CPE Bach - a three CD set of the Prussian and Württemberg keyboard sonatas - on brilliant - by (of course) the indefatigable Pieter-Jan Belder, for £8-50
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Originally posted by vinteuil View PostCPE Bach - a three CD set of the Prussian and Württemberg keyboard sonatas - on brilliant - by (of course) the indefatigable Pieter-Jan Belder, for £8-50
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Originally posted by MickyD View PostVinteuil, can you tell me how these recordings compare with the older set by Bob Van Asperen on Telefunken Das Alte Werk? The latter is now available on some web sites for much the same price.
I always found the van Asperen a bit dull - they date from the 1970s, and are a careful and correct rather than enlivening or spirited interpretation. Which is why I'm keen to get the Belder, who is to my mind a most attractive player - his Scarlatti, Bach, and Rameau all give me much pleasure. And at this price!
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I'm not sure if this is a bargain on this thread, but in Oxfam today I found an interesting early stereo LP of Louis Kentner playing Brahms 2 with the Philharmonia and Boult. The number is ASD 269, which is numerically next door to the Sargent Planets recorded in 1957, so it's one of EMI's first stereo releases. Kentner must have been getting on in years by then, and it's quite an old fashioned performance with some odd tempo changes for Boult to keep up with, but nevertheless a version which makes you admire the music anew. Apart from a few Liszt recordings, Kentner seems forgotten today, does anybody else know this one ? I don't think it's on CD
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Originally posted by Ferretfancy View PostI'm not sure if this is a bargain on this thread, but in Oxfam today I found an interesting early stereo LP of Louis Kentner playing Brahms 2 with the Philharmonia and Boult. The number is ASD 269, which is numerically next door to the Sargent Planets recorded in 1957, so it's one of EMI's first stereo releases. Kentner must have been getting on in years by then, and it's quite an old fashioned performance with some odd tempo changes for Boult to keep up with, but nevertheless a version which makes you admire the music anew. Apart from a few Liszt recordings, Kentner seems forgotten today, does anybody else know this one ? I don't think it's on CD
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Originally posted by Ferretfancy View PostLouis Kentner playing Brahms 2 with the Philharmonia and Boult. . . Apart from a few Liszt recordings, Kentner seems forgotten today . . .My life, each morning when I dress, is four and twenty hours less. (J Richardson)
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Originally posted by Ferretfancy View PostI'm not sure if this is a bargain on this thread, but in Oxfam today I found an interesting early stereo LP of Louis Kentner playing Brahms 2 with the Philharmonia and Boult. The number is ASD 269, which is numerically next door to the Sargent Planets recorded in 1957, so it's one of EMI's first stereo releases. Kentner must have been getting on in years by then, and it's quite an old fashioned performance with some odd tempo changes for Boult to keep up with, but nevertheless a version which makes you admire the music anew. Apart from a few Liszt recordings, Kentner seems forgotten today, does anybody else know this one ? I don't think it's on CD
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amateur51
Originally posted by Ferretfancy View PostI'm not sure if this is a bargain on this thread, but in Oxfam today I found an interesting early stereo LP of Louis Kentner playing Brahms 2 with the Philharmonia and Boult. The number is ASD 269, which is numerically next door to the Sargent Planets recorded in 1957, so it's one of EMI's first stereo releases. Kentner must have been getting on in years by then, and it's quite an old fashioned performance with some odd tempo changes for Boult to keep up with, but nevertheless a version which makes you admire the music anew. Apart from a few Liszt recordings, Kentner seems forgotten today, does anybody else know this one ? I don't think it's on CD
What a chump!
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My attention was first drawn to Louis Kentner via the Saga LP of his recording of Beethoven's Op. 106 which, to make the most of the dynamic range available from each LP side, commenced side A with the final movement and had an extra wide 'silent' band between the end and the start of the first movement which followed it. Side B, of course, comprised the second and third movements. A most sensible arrangement.
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Originally posted by Bryn View PostMy attention was first drawn to Louis Kentner via the Saga LP of his recording of Beethoven's Op. 106 which, to make the most of the dynamic range available from each LP side, commenced side A with the final movement and had an extra wide 'silent' band between the end and the start of the first movement which followed it. Side B, of course, comprised the second and third movements. A most sensible arrangement.
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Originally posted by Pabmusic View PostI can't remember the record company, but James Loughran's recoding of the Eroica with the Halle was issued in a similar way.Steve
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