There is a very cherishable disc of offbeat Tchaikovsky ballet music with the Royal Opera orchestra on Philips.
Your Favourite Sir Colin Davis Recording
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Originally posted by Alison View PostThere is a very cherishable disc of offbeat Tchaikovsky ballet music with the Royal Opera orchestra on Philips."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by AjAjAjH View PostI've mentioned a few of my favourites on the Colin Davis RIP thread. Here they are again with the Bruckner added.
For me his Bruckner 6 is the only Bruckner 6 to listen to.
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Originally posted by akiralx View PostAny ideas why he performed Bruckner 7 with the middle movements reversed, as released on Orfeo C208 891 A? Not a mastering error - he did perform it that way!
So, the mystery remains....
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Originally posted by ferneyhoughgeliebte View Post
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martin_opera
Davis made some very underrated Verdi recordings and his Un Ballo in Maschera for me really captures the sense of fun of the piece in Act 1 especially. It has also got Carreras and Caballe at their peak. I can never understand why it doesn't rate more highly and is certainly preferable IMO to the stolid Solti and von Karajan recordings which sap the brio out of the opera.
I'd also have to take his Cosi Fan Tutte away with me to a desert island. For me this is one of the greatest of all opera recordings because the sense of ensemble really comes across and the ladies - Caballe, Cotrubas and Baker - are perfect. This despite the fact that the men (especailly Gedda who was clearly having an off day) are often pretty coarse!
RIP
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Originally posted by mikealdren View PostHe did some splendid concerto recordings too. Beethoven and Bartok with Kovacevich, Beethoven and Brahms with Grumiaux and an excellent Tippet triple concerto for instance.
Mike
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Originally posted by Ferretfancy View PostYes indeed all of those, and the Grieg and Schumann concertos with Kovacevich.
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The EMI Icon box arrived today and I included that justly famous Beethoven 7 in my evening CD concert.
With recordings on their books from the likes of Furtwängler and Klemperer I wonder what prompted EMI to set down this work with a young Colin Davis? What a thrilling account it is!"The sound is the handwriting of the conductor" - Bernard Haitink
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amateur51
Originally posted by jayne lee wilson View PostI taped him doing it this way in 2/96 with the LSO on R3 live at the Barbican. I recall him (in interview that night - sadly not on my tape) citing Furtwangler as precedent, but despite much searching and a correspondance with John F.Berky at abruckner.com I can find no supporting evidence for it...
So, the mystery remains....
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Originally posted by akiralx View PostAny ideas why he performed Bruckner 7 with the middle movements reversed, as released on Orfeo C208 891 A? Not a mastering error - he did perform it that way!
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