Gergiev's 'Leningrad'

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  • Petrushka
    Full Member
    • Nov 2010
    • 12256

    Gergiev's 'Leningrad'

    I wasn't altogether impressed with earlier issues in Gergiev's on-going Shostakovich cycle on the Mariinsky label (mostly on grounds of sound quality) but am wondering if things have picked up for the recent 'Leningrad'? Gergiev is more or less self-recommending in this repertoire and I'm sorely tempted.

    Any views on this CD or, indeed, the other recent coupling of 3 & 10?
    "The sound is the handwriting of the conductor" - Bernard Haitink
  • Alison
    Full Member
    • Nov 2010
    • 6459

    #2
    Sounded a murky recording on CD review and Im happy to wait for Petrenko/Naxos.

    You mean you missed the recent Ed Seckerson slot, pet ?

    Comment

    • Petrushka
      Full Member
      • Nov 2010
      • 12256

      #3
      Originally posted by Alison View Post
      Sounded a murky recording on CD review and Im happy to wait for Petrenko/Naxos.

      You mean you missed the recent Ed Seckerson slot, pet ?


      'Murky recording'? The Mariinsky Concert Hall is supposed to be pretty good acoustically speaking, so it's disappointing if more recent efforts are not an improvement on the earlier. Thanks for the advice, Alison. I'm not exactly short of 'Leningrads' so will stay my hand for the moment unless anyone can convince otherwise.
      "The sound is the handwriting of the conductor" - Bernard Haitink

      Comment

      • Il Grande Inquisitor
        Full Member
        • Mar 2007
        • 961

        #4
        Originally posted by Alison View Post
        Sounded a murky recording on CD review
        I've often found Mariinsky recordings disappointing, especially given they're engineered by the same team that gets such good results for the LSO given the Barbican's acoustic limitations. However, I've revised this opinion somewhat; what it needs is playback at a very high volume and then the sound opens out pretty impressively.

        Gergiev's interpretation of the Seventh is intense, although the last three movements are on the slower side, the Moderato second movement especially so. Pretty thrilling playing in places.
        Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

        Comment

        • Ferretfancy
          Full Member
          • Nov 2010
          • 3487

          #5
          For my money, the best Leningrad is the Barshai, he tames the bombast without weakening the music's power, and the recording is pretty good.

          Comment

          • BBMmk2
            Late Member
            • Nov 2010
            • 20908

            #6
            I have Gergiev's Sheherazade by the Mariinsky forces and not a bad cd at al!
            Don’t cry for me
            I go where music was born

            J S Bach 1685-1750

            Comment

            • EdgeleyRob
              Guest
              • Nov 2010
              • 12180

              #7
              I have the Chicago Symphony Orchestra/Bernstein (DG).
              Very powerful performance IMO,I think I will have a listen now.

              Comment

              • Nick Armstrong
                Host
                • Nov 2010
                • 26540

                #8
                Originally posted by EdgeleyRob View Post
                I have the Chicago Symphony Orchestra/Bernstein (DG).
                Very powerful performance IMO,I think I will have a listen now.
                That's the one I have, ER (apart from the Barshai one in the Superdrug boxset). It's a goodie

                Originally posted by Ferretfancy View Post
                For my money, the best Leningrad is the Barshai, he tames the bombast without weakening the music's power, and the recording is pretty good.
                Is that the one in the WDR box I just mentioned?
                "...the isle is full of noises,
                Sounds and sweet airs, that give delight and hurt not.
                Sometimes a thousand twangling instruments
                Will hum about mine ears, and sometime voices..."

                Comment

                • Barbirollians
                  Full Member
                  • Nov 2010
                  • 11706

                  #9
                  I was very taken with the SNO/Jarvi Shostakovich on Chandos and he seemed to achieve nowhere near as good results in Gothenberg afterwards .

                  Comment

                  • Petrushka
                    Full Member
                    • Nov 2010
                    • 12256

                    #10
                    Originally posted by Brassbandmaestro View Post
                    I have Gergiev's Sheherazade by the Mariinsky forces and not a bad cd at al!
                    Sorry, BBM, but that must be a candidate for worst sounding CD of all time. Such a pity after Gergiev's live 1997 Prom which was outstanding.
                    "The sound is the handwriting of the conductor" - Bernard Haitink

                    Comment

                    • Petrushka
                      Full Member
                      • Nov 2010
                      • 12256

                      #11
                      Originally posted by EdgeleyRob View Post
                      I have the Chicago Symphony Orchestra/Bernstein (DG).
                      Very powerful performance IMO,I think I will have a listen now.
                      Yes, that Bernstein 'Leningrad' is an absolute cracker. Haven't played it for several years though.
                      "The sound is the handwriting of the conductor" - Bernard Haitink

                      Comment

                      • BBMmk2
                        Late Member
                        • Nov 2010
                        • 20908

                        #12
                        Originally posted by Petrushka View Post
                        Sorry, BBM, but that must be a candidate for worst sounding CD of all time. Such a pity after Gergiev's live 1997 Prom which was outstanding.
                        Don’t cry for me
                        I go where music was born

                        J S Bach 1685-1750

                        Comment

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