Working my way through the second Mercury Box, the Dorati Tcahikovsky 4th and Sixth Symphonies and Francesca Di Rimini are very interesting interpretations. Dorati was known as a ballet conductor and more than any recordings that I have heard of these overly familiar works, the dance element is played to the hilt. Most of this sounds as if it could easily be inserted into one of the great ballets, and I think it works very well for the quitter parts of 4:1 and
Francesca.
Francesca.
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