Originally posted by Caliban
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Elgar's Cello Concerto: Non-du Pré Recordings
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Originally posted by Stanfordian View PostThe newly released live Decca recording of the Elgar Cello Concerto played by Alisa Weilerstein with the Staatskapelle Berlin under Daniel Barenboim is stunning.
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Originally posted by Pianoman View PostThe Carter is why the disc is worth getting imo...
A little harsh, Barbi, on those of us who love Carter's Music and are still stunned by his death. You may hate his work, but the suggestion (prompted by the "ENC" referrence) that he was a fraud is unwarranted. At the very least, his Holidays Overture and score for Pocahontas demonstrate that, had he wished to follow the popuarist path, Carter was capable of writing Music at least as bland as ... (well, I won't name names as the Thread devoted to their works suggest that it means a lot more to others in the Forum than it does to me). That he chose, instead, the more difficult route, one more true to himself and his beliefs, and producing some of the very finest Music to have emerged from the States as a result, deserves your respect for if not your admiration.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Barbirollians View PostUnfortunately it comes saddled with the Elliot Carter concerto . A composer who is the epitome of the Emperor's New Clothes to my ears .
I think the release is well worth getting for Weilerstein's wonderful performance of the Elgar cello concerto alone. I look on the Elliott Carter cello concerto as a bonus for those who like it. Personally I love the Elgar concerto and have enjoyed hearing the Carter concerto but somehow heard straight after each other their respective soundworlds feel incongruous.
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Originally posted by Barbirollians View PostI am afraid that I find Carter's music as the antithesis of the term .
Basta: has Robert Cohen with Vernon Handley been mentioned?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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I don't regard Emperor's New Clothes as being a question of fraud . To me the lauding of the works of composers like Carter has an element of - I am told by those who know better that it is good and it is my fault that I cannot appreciate it . When in fact all I hear is noise .
I shall , however, in deference to your opinion FHGL order the disc and listen to the Carter Cello Concerto in its entirety ( the snippets on Presto etc not having impreseed ) . Who knows my ears might be opened !
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Possibly I have missed something - like it's too dreadful to mention - but I am puzzled that no one has suggested Rostropovich's recording with LSO and Rozhdestvensky, 1965 BBC Legends. I think it was first choice in a BaL on this work a few years ago. Is it the recording? It is coupled with Haydn no. 1 and Saint-Saens 1.
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Originally posted by Barbirollians View PostI don't regard Emperor's New Clothes as being a question of fraud . To me the lauding of the works of composers like Carter has an element of - I am told by those who know better that it is good and it is my fault that I cannot appreciate it . When in fact all I hear is noise .
I shall , however, in deference to your opinion FHGL order the disc and listen to the Carter Cello Concerto in its entirety ( the snippets on Presto etc not having impreseed ) . Who knows my ears might be opened !
Good luck - and good listening!
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Originally posted by visualnickmos View PostPierre Fournier (DG) is excellent.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Originally posted by Wensleydale Blue View PostNot a huge fan of Elgar but the cello concerto does get an airing occassionally. My version is the Wispelway one that is coupled with Lutoslwski's concerto, which I bought for the latter and not the former. I quite like his version of the Elgar though because it doesn't go in for the overly passionate appraoch that is associated with Du Pre and seemingly almost all cellists since. I am I allowed to be controversial in my fifth post?
I've just found the Wispelwey version in my local Oxfam, and I like it very much. As you say, he's less passionate than du Pre, but who isn't ? It seems to me he achieves much with well nigh perfect intonation and dynamics, and in the scherzo section he is beautifully precise. I haven't yet had the chance to play the Lutoslwaski, that's something to look forward to.
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