Originally posted by vinteuil
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Originally posted by Bryn View PostAn alternative view of the Lester Scarlatti discs, and one which I have good reason to respect:
http://www.musicweb-international.co...ol3_NI1727.htm
I would usually say - for Scarlatti, harpsichord rather than piano anytime : here I wd say - any of the piano versions I mentioned above rather than the laborious Lester going through these on the harpsichord.
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Originally posted by Bryn View PostAn alternative view of the Lester Scarlatti discs, and one which I have good reason to respect:
http://www.musicweb-international.co...ol3_NI1727.htm
Bryn, would you say the Lester set doesn't suffer from that defect.
Ah - just seen vinteuil's "unsympathetically recorded".My life, each morning when I dress, is four and twenty hours less. (J Richardson)
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The 'Nimbus sound' does not suit those more familiar with the close microphone productions favoured by many recording companies. I find no particular problem with the Nimbus attempts to capture the natural acoustics of the venue using a soundfield array. I have yet to hear the Lester recordings. As indicated, I was guided in my decision to order the set by Mark's enthusiastic review of some of the discs represented in the set.
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Originally posted by Pianorak View PostThanks, Bryn. So there is a "Nimbus sound" - and it obviously doesn't suit me. Even so I'll be interested to hear your assessment of the Lester recordings.
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Originally posted by Bryn View Post
Maybe I shouldn't blame Nimbus but the (probable) lack of an Ambisonic decoder in my ancient 1979 Teleton system.My life, each morning when I dress, is four and twenty hours less. (J Richardson)
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Originally posted by Pianorak View PostAn Ambisonic decoder is required to experience such recordings in their truest, surround-sound, form. These have never been widely available, so Nimbus recordings are typically experienced as undecoded UHJ which is compatible with normal stereo reproduction.
Maybe I shouldn't blame Nimbus but the (probable) lack of an Ambisonic decoder in my ancient 1979 Teleton system.
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Originally posted by Pianorak View PostThere is a 7 CD set of Cherkassky, all recorded at Nimbus Records, Wyastone Leys, with rather poor acoustics. Not sure if that is the correct technical term I'm looking for.
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Originally posted by johnb View PostI have the Cherkassky set and find the piano sound bearable but not too my taste.
Selections: Piano Concertos - The Ultimate Collection
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Lots of duplication for me - but at that price I couldn't resist.Last edited by Pianorak; 14-11-12, 22:50.My life, each morning when I dress, is four and twenty hours less. (J Richardson)
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Originally posted by Pianorak View Post
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Not sure about these two:
1. Glenn Gould box set - http://www.amazon.co.uk/Glenn-Gould-...t_mus_ep_dpi_5
2. Eternel Maurice André - http://www.amazon.co.uk/Eternel-Maur...3218362&sr=8-1
The Gould Bach set has 44 CDs and can be obtained for a tad over £60.
The André box has 13 CDs and is around £23.
Does one really want so much by either artist? That's for you to decide!
3. There's also this curious collection of seemingly randomly selcted pieces by seemingly randomly selected artists - http://www.amazon.co.uk/Classique-Di...3220706&sr=1-2 Can be obtained for about £30 - but presumably UK buyers should avoid the US sellers to avert having to pay duty to HMRC. 25 CDs - random - about £1.20 each depending on supplier.Last edited by Dave2002; 18-11-12, 06:49.
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