Listening to that marvellous swansong of Classic FM magazine - its 2 CD freebie of Tchaikovsky that included the van Cliburn/Kondrashin mega selling account of this piece tonight one can understand why it sold so well . It is a barnstorming thriller of a performance that takes the piece by the scruff of the neck and does not let go .
When it is played like this it is terrific fun . What is your favourite account of the piece ?
For me Argerich and Abbado have a mercurial fizz on DG for me that I have not heard surpassed and which is different from her incendiary account with Kondrashin and her lower voltage yet musical one with Dutoit , Hough and Vanska produce a fresh , yet still properly romantic rendition on Hyperion - Gilels and Reiner knock out the fireworks on RCA - Solomon in three incredibly different accounts - all poetry with Dobrowen, sparkle with Harty through the old recording and on fire in Kansas City with a struggling orchestra , Horowitz and Toscanini etc etc .
Forced to have one it would be Argerich and Abbado but that Solomon account in Kansas has to be heard to be believed.
When it is played like this it is terrific fun . What is your favourite account of the piece ?
For me Argerich and Abbado have a mercurial fizz on DG for me that I have not heard surpassed and which is different from her incendiary account with Kondrashin and her lower voltage yet musical one with Dutoit , Hough and Vanska produce a fresh , yet still properly romantic rendition on Hyperion - Gilels and Reiner knock out the fireworks on RCA - Solomon in three incredibly different accounts - all poetry with Dobrowen, sparkle with Harty through the old recording and on fire in Kansas City with a struggling orchestra , Horowitz and Toscanini etc etc .
Forced to have one it would be Argerich and Abbado but that Solomon account in Kansas has to be heard to be believed.
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