Originally posted by amateur51
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Music For Strings, Percussion and Celesta
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Originally posted by amateur51 View PostKocsis? Here you go Bbm.
Bartók: Music for Strings, Percussion & Celeste. Hungaroton: HSACD32510. Buy download online. Hungarian National Philharmonic Orchestra, Zoltan Kocsis
Has anyone heard the Harnoncourt recording?
http://www.prestoclassical.co.uk/r/RCA/82876603532Don’t cry for me
I go where music was born
J S Bach 1685-1750
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I have the Reiner and Solti (also a 1951 LPO Solti and Karajan, DG) and I heard Solti perform it with the LPO in 1988. If I remember correctly the percussion was situated at the front centre of the platform with the strings either side. I forget the exact configuration of the strings but think the piano and celesta were also centrally placed. Does Bartok recommend a particular layout or is this up to the conductor? One for Pabmusic or Roehre, perhaps?
The later Solti recording for me but Reiner is very special."The sound is the handwriting of the conductor" - Bernard Haitink
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There is an "Approximate Positioning of the Orchestra" at the start of the pocket score: the two string orchestras mirror each other and surround the percussion players in the centre of the platform. Piano and Harp at the front (with Violins 1 and 3 at either side); Celesta and Xylophone behind them (with Violins 2 & 4 at either side of them); Snare drum and cymbals (with Violas 1 & 2); Timpami and Bass Drum (with 'celli 1 & 2) and Double Basses at the very back, behind the percussionists. Sounds like Solti followed this pattern.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostThere is an "Approximate Positioning of the Orchestra" at the start of the pocket score: the two string orchestras mirror each other and surround the percussion players in the centre of the platform. Piano and Harp at the front (with Violins 1 and 3 at either side); Celesta and Xylophone behind them (with Violins 2 & 4 at either side of them); Snare drum and cymbals (with Violas 1 & 2); Timpami and Bass Drum (with 'celli 1 & 2) and Double Basses at the very back, behind the percussionists. Sounds like Solti followed this pattern."The sound is the handwriting of the conductor" - Bernard Haitink
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