à la Mole in The Wind in the Willows, I've been dusting down the shelves of my burgeoning CD collection and have decided to part with some of the bloatage in my collection: multiple copies that I don't return to, other unplayed discs, etc. It's been a rather cathartic experience.
Rather than just putting them to one side, I decided to remind myself what it is about this or that disc that stops me returning to it.
Thus, four Mahler 2s became two 2s. Rattle's Mahler 2 with the CBSO was the first to be replayed. That first movement, everything about it has me shouting at the speakers...It's a funeral march that doesn't so much march as dilly-dally...it's just so irksomely slow! Then each of the key moments are over-egged, reduced to pantomime theatrics, drawn out and losing any sense of drama in the drawing out. It's like every ritardando receives its own meta-ritardando! I know Baker is superb in it, but it's not enough...in the re-sell box it went.
Next up, the Tennstedt/LPO Live disc (sorry Laurie!). The conductor's interventions bothered me. I felt like saying, just leave the score alone and let the music speak! The quietness of the choir in the final movement also bothered me. Out it goes.
That leaves me with Klemperer and Mehta. I do foresee procuring the Jurowski/LPO Live (all's not lost, Laurie!) and maybe the Nott version.
Similarly, my five copies of Mahler 9. Boulez: the fourth movement is just too fast. Ancerl (more for the sonics )and Nott (noise distractions in the last movement) have been similarly culled, leaving just two: Klemperer and Barbirolli.
On the other hand, there are discs that I return to infrequently but which, put on, remind me immediately why I've kept them.
Of course, now all that shelf space begs to filled anew.
Does anyone else here feel the need to cull CDs on an ad hoc basis?
--
Incidentally, I will be re-selling these individually for a reasonable price (tho' no doubt Zoverstocks will undersell me ) later in the year, when I'll be back in the UK. Naturally, forum users can have first dibs. Only the serial music fans will be disappointed.
Rather than just putting them to one side, I decided to remind myself what it is about this or that disc that stops me returning to it.
Thus, four Mahler 2s became two 2s. Rattle's Mahler 2 with the CBSO was the first to be replayed. That first movement, everything about it has me shouting at the speakers...It's a funeral march that doesn't so much march as dilly-dally...it's just so irksomely slow! Then each of the key moments are over-egged, reduced to pantomime theatrics, drawn out and losing any sense of drama in the drawing out. It's like every ritardando receives its own meta-ritardando! I know Baker is superb in it, but it's not enough...in the re-sell box it went.
Next up, the Tennstedt/LPO Live disc (sorry Laurie!). The conductor's interventions bothered me. I felt like saying, just leave the score alone and let the music speak! The quietness of the choir in the final movement also bothered me. Out it goes.
That leaves me with Klemperer and Mehta. I do foresee procuring the Jurowski/LPO Live (all's not lost, Laurie!) and maybe the Nott version.
Similarly, my five copies of Mahler 9. Boulez: the fourth movement is just too fast. Ancerl (more for the sonics )and Nott (noise distractions in the last movement) have been similarly culled, leaving just two: Klemperer and Barbirolli.
On the other hand, there are discs that I return to infrequently but which, put on, remind me immediately why I've kept them.
Of course, now all that shelf space begs to filled anew.
Does anyone else here feel the need to cull CDs on an ad hoc basis?
--
Incidentally, I will be re-selling these individually for a reasonable price (tho' no doubt Zoverstocks will undersell me ) later in the year, when I'll be back in the UK. Naturally, forum users can have first dibs. Only the serial music fans will be disappointed.
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