Originally posted by Eine Alpensinfonie
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BaL 28.06.14 - Ravel's La Valse
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Black Swan
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Originally posted by amateur51 View PostThis was a curate's egg for me; I just couldn't take listening to that much La Valse & I think I need to lie down in a darkened and silent room for a while ...
There were plenty of recordings that I expected to hear and didn't (Cluytens, Rattle, Monteux in San Fransisco, Haitink in Boston etc) but time limits what can be demonstrated and on balance I think that William Mival did a pretty good job.
Perhaps it is because I heard them very early on but I was very taken with the recordings by Ansermet, Martinon and Albert Wolf. The Barenboim was hilarious but not in a good way and I didn't like the Cantelli either. I wish there had been a HIPP-approach recording to hear from say Les Siècles and François-Xavier Roth but perhaps I'm counselling perfection.
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Yes, a well-presented, thoughtful BAL, and it is interesting to read how many boarders already have the Dutoit. I don't, but coincidentally Europadisc just started a sale of twofers which includes the relevant Double Decca, so I was able to rectify the omission immediately .
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Originally posted by amateur51 View Post....Haitink in Boston....
A very good BaL; the examples and narrative were excellently woven together. I agree with you that it was rather a 'La Valse' overload, such is the potency of the piece... but that is all part of the territory, I suppose, when making comparisons.
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Originally posted by Rolmill View PostYes, a well-presented, thoughtful BAL, and it is interesting to read how many boarders already have the Dutoit. I don't, but coincidentally Europadisc just started a sale of twofers which includes the relevant Double Decca, so I was able to rectify the omission immediately .Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by LeMartinPecheur View PostI'm always a sucker for Grainger!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by HighlandDougie View PostJos van Immerseel and Anima Eterna ..... not that I expect it to feature on Saturday morning.
Love this piece and enjoyed hearing a number of versions unknown to me in WM's survey. As so often, some surprising (as opposed to unsurprising) omissions - above all, no reference at all to Abbado, unless I nodded off?! (Is that the disc with the 'winning' Alborada, EA?).
Barenboim and Maazel in their different ways utterly ludicrous... (as I would have expected)
Haitink from the first notes (just after the Barenboim) so right... and the Monteux/LSO wonderful. I must get the latter! (I already have Dutoit, Haitink, Abbado)
Most revelatory of all, that extract from the old Lamoureux Concert Association Orchestra, Albert Wolff - apparently with Ravel's 'approval', sounding as the reviewer said, such fun in the early sections of the piece in the courtois, galant, slightly camp manner of the French acting style in old films like the Sacha Guitry works... I wish someone would record it now in that style - seems just right for that mannered world to collapse into the horror of the end of the piece. It would be great if Roth and Les Siècles could give it plenty of the old schmaltz like that when they record it !
The other revelation was the Karajan / Orchestre de Paris (can't see that in the OP, incidentally) - also rather camped-up, to a fault perhaps, but it sounded to me the closest to the Wolff/Lamoureux style... Wm. Mival said it doesn't get dark enough later on in the piece, but I really want to hear it!
So a BAL where I have long owned and loved the 'winner' ... but still potentially expensive!!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View Post[COLOR="#0000FF"]... It would be great if Roth and Les Siècles could give it plenty of the old schmaltz like that when they record it !...
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Originally posted by verismissimo View PostThere's a technical term for that 'old schmaltz', Cali. Portamento. And it's not really schmaltz at all. It's the way they played (as we heard in the Harrison recording of Elgar's Cello Concerto last week)."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Eine Alpensinfonie View PostThis a very short work for BaL. It isn't long since BaL reviewed an even shorter work: Alborada del gracioso. I wonder whether the BaL winner for La Valse will be on the same CD.
I'm looking forward to future BALs on the following (not):
Overture "Guillaume Tell"
"Till Eulenspiegel"
"In the South"
"Fingal's Cave"
"Le carnaval romain"
"Les preludes"
"Taras Bulba"
"Four Sea Interludes"
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