A thread to discuss recordings old and new of HP.
I know some of his works (Dido & Aeneas (Hogwood/AAM), Funeral Music for Queen Mary(Gardiner)) but spent this morning listening to songs and the Ode to St. Cecilia.
In some songs, such as 'O, Solitude', I found the counter-tenor Gerard Lesne to be more to my taste than the soprano Emma Kirkby, though in others like 'Sweeter than Roses' I preferred the latter.
O, Solitude collection (Naive) for £8.75 at Presto and streamable here: http://player.qobuz.com/#!/album/0822189000592
Ode to St. Cecilia is new to me, and I was struck by how modern the music sounds (sections such as 'Soul of the World', 'Thou tun'st this world') I listened to Mccreesh/Gabrieli Consort & Players, their singing being much easier on the ear than that of Marc Minkowski's ensemble.
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Could someone tell me why on some versions of The Plaint from The Fairy Queen there is a wind instrument obbligato, on others a stringed instrument (Gardiner).
I know some of his works (Dido & Aeneas (Hogwood/AAM), Funeral Music for Queen Mary(Gardiner)) but spent this morning listening to songs and the Ode to St. Cecilia.
In some songs, such as 'O, Solitude', I found the counter-tenor Gerard Lesne to be more to my taste than the soprano Emma Kirkby, though in others like 'Sweeter than Roses' I preferred the latter.
O, Solitude collection (Naive) for £8.75 at Presto and streamable here: http://player.qobuz.com/#!/album/0822189000592
Ode to St. Cecilia is new to me, and I was struck by how modern the music sounds (sections such as 'Soul of the World', 'Thou tun'st this world') I listened to Mccreesh/Gabrieli Consort & Players, their singing being much easier on the ear than that of Marc Minkowski's ensemble.
--
Could someone tell me why on some versions of The Plaint from The Fairy Queen there is a wind instrument obbligato, on others a stringed instrument (Gardiner).
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