I only have the Solti and the Varviso highlights but that is enough for me Crespin is magnificent .
BaL 7.06.14 - Strauss: Der Rosenkavalier
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Black Swan
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Originally posted by Eine Alpensinfonie View PostIf I'd been made to put a bet on the winner, I think I would have got it right.
Both recommendations limited in their appeal to me by the two Marschalins. Erich Kleiber, the later Karajan and (on film) Solti good enough for me: but an excellent BaL - RO has such a superb way of communicating.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by gradus View PostI agree about RO's excellent skills as a reviewer but I disagree with him when he says that the recording quality of the Legge/ Karajan version is excellent, its rather shallow and bright to my ears on the lp version that I own. Maybe the sound has been been improved in later transfers?I keep hitting the Escape key, but I'm still here!
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Originally posted by Brassbandmaestro View PostI have a few operas in my collection but not many and not this one in particular. I seem to get more enjoyment from the other genres more, than opera. Or is it because hmmm I just don't know, really. I do like this one, so hopefully I may get a good idea from this BaL!
If asked about modern operas I'd have a problem. OK - I did see the Thebans by Julian Anderson a few days ago, which as a spectacle was certainly worth seeing - but musically - really not sure. Berg's Wozzeck can be a stunning holistic experience, though musically it may be hard to listen to without the action. I can't think of many others that I really like a lot - except perhaps Stravinsky Oedipus Rex (for the music) - Rakes Progress - just about works dramatically, and Bartók Bluebeard's Castle - which has some stunning music. Oedipus and Bluebeard at least also have the merit of brevity. I find that Britten doesn't do it for me in opera - though I like some of his other works, and I've not got into Tippett's either.
I hear also that some productions abroad are very good, and significantly cheaper than in the UK, but then there's the cost of getting to the opera houses to consider. Prague and Budapest are apparently very good, and Riga was good when I visited years ago, and Andris Nelsons was in charge of the music direction.
However - all that said - there are a lot of very cheap CD and DVD boxes with operas now - though I do feel you won't get into opera unless you see at least a few live performances.
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Roehre
I'll stick to my DeWaart, with a fabulous Frederica van Stade i.a.
Got it on Cassette tapes in 1978 which lasted till very recently as I lost them, now replaced by a 3CD set.
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[QUOTE=LeMartinPecheur;405273 Interesting what he said about the balance of the stereo version being inferior to the mono because Legge only supervised the latter.[/QUOTE]
Similarly, back in the days when most gramophones in the home were mono, The Beatles only bothered to supervise the mono versions of their LPs, leaving the stereo mixes to others. Purists therefore prefer the former, and a Japanese mono CD boxed set sold well.
The point about needing to see this particular opera live is well made. Having seen Lucia Popp as the Marschallin for one night only at the RFH, I have been disppointed by almost all recorded performances, with a possible preference for Crispin on the Varviso highlights disc and the C.Kleiber Munich DVD for the inspired conducting and most of the cast, particularly Popp as Sophie. As with many others, ES leaves me cold.
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Isn't taste odd... since I first heard it, not really understanding its iconic status, the HvK recording always seemed to me to be 'just right'... in particular, the part of the Marschallin fitting ES like a fine silk glove - the mature, aristocratic passionate woman - refined style but with a heart beating underneath. She just delivers the nuanced poignancy perfectly to my ears, plus Karajan's pacing underpins it ideally."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Caliban View PostIsn't taste odd... since I first heard it, not really understanding its iconic status, the HvK recording always seemed to me to be 'just right'... in particular, the part of the Marschallin fitting ES like a fine silk glove - the mature, aristocratic passionate woman - refined style but with a heart beating underneath. She just delivers the nuanced poignancy perfectly to my ears, plus Karajan's pacing underpins it ideally.
But G Jones sounded far too wobbly for my taste in RO's DVD recommendation.
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tigajen
Originally posted by verismissimo View PostFor me too, Cali.
But G Jones sounded far too wobbly for my taste in RO's DVD recommendation.
Heaven help us if we relied solely on such reviewers in making our choices!
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