Richard Strauss/Rudolf Kempe Reissue

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  • amateur51

    #46
    Originally posted by makropulos View Post
    I was there too! (I just about caught a glimpse of self near the front of the arena). What a wonderful concert it was. Kempe playing harpsichord continuo in Handel's Op. 6 No. 1, Nerine Barrett (Jamaican, if I remember rightly - now teaching in Germany) as the soloist in Mozart's Concerto K503, and Heldenleben. I've still got the programme somewhere...
    The DVD contents are available to view on youtube and it's the only time I've seen Kempe in action. I do envy you both for having seen him 'live', although the cameras' views are those from the orchestra mostly, and you can guage what a remarkable communicator his way, with a good stick technique, a wonderfully expressive left hand and he flexes from his knees in a similar way to Karl Boehm (and Thielemann today). Just occasionally a smile flickers across his face.

    Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


    Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.



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    • Ferretfancy
      Full Member
      • Nov 2010
      • 3487

      #47
      Originally posted by amateur51 View Post
      A wonderful couple of performances imho and a quite heart-breaking momento of Kempe 'live' because he died so relatively young, months after taking on the BBCPO orchestra. What we might have heard .....
      I was so lucky to have seen him conduct, both with the RPO and the BBC SO. Slight quibble it was the latter he took over before his sad death, not the BBC PO.

      His RPO recording of the Alpine Symphony made by RCA after a famous RFH concert still ranks very high with me when I feel like mountain climbing.

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      • amateur51

        #48
        Originally posted by Ferretfancy View Post
        I was so lucky to have seen him conduct, both with the RPO and the BBC SO. Slight quibble it was the latter he took over before his sad death, not the BBC PO.

        His RPO recording of the Alpine Symphony made by RCA after a famous RFH concert still ranks very high with me when I feel like mountain climbing.
        My bad as the young ones say ... it was BBC Symphony Orchestra that he was appointed to as Chief conductior in 1975, shortly before he died in 1976.

        The Rudolf Kempe Society, founded in London in 1980, and its German Branch, launched in Munich in 1982, are both registered charities which, through a variety of activities in England and Germany, work independently as well as through an exchange scheme towards the same goal in professional education: to bridge the gap between the means of training generally offered by established institutions and the ever-increasing demands made on young musicians entering the profession. Through the same scheme, today’s audiences of concert goers and music lovers – usually excluded from the working process and thus condemned to the passive attitude of consumers – are invited to participate in the Society’s educational activities and to gain insight into the creative process of interpretation. In this way, the Society’s work is recognised as opening up new dimensions of communication and understanding.

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        • Barbirollians
          Full Member
          • Nov 2010
          • 11833

          #49
          Listened to it again today -it really is a marvellous Resurrection Symphony on BBC Legends .

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          • Petrushka
            Full Member
            • Nov 2010
            • 12374

            #50
            Originally posted by Barbirollians View Post
            Listened to it again today -it really is a marvellous Resurrection Symphony on BBC Legends .
            That performance came just a few days after Kempe and the Munich PO had played the funeral march from Beethoven's Eroica in the Olympic Stadium following the 1972 Munich Olympic tragedy. One wonders if the Mahler performance was heightened by the experience.
            "The sound is the handwriting of the conductor" - Bernard Haitink

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            • Barbirollians
              Full Member
              • Nov 2010
              • 11833

              #51
              Originally posted by Petrushka View Post
              That performance came just a few days after Kempe and the Munich PO had played the funeral march from Beethoven's Eroica in the Olympic Stadium following the 1972 Munich Olympic tragedy. One wonders if the Mahler performance was heightened by the experience.
              I think you said you recall listening to it on the radio Petrushka ? Did it make much of an impression at the time? Lovely singing too by Anna Reynolds and Sheila Armstrong.

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              • LaurieWatt
                Full Member
                • Nov 2010
                • 205

                #52
                Originally posted by richardfinegold View Post
                Well, the sound is improved, anyway...
                To bring this thread back to Strauss, I have just been given this set and I completely agree with Richard as my sampling demonstrates to me, as well, a quite dramatic improvement in the sound! Yes, wobbly horns but they play beautifully and are well presented in the fine acoustic; slightly light bass but we are talking about early '70's recordings, and, yes, somewhat papery cymbals but then they use those silly small cymbals that just sound ... papery! A fine set and am delighted to be remind of these recordings.

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                • Black Swan

                  #53
                  Thanks for the information on the Kempe set. I have been vacillating on whether to purchase or not. There will be so many sets out this year, I couldn't decide on whether to wait or not. OR to just buy the works I am interested in hearing. So I will now wait until the mail gets back to normal and proceed.

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                  • Petrushka
                    Full Member
                    • Nov 2010
                    • 12374

                    #54
                    Originally posted by Barbirollians View Post
                    I think you said you recall listening to it on the radio Petrushka ? Did it make much of an impression at the time? Lovely singing too by Anna Reynolds and Sheila Armstrong.
                    Yes I did. It was a Sunday afternoon I recall. Unfortunately, I was only 18 at the time and this was one of the very first Mahler performances I heard so it's impossible for me to say much about the impression at the time. I'll have to give it a hearing again soon.
                    "The sound is the handwriting of the conductor" - Bernard Haitink

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                    • Petrushka
                      Full Member
                      • Nov 2010
                      • 12374

                      #55
                      Originally posted by LaurieWatt View Post
                      To bring this thread back to Strauss, I have just been given this set and I completely agree with Richard as my sampling demonstrates to me, as well, a quite dramatic improvement in the sound! Yes, wobbly horns but they play beautifully and are well presented in the fine acoustic; slightly light bass but we are talking about early '70's recordings, and, yes, somewhat papery cymbals but then they use those silly small cymbals that just sound ... papery! A fine set and am delighted to be remind of these recordings.
                      Hmm it looks like I may be about to replace my old EMI set. Kempe's Strauss has been a big part of my musical life so it deserves to be heard in the best possible sound.
                      "The sound is the handwriting of the conductor" - Bernard Haitink

                      Comment

                      • richardfinegold
                        Full Member
                        • Sep 2012
                        • 7794

                        #56
                        Originally posted by LaurieWatt View Post
                        To bring this thread back to Strauss, I have just been given this set and I completely agree with Richard as my sampling demonstrates to me, as well, a quite dramatic improvement in the sound! Yes, wobbly horns but they play beautifully and are well presented in the fine acoustic; slightly light bass but we are talking about early '70's recordings, and, yes, somewhat papery cymbals but then they use those silly small cymbals that just sound ... papery! A fine set and am delighted to be remind of these recordings.
                        I particularly appreciate the information about the cymbals.
                        My only caution is the cheapness of the jewell box, which shattered as I opened it to extract he two discs inside. I am now storing the discs in the original EMI
                        CD reissue box.

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                        • Barbirollians
                          Full Member
                          • Nov 2010
                          • 11833

                          #57
                          I am not sure I feel I need to get this new Warner remastering. The EMI Dresden Ein Heldenleben sounded fine to me this evening and no wobbly horns to my ears - lovely playing and deeply moving performance .

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                          • amateur51

                            #58
                            Originally posted by Barbirollians View Post
                            I am not sure I feel I need to get this new Warner remastering. The EMI Dresden Ein Heldenleben sounded fine to me this evening and no wobbly horns to my ears - lovely playing and deeply moving performance .
                            No indeed Barbs, i give daily thanks that my ears are such that chasing the bit-rate is a fool's errand

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                            • Karafan
                              Full Member
                              • Nov 2010
                              • 786

                              #59
                              Originally posted by akiralx View Post
                              I don't have it but I thought the latest incarnation of the NYPO cycle (from the Japanese SACD remasterings) was supposed to be a sonic revelation?
                              Correct!
                              "Let me have my own way in exactly everything, and a sunnier and more pleasant creature does not exist." Thomas Carlyle

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                              • Eine Alpensinfonie
                                Host
                                • Nov 2010
                                • 20577

                                #60
                                An alternative set is the Zinman.
                                Strauss - Orchestral Works. Arte Nova: 74321984952. Buy download online. Simon Fuchs (oboe), Melanie Diener (Soprano) & Thomas Grossenbacher (violoncello) Tonhalle Orchestra Zurich, David Zinman


                                Well worth considering.

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