BaL 12.04.14 - Schubert: Impromptus D899
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Originally posted by waldo View PostKempff, Lupu, Uchida and Brendel also on Spotify. Doesn't anyone else here use Spotify? (It doesn't seem to get mentioned that often.......) You can listen to about a hundred different recordings of D899 on it. It is free, if you don't mind adverts, or five quid a month if you do. I've been on a free membership for about a year and I listen to it everyday without any problem. (You can avoid adverts if you stop the track before it finishes.......) No better way of sampling music: convenient, easy to search and good quality sound. All you have to do is register - and off you go.
Anyone using Spotify for classical music should most definitely check that the volume normalisation is disabled in their settings (untick "Set the same volume level for all tracks").
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Originally posted by Don Petter View PostI was referring to the Eloquence set on Amazon, which clearly says in the title that it contains the 1970s analogue recordings:
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Originally posted by waldo View PostKempff, Lupu, Uchida and Brendel also on Spotify. Doesn't anyone else here use Spotify? (It doesn't seem to get mentioned that often.......) You can listen to about a hundred different recordings of D899 on it. It is free, if you don't mind adverts, or five quid a month if you do. I've been on a free membership for about a year and I listen to it everyday without any problem. (You can avoid adverts if you stop the track before it finishes.......) No better way of sampling music: convenient, easy to search and good quality sound. All you have to do is register - and off you go.
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Originally posted by MickyD View PostThank you waldo...as a technophobe, I have always thought that Spotify would be far too complex for me to deal with, but thanks to your post, I'm going to give it a try.
Using it couldn't be simpler: you type "Schubert" and "Impromptus" in the search box and around a hundred album front covers appear. You click on the one you want and a track list appears. Press play - and it plays. It may as well be magic.
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Originally posted by Don Petter View PostI was referring to the Eloquence set on Amazon, which clearly says in the title that it contains the 1970s analogue recordings:
This must be a mistake on Amazon's part if you say that the notes of the set state otherwise. I assumed they were the recordings I am familiar with on the Philips Duo 456-061 containing the complete Impromptus and Moments Musicaux, which I think is no longer available.
The 1980s digital set is available on a Decca box set.
The Philips Duo CDs of the Impromptus/Moments Musicaux and the Late Piano Sonatas are all available on a Decca twofer.
My preference, like DP, is strongly for the earlier analogue set. There is real poetry and drive about the playing and none of the finicky, intellectualising which some critics have found in the later Brendel.
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Don Petter
Originally posted by akiralx View PostThat's interesting if so as I have always wanted to hear his analogue G major sonata D894 which has never before been reissued on CD. I have the later digital set - the D845 from that is especially superb.
Brendel's analogue D894 (recorded February 1972) has been on CD before. I have it in the 5CD box set which is 'The Art of Alfred Brendel - Volume 3 - Schubert', which was issued in 1996. The full set had five volumes, with 25 CDs (Mozart/Haydn, Beethoven, Schubert, Liszt and Brahms/Schumann). If you acquired the complete set in one box it included a bonus CD of Brendel's debut recording, from 1951/2, of Liszt's 'The Christmas Tree'.
The Schubert volume is basically all analogue recordings, apart from the two sonatas D537 and D664, from 1982.
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amateur51
Originally posted by vinteuil View Post... I don't know the Orkis - perhaps I should invest? Yes, I'm generally a big fan of the Vermeulen - for the sonatas I usually go to him - or Bilson - rather than Badura-Skoda. Actually for the Impromptus my current fave is Lubimov (Matthias Müller 1810 for D899; Joseph Schantz 1830 for D935).
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PS - have decided to invest in the Viviana Sofronitsky - on the strength of her Mozart concertos
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Originally posted by vinteuil View Post... I don't know the Orkis - perhaps I should invest? Yes, I'm generally a big fan of the Vermeulen - for the sonatas I usually go to him - or Bilson - rather than Badura-Skoda. Actually for the Impromptus my current fave is Lubimov (Matthias Müller 1810 for D899; Joseph Schantz 1830 for D935).
PS - have decided to invest in the Viviana Sofronitsky - on the strength of her Mozart concertos
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On a more general note, I consider Schubert to be an exceptionally fine writer of piano music. He composed within the reasonable limits of the instrument and made it "sing" every bit as much as more exclusive piano composers like Chopin and Medtner. But in order to sing, perhaps you really need a piano with good sustaining power - large frame and long strings. Clementi pianos are fascinating, but do they really do justice to these pieces?
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