I have a feeling Raiskin might top the poll were there to be another BaL on the work today, the Kondrashin recordings notwithstanding.

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                      • Eine Alpensinfonie
                        Host
                        • Nov 2010
                        • 20569

                        Originally posted by Brassbandmaestro View Post
                        Ah I was told by the head of faculty that I could do anything but may be different for education?
                        I think the issue is whether or not the arrangement is performed.

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                        • Petrushka
                          Full Member
                          • Nov 2010
                          • 12229

                          Originally posted by kea View Post
                          My favourite is almost certainly the 14th, a work I'd definitely appreciate a BaL on due to my extreme pickiness where it comes to singers.
                          Ditto as regards the singers. As far as I'm concerned they should be Russian and by far my favourite recording of the 14th is what I believe to be its Moscow premiere on October 6 1969 (the first performance was in Leningrad on Sept 29 1969) with Galina Vishnevskaya, Mark Reshetin and the Moscow Chamber Orchestra conducted by Rudolf Barshai. This is available on a Russian Disc CD and is indispensable to any DSCH fan but is rather pricey.



                          I've also got the Melodiya LP with the same singers but conducted by Rostropovich. The CD (which I haven't got) is currently going for £54 on Amazon I really need this to be reissued as it's one of the truly great Shostakovich recordings.

                          Last edited by Petrushka; 16-10-14, 22:18.
                          "The sound is the handwriting of the conductor" - Bernard Haitink

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                          • soileduk
                            Full Member
                            • Nov 2010
                            • 337

                            Originally posted by ferneyhoughgeliebte View Post
                            Depends on who "he" is, and how "need" is defined.


                            Personally, I'd wonder why he had neither of the Haitinks.
                            Nothing new and a bit ordinary.

                            Originally posted by amateur51 View Post
                            Nor those by Kondrashin?
                            Rather unavailable at the moment/expensive with poor sound.

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                            • amateur51

                              Originally posted by Petrushka View Post
                              I really need this to be reissued as it's one of the truly great Shostakovich recordings.

                              http://www.amazon.co.uk/Symphony-14-...ch+symphony+14
                              Let's get this ebola sorted first & then we'll see what we can do

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                              • Tapiola
                                Full Member
                                • Jan 2011
                                • 1688

                                Originally posted by Petrushka View Post
                                by far my favourite recording of the 14th is what I believe to be its Moscow premiere on October 6 1969 (the first performance was in Leningrad on Sept 29 1969) with Galina Vishnevskaya, Mark Reshetin and the Moscow Chamber Orchestra conducted by Rudolf Barshai. This is available on a Russian Disc CD and is indispensable to any DSCH fan but is rather pricey
                                Here it is Petrushka, at a snip! Wonderfully vicious percussion and containing the temporarily revised ending (percussion joining the string chords at the close) that Shostakovich was persuaded to make at Barshai's behest. The composer subsequently reverted to his original thoughts for the ending.

                                This is my second favourite account of the work. For me, the laurels go to the first studio recording, with the same conductor and orchestra but with the soloists Vladimirov (bass) and Miroshnikova (soprano). The latter, to me, outclasses Vishnevskaya in this work - the voice is stunning; her "Suicide" movement almost makes time stand still. This has never been issued on CD.

                                EDIT: Apparently the first studio Barshai was released, by Venezia label, but is now unavailable. Long overdue a reissue!
                                Last edited by Tapiola; 18-10-14, 09:25.

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