Music For Strings, Percussion and Celesta

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  • visualnickmos
    Full Member
    • Nov 2010
    • 3610

    #16
    Originally posted by amateur51 View Post
    Yes please, Caliban - I look forward to that report
    Me too.......

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    • BBMmk2
      Late Member
      • Nov 2010
      • 20908

      #17
      Originally posted by amateur51 View Post
      Kocsis? Here you go Bbm.

      Bartók: Music for Strings, Percussion & Celeste. Hungaroton: HSACD32510. Buy download online. Hungarian National Philharmonic Orchestra, Zoltan Kocsis


      Has anyone heard the Harnoncourt recording?

      http://www.prestoclassical.co.uk/r/RCA/82876603532
      Thanks ams! i should think this be a strong contender from that French programme too?
      Don’t cry for me
      I go where music was born

      J S Bach 1685-1750

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      • Parry1912
        Full Member
        • Nov 2010
        • 963

        #18
        As well as Reiner and Solti, I'm very partial to Karajan (EMI).
        Del boy: “Get in, get out, don’t look back. That’s my motto!”

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        • Petrushka
          Full Member
          • Nov 2010
          • 12247

          #19
          I have the Reiner and Solti (also a 1951 LPO Solti and Karajan, DG) and I heard Solti perform it with the LPO in 1988. If I remember correctly the percussion was situated at the front centre of the platform with the strings either side. I forget the exact configuration of the strings but think the piano and celesta were also centrally placed. Does Bartok recommend a particular layout or is this up to the conductor? One for Pabmusic or Roehre, perhaps?

          The later Solti recording for me but Reiner is very special.
          "The sound is the handwriting of the conductor" - Bernard Haitink

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          • ferneyhoughgeliebte
            Gone fishin'
            • Sep 2011
            • 30163

            #20
            There is an "Approximate Positioning of the Orchestra" at the start of the pocket score: the two string orchestras mirror each other and surround the percussion players in the centre of the platform. Piano and Harp at the front (with Violins 1 and 3 at either side); Celesta and Xylophone behind them (with Violins 2 & 4 at either side of them); Snare drum and cymbals (with Violas 1 & 2); Timpami and Bass Drum (with 'celli 1 & 2) and Double Basses at the very back, behind the percussionists. Sounds like Solti followed this pattern.
            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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            • Barbirollians
              Full Member
              • Nov 2010
              • 11680

              #21
              Reiner for me !

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              • Petrushka
                Full Member
                • Nov 2010
                • 12247

                #22
                Originally posted by ferneyhoughgeliebte View Post
                There is an "Approximate Positioning of the Orchestra" at the start of the pocket score: the two string orchestras mirror each other and surround the percussion players in the centre of the platform. Piano and Harp at the front (with Violins 1 and 3 at either side); Celesta and Xylophone behind them (with Violins 2 & 4 at either side of them); Snare drum and cymbals (with Violas 1 & 2); Timpami and Bass Drum (with 'celli 1 & 2) and Double Basses at the very back, behind the percussionists. Sounds like Solti followed this pattern.
                Thanks very much for this. That arrangement does indeed seem the one that Solti followed and that should come as no surprise.
                "The sound is the handwriting of the conductor" - Bernard Haitink

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