Originally posted by amateur51
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Originally posted by hafod View PostThe Barbirolli Viennese Album - pure magic
Cheaper in Am Marketplace.
As to what is on the so called Barbirolli/Ravel Everest cd see:
http://audaud.com/2008/08/satie-orch...h-sir-john-ba/
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Originally posted by Hitch View PostThank you for the kind words and recommendations. All of my purchases were of second-hand items from Amazon's "Marketplace" on its British, French, German and Canadian websites. Good luck with your search. Perhaps CD-hunting should be made an Olympic sport...
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Originally posted by Hitch View PostThese sets are ideal for impecunious students, etc., who want to explore the repertoire.
I was going also to point out the mega boxes - Mozart, Beethovem, Bach, Haydn etc. from BC and other firms. They can be good, though the chances are only a fraction of the CDs will be played. I got into those first with the BC Mozart box, which cost about £100. Then the Bach box appeared on Amazon at under £50. That big box does have the B minor mass, the St Matthew Passion, and all of the cantatas.
The contents of these various boxes - big, medium and small can vary from year to year, and performances in large collections can vary between excellent down to average or lower.
Good luck with your CD safaris.
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Last edited by PJPJ; 04-08-12, 17:05.
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I've just found an LP in my local Oxfam shop that brings back a vivid memory. It's Peter and the Wolf narrated by Frank Phillips with the LPO conducted by Nicolai Malko. Unfortunately it's not the original pressing, but one of those Decca Eclipses in fake stereo, but it doesn't sound too bad.
Why the vivid memory ? Well, the original LP was used by us lowly technical operators to trot round the studios in Broadcasting House on night shift to test the turntables,presumably because it had a familiar announcer's voice and orchestra.
Of course, Frank Phillips was a very formal figure, more accustomed to serious news reading, but he makes quite a reasonable stab at characterisation, and the playing is good. This disc used to drive me mad, but after nearly sixty years it's fun to hear, and for only a quid!
Incidentally, the 78 test disc was The Teddy Bear's Picnic, but enough of that !
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Don Petter
Originally posted by hafod View Post
Ordered at 7.30 pm on Thursday evening - In my hands at 9.30am this morning (Saturday). In spite of being ftom the German site, the package came from Dunfermline, I notice.
Looking forward to many hours of exploration.
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Roehre
Originally posted by PJPJ View Post
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Not really bargains but while ordering the version of the requiem by Berlioz conducted by Charles Munch from Amazon - a Living Stereo SACD (were these originally RCA - now apparently Sony?) I noticed a few more Living Stereo releases for around a fiver (£5.47) including Daphnis and Chloe also by Munch, and Also Sprach Zarathustra and Mussorgsky Pictures conducted by Reiner. I'm not sure how many channels there are on each of these. The Berlioz should be 4 channels, but the others could be 3 or 2 depending on how they've been mixed down for these releases. Are any of these SACDs at just over £5 worth having? There are also several at higher prices - £11 and upwards.
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All the original Living Stereos were recorded on 3 track tape, so there can't be any material for re-mastering offering genuine surround information as far as I know. Do try to hear the Berlioz / Munch recording of Overtures plus the Royal Hunt and Storm. Magical horn playing in the latter piece. The recording of the Requiem conducted by Louis Fremaux was originally an SQ Quad issue, so that would be a candidate for SACD surround.
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Originally posted by Ferretfancy View PostAll the original Living Stereos were recorded on 3 track tape......
Munch's Ravel Daphnis & Chloe (1955), and Reiner's Strauss Also Sprach and Ein Heldenleben (1954) and Bartok Concerto (1955) are examples of two-track. (There's no third channel on those SACDs.)
For months now, I've been beating the drum for full-range center-channel speakers, to reproduce recordings with a true center-channel signal. There are many reasons for this. First, if you have a refrigerator-sized, big-screen TV in the middle, there's no way your main L/R pair can create decent centerfill without help (and even then, don't expect much). Second, even without that monster in the middle, redistributing the center channel to the left and right speakers will, of necessity, introduce phase problems that can't be corrected with level adjustments or speaker repositioning.
The fourth round of RCA Red Seal Living Stereo hybrid SACD/CDs hit the literal and virtual shelves on February 7.
And here's the blurb which used to be on RCA's defunct website for the SACD releases:
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Synchronising two indpendent tape recorders for stereo must have been difficult - perhaps next to impossible.
I was quite surprised years ago that adjusting the head azimuth on a cassette recorder was sufficient to shift a central soloist to the left or right very noticeably. The time difference between the channels caused by this would have been of the order of only a few milliseconds, so synchronising two separate tapes for the length of even a short piece to avoid the soundstage drifting could have been quite a challenge.
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