Haydn Cello Concertos

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  • Barbirollians
    Full Member
    • Nov 2010
    • 11706

    #16
    Originally posted by Gordon View Post
    Any fool can be a "critic" in these days of the internet etc. There used to be an old disparaging thing about teaching: "If you can't Do it Teach it!". Could be equally well said about critics. If they are so marvellous why aren't they the ones performing and recording?

    I think we all value critics who know their stuff technically and are balanced in their understanding the approach and execution of a given performance. We avoid those that base judgements on dogma [ except of course when theya gree with us!! .
    Beautifully put Gordon . I agree entirely but we don't put ourselves forward as critics on here just music lovers with opinions .

    The reviewer in question is/was a cellist but the catalogues do not seem to be groaning with lists of his records .

    Comment

    • vinteuil
      Full Member
      • Nov 2010
      • 12845

      #17
      Originally posted by Gordon View Post
      Any fool can be a "critic" in these days of the internet etc. There used to be an old disparaging thing about teaching: "If you can't Do it Teach it!". Could be equally well said about critics. If they are so marvellous why aren't they the ones performing and recording?
      ... because being a critic is a different skill from being a performer. As Johnson put it : "You may abuse a tragedy, though you cannot write one. You may scold a carpenter who has made you a bad table, though you cannot make a table. It is not your trade to make tables."

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      • Sir Velo
        Full Member
        • Oct 2012
        • 3233

        #18
        Originally posted by vinteuil View Post
        ... because being a critic is a different skill from being a performer. As Johnson put it : "You may abuse a tragedy, though you cannot write one. You may scold a carpenter who has made you a bad table, though you cannot make a table. It is not your trade to make tables."


        When I read a review of a theatrical performance, I don't demand that the critic is a knight (or dame) thespian.

        Do we read a review of a car only if the reviewer is Nigel Mansell or Jenson Button?

        Can no one review a restaurant unless they are a Michelin starred chef?

        Richard Osborne is, IMV, a great critic but I don't see his name down as a former conductor of the LSO. The fact that a critic can't make music does not deny them the faculty of being able to distinguish a great performance from a poor one.

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        • MickyD
          Full Member
          • Nov 2010
          • 4776

          #19
          Even so, has anyone ever seen any statues of a critic?

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          • Bryn
            Banned
            • Mar 2007
            • 24688

            #20
            Originally posted by MickyD View Post
            Even so, has anyone ever seen any statues of a critic?
            Sure[sic], GBS.

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            • vinteuil
              Full Member
              • Nov 2010
              • 12845

              #21
              Originally posted by MickyD View Post
              Even so, has anyone ever seen any statues of a critic?
              ... there is a statue of Samuel Johnson in the Strand near St Clement Danes - and also this rather fine one in Lichfield :

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              • ferneyhoughgeliebte
                Gone fishin'
                • Sep 2011
                • 30163

                #22
                Originally posted by vinteuil View Post
                ... there is a statue of Samuel Johnson in the Strand near St Clement Danes - and also this rather fine one in Lichfield :

                www.victorianweb.org/sculpture/lucas/3.html
                Whereas you have to go to Canada to see one of Corno di Bassetto:

                [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                • MickyD
                  Full Member
                  • Nov 2010
                  • 4776

                  #23
                  Interesting. I wonder how many now would clamour for statues of our critics today?

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                  • gamba
                    Late member
                    • Dec 2010
                    • 575

                    #24
                    Han Na Chang - to get back to Haydn again. Just listen & take a look at her on utube. Takes years of your life !

                    Music for a young person - watch & be bewitched !!

                    Comment

                    • Barbirollians
                      Full Member
                      • Nov 2010
                      • 11706

                      #25
                      Originally posted by Sir Velo View Post


                      When I read a review of a theatrical performance, I don't demand that the critic is a knight (or dame) thespian.

                      Do we read a review of a car only if the reviewer is Nigel Mansell or Jenson Button?

                      Can no one review a restaurant unless they are a Michelin starred chef?

                      Richard Osborne is, IMV, a great critic but I don't see his name down as a former conductor of the LSO. The fact that a critic can't make music does not deny them the faculty of being able to distinguish a great performance from a poor one.
                      No I agree but it seems to me that often those critics are much better and more open minded than those who do play a particular instrument and who have an instinctive preference for performances like those they would wish to achieve had they been given the chance or ability.

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                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11706

                        #26
                        Originally posted by gamba View Post
                        Han Na Chang - to get back to Haydn again. Just listen & take a look at her on utube. Takes years of your life !

                        Music for a young person - watch & be bewitched !!
                        She seems to have not quite had the meteoric career once expected but I had heard rumours she could be quite demanding .

                        Comment

                        • Barbirollians
                          Full Member
                          • Nov 2010
                          • 11706

                          #27
                          Originally posted by LaurieWatt View Post
                          I greatly enjoy Rostropovich in both concerti. He is definitely my favourite in the C major concerto (the recording on Decca with the ECO under Britten). However, my true favourite for the D major concerto is with Maurice Gendron with the Lamoureux Orchestra conducted by Pablo Casals a long deleted Philips recording.
                          Interesting, I am also a fan of the Rostropovich/Britten - I did not know there were remakes with Marriner - The Gendron/Casals sounds fascinating and it was apparently coupled with the first recording of the Boccherini without the Grutzmacher additions. I remain very keen on the du Pre recordings both in C with Barenboim and in D with Barbirolli.
                          Last edited by Barbirollians; 04-12-13, 23:42.

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                          • mikealdren
                            Full Member
                            • Nov 2010
                            • 1201

                            #28
                            Yes the Gendron/Casals is excellent. I've loved it since I bought the LP. It's partly down to Casals loving conducting of the two scores and the obvious empathy between the two cellists.

                            Certainly not HIPP but strongly recommended.

                            Mike

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