Originally posted by Caliban
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I merely stated that the task of selecting a single disc, or even several, seems increasingly difficult for any would-be reviewer now that there are so many recordings of, say, Bach's Cello Suites.
Surely JLL's excellent (and possibly patented) idea of 'Interpretations On Record' is now more practicable. Then we could get the value of the historical background and an awareness of different approaches, without what ultimately amounts to an almost arbitrary selection inevitably based on one critic's subjective bias.
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