That Cluytens is indeed special . I shall be digging it after YMOTY.
BaL 24.05.14: Beethoven Symphony no. 2 in D
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slarty
My favorite performance of all is a live rendering from a concert in Tokyo on November 14th 1977 with Karajan and the Berliners.
It was issued on CD by Tokyo FM, but it can hardly be included in Alpie's list as it is all but deleted in Japan and available nowhere else.
A possible explanation of why this performance is so special, is that Karajan programmed it as the only work in the second half of a programme with the Third Piano concerto with Weissenberg in the first half.
It was part of a complete Beethoven cycle given in Tokyo that week. To hear the 2nd symphony given that much prominence adds a whole new dimension to the work.
It is mind-blowing.
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Originally posted by slarty View PostMy favorite performance of all is a live rendering from a concert in Tokyo on November 14th 1977 with Karajan and the Berliners.
It was issued on CD by Tokyo FM, but it can hardly be included in Alpie's list as it is all but deleted in Japan and available nowhere else.
A possible explanation of why this performance is so special, is that Karajan programmed it as the only work in the second half of a programme with the Third Piano concerto with Weissenberg in the first half.
It was part of a complete Beethoven cycle given in Tokyo that week. To hear the 2nd symphony given that much prominence adds a whole new dimension to the work.
It is mind-blowing.
I'm pleased to hear that Karajan performed it live. His performances are amongst my favourites (Philharmonia, and 70s BPO in my case). I would love to have the CD of that Tokyo concert!
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Originally posted by verismissimo View Post.
A deal-breaker in this symphony is always a sluggish Larghetto. Far too prevalent amongst the trad Big Bands.
Of his early slow movements, I feel the 2nd symphony's has the most in common with the 9th's.
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Originally posted by Brassbandmaestro View PostThat's in that EMI LvB Edition isn't? Are they available separately?
It remains a great set with truly superb playing, especially from the oboe throughout.
Does anyone know why Cluytens was chosen to record this cycle? Was it intended for Karajan before he decamped to DG? Whatever the case, it is, in some ways a finer set than Karajan's 1962 cycle with, one assumes, many of the same players."The sound is the handwriting of the conductor" - Bernard Haitink
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