I grew up with Boult's 1937 recording and it was hard to accept others. For a long time I found Barbirolli's pause awkward before the final pizzicato chord. I imagine he did this because, as a string player himself, he liked to give the players time to adjust their hand for the pizz.
Another former string player who recorded the work was Anthony Collins, and I've always slightly preferred his version even to Boult. Its a great shame Elgar himself never recorded it.
Another former string player who recorded the work was Anthony Collins, and I've always slightly preferred his version even to Boult. Its a great shame Elgar himself never recorded it.
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